Continued from page 1
Every now and then, a good ad will sneak up on you from out of
blue. Or from within yourself. A dream, a hunch, a personal experience. David Ogilvy, in The Art of Writing Advertising, wrote: "Some of
good (ads) I have done have really come out of
real experience of my life, and somehow this has come over as true and valid and persuasive."
A good ad is a subject about which you'll hear a lot of views. A lot of people will tell you an ad is good if it wins awards. Some will say a good ad is one that "sells product." Others will say an ad is good only if it "tests well." And more cynical others will say a good ad is "any ad
client buys."
John Caples, who created enough good ads in his career to get him into
Copywriters' Hall of Fame and
Advertising Hall of Fame, opined that "... you're almost sure to have a good ad, if you come up with a good headline." And Bill Bernbach of Volkswagen "Lemon" fame believed that good ads are often
ones that "take chances."
Still, while all
preceding identifiers may be interesting, they are all descriptors after
fact. None of them tells you how to know, at
moment you've done it, that you have done a good ad. How do you decide when to take this beast you've created and lock it up in a cage for all
rest of
world to see?
Two little words: Your gut.
Intangible, unsupportable, unprovable. But unbeatable.
You may be suspicious of it, but you know it's never failed you. You can't evaluate it easily or readily define it but, deep down, you know you can't ignore it.
You know a good ad when you know it in your gut. And that's an easy thing to know.
(c) Burek Group 2002

Walter is a professional advertising copywriter who writes, edits and publishes "Words @ Work", a FREE bimonthly newsletter of advice and information about writing that works. To view his award-winning portfolio and to subscribe visit www.walterburek.com. You may also subscribe to Words@Work via e-mail to: walter@walterburek.com