The True Story Of The Amazing $27,000 Mars Bars...

Written by Chris Bloor


The True Story Of The Amazing Twenty Seven Thousand Dollar Mars® Bars… © Chris Bloor 2002

I could hardly believe my eyes. I was sat inrepparttar audience at Mal Emery’s $3,000 a head Ultimate Marketing Boot camp in Melbourne, Australia when Mal decided to auction a Mars Bar. The week before I had seen him dorepparttar 100936 same thing in my hometown of Perth and raise seven thousand dollars in a matter of a few minutes. Mal of www.malemery.com is known asrepparttar 100937 Australian mail order millionaire.

They were just ordinary Mars bars. What made them special wererepparttar 100938 extra bonus gifts that Mal included with them.

You see each speaker atrepparttar 100939 boot camp, myself included, threw in some of our products and services I donated a thousand dollars towards copywriting along with a copy of my new manual ‘How to Start an Internet Newsletter & use it to Grow Your Business – Virtually Overnight!’ Others gave software, conference tickets, telemarketing services and advertising consultations.

Each speaker in turn donated some of his or her valuable products and services.

All of a sudden everyone inrepparttar 100940 room sawrepparttar 100941 Mars Bars in a whole new light…

How to Know When You've Done a Good Ad

Written by Walter Burek


HOW TO KNOW WHEN YOU'VE DONE A GOOD AD.

A good ad is a marvelous, magical thing. An object of emotion as well as intellect. A work of art.

Once you've done one, you know what a good ad can do. Turn nerves taut. Make fellows mellow. Raise eyebrows or raise hopes. Inspire or intimidate or influence. Impart information that motivates action.

A great copywriter once wrote, "A good ad is like a good sermon: It not only comfortsrepparttar afflicted, it also inflictsrepparttar 100935 comfortable."

Butrepparttar 100936 question ofrepparttar 100937 moment is this: How do you know -- before a single living colleague, client or consumer has laid eyes on it -- that you've done a good ad? That it'srepparttar 100938 right time to stop allrepparttar 100939 thinking, talking, writing, doodling and designing. The right time to click on "save" and call a meeting?

It ain't easy, knowing that moment. Because a good ad isn't likerepparttar 100940 99-yard run kickoff return that everybody inrepparttar 100941 stadium can follow as it turns into a touchdown. Orrepparttar 100942 4th of July fireworks display that gets everyone oohing and aahing in unison.

A good ad is hard to recognize. Often because it's hiding in blah advertising meetings and windy memos. Lost in dim product descriptions and lengthy creative briefs. Or even gone missing inside another ad.

A good ad is difficult to get your hands on. Like a glob of mercury on a glass tabletop. Slippery and elusive. (Onrepparttar 100943 other hand, Leo Burnett said, "I have learned that any fool can write a bad ad, but it takes a real genius to keep his hands off a good one.")

A good ad will sometimes show itself when you least expect it. While you're inrepparttar 100944 shower, at a movie, listening torepparttar 100945 latest from Eminem, or having a couple of quiet beers. Sometimes, even when you're working on something else.

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