When to Break Creative Rules

Written by Maricon Williams


Before we go unusual or unconventional and takerepparttar creative approach to breakrepparttar 132182 rules, it is vital to know whatrepparttar 132183 rules are. There are eight generally accepted rules that generate decent if not impressive results. Nonetheless, no matter how stablerepparttar 132184 rules are, we can always experiment. Here arerepparttar 132185 rules andrepparttar 132186 evasions torepparttar 132187 rules:

1. Always place a best seller inrepparttar 132188 upper right corner of each spread.

Readers glance at a catalog from front to back. Upper right corner is whererepparttar 132189 reader’s eyes first fall thus, it makes sense to put a striking product there. Onrepparttar 132190 other hand, not all best sellers are visually compelling or stunning. If this isrepparttar 132191 case, you can putrepparttar 132192 best seller in another high up position in order to encourage viewingrepparttar 132193 whole catalog spread.

2. Keeprepparttar 132194 typography simple and limitrepparttar 132195 number of typefaces.

The copy has to be legible and concise. Do not reducerepparttar 132196 type to 6 to condense allrepparttar 132197 text. Still, some ofrepparttar 132198 elements have to be presented in a bolder or larger typeface to emphasize a special benefit or feature.

3. Always have an order form.

To have a systematic fill out and mail it is essential to have an order form. However,repparttar 132199 birth of Web together withrepparttar 132200 existence of telephone and fax continue to replace ordering by mail.

4. Consistent layouts are a mark of excellence.

Recognizable spreads, icons and typographical elements are vital in creating a brand image or character. However, if every spread looksrepparttar 132201 same, it may develop boredom andrepparttar 132202 readers may choose not to peruserepparttar 132203 entire catalog. To encourage readers to spend more time, try to create stoppers using a series of planned layout template changes. You can also use different colors, layout formats and backgrounds to make a compelling change.

5. Standard catalog formats are more lucrative.

You can increase many economies by working with your printer andrepparttar 132204 Postal Service to determine an proficient trim size, but sometimes a distinctive format will magnetize more attention or better augment your brand than a standard full-size, slim-jim, or digest-size catalog, which in turn can increase sales and evenrepparttar 132205 bottom line.

A Crash Course on Graphic Philosophy 101

Written by Lala C. Ballatan


Novice and professional graphic designers, we are aware that you knowrepparttar basic principles of graphic philosophy. But then, as workers of art – though digital and graphic art already borders in commercial arts, there’s no harm in continuously improving our craft through constant study and practice, is there? Really great graphic designers I know have come to their status because of painstaking application and study of their past works.

We’ll reviewrepparttar 132179 theoretical concepts of graphics and graphic forms as a foundation on how we have to go about our graphic designs. To begin with, a graphic form isrepparttar 132180 shape that embodies a certain idea. We can take a tree and use it as an example. How many ways can we depict a tree? We can depict by a photo of a tree, orrepparttar 132181 silhouette of a tree, or even its outline. By having these forms that represent a tree, we are therefore conveyingrepparttar 132182 idea of a tree.

A word of caution, though,repparttar 132183 effectiveness of whichrepparttar 132184 idea is communicated depends upon many levels of context.

The abstraction of an idea into a flat space, to make it a graphic form, is an integral part of Graphic Design. Usually,repparttar 132185 goal is to communicaterepparttar 132186 idea as clearly as possible. So why not depictrepparttar 132187 apple as close to reality as possible with a photo? This clearly depicts an apple and leaves no room for misinterpretation. So why not use photos of everything?

The idea is usually not as simple as just an apple. The graphic form is merely a component of an entire design. In a design of a poster for example,repparttar 132188 existence of multiple forms and large amounts of text can compete with one another forrepparttar 132189 reader’s attention. To increase readability, graphic forms are usually simplified into basic shapes, and flattened into a limited amount of color. They are made to work with type more harmoniously and further refined to conveyrepparttar 132190 layers of information with clarity.

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