Slammin The Doors

Written by Michael LaRocca


SLAMMIN THE DOORS Copyright 2004. Michael LaRocca

C'mon c'mon c'mon c'mon now touch me baby Can't you see that I am not afraid? What was that promise that you made? Why won't you tell me what she said? What was that promise that you made? Now I'm gonna love you 'tilrepparttar heavens stoprepparttar 129045 rain I'm gonna love you 'tilrepparttar 129046 stars fall fromrepparttar 129047 sky for you and I

SLAM!!

Great song, but it's time for Michael to slam The Doors. Michael, self-appointed grammar police. Bad career choice, byrepparttar 129048 way. Ya oughta seerepparttar 129049 questions I get in my email.

"For you and I." It's wrong. Always has been, always will be. Even though it rhymes.

I have two ways to do this. I can turn teacher, since that's my job from time to time. Or I can turn goofball, just because I enjoy it so much. Let's do it both ways.

Teacher: "For" is a preposition. The nouns that follow this word are objects ofrepparttar 129050 preposition. Thus, they must be inrepparttar 129051 objective case.

"You" is one of those easy words that isrepparttar 129052 same regardless of case (subjective/objective) or even singular/plural. Unless you're from Down South, in which case we say y'all, or from Brooklyn, in which case youse will say youse, or from Pennsylvania, in which case younse will say younse, or...

Comma Usage Explained

Written by Michael LaRocca


COMMA USAGE EXPLAINED Copyright 2004, Michael LaRocca

Don't they drive you nuts?

You can visit allrepparttar rules of style you want, and you can read allrepparttar 129044 books and articles you want. You will still be confused. You will see inconsistency. You will see experts who don't agree with each other. And, you'll pull out your hair. Unless you're Michael, since my hair's falling out all by itself. I think it'd do that even if I weren't an editor hunting down errant commas.

Well, folks, here are some rules. A bare minimum. Internalize these and ignore everybody else.

(1) Never put a comma between a subject and a verb. It's always wrong. The dog, barked. What is that? Idiocy. I'm sorry, but it is. Read it aloud, and pause atrepparttar 129045 comma. Don't you feel stupid?

(2) If you want to separate a clause, put a comma on both sides of it. Otherwise, no commas at all. "The dog, who held a bone in his mouth, ran torepparttar 129046 porch." See how there's a comma on both sides? That's because you could skip that whole clause entirely and it'd still be a complete sentence. "The dog ran torepparttar 129047 porch."

If I deleterepparttar 129048 first comma, I have to deleterepparttar 129049 second one. You decide which looks best, two commas or none. But, one comma doesn't work. Try deleting either one and readingrepparttar 129050 result aloud, remembering to pause atrepparttar 129051 comma. It's a wreck, isn't it? You don't talk like that, so don't write like that.

(3) "He sawrepparttar 129052 cat,repparttar 129053 cat was onrepparttar 129054 couch." This is not a good sentence. It's two sentences. The one beforerepparttar 129055 comma has subject object verb, and so doesrepparttar 129056 one afterrepparttar 129057 comma.

Run-ons like that can emphasizerepparttar 129058 run-on nature of a character's words or thoughts, but userepparttar 129059 device sparingly. It's okay to break a rule, as long as you know what it is and why you're breaking it.

But inrepparttar 129060 example above, it'd be best to make them two sentences. If you find you just can't do it, consider a semicolon. Don't believe anyone who says semicolons aren't allowed in fiction. I wouldn't use one inrepparttar 129061 sample sentence, but I've used them in other sentences I've written. Sparingly.

But for something as lame as a sentence about a cat on a couch, it's best to followrepparttar 129062 rules exactingly and make that two sentences. Do you really think your reader's gonna pop off for a beer or a toilet break between them and lose his place? As long as they're inrepparttar 129063 same paragraph, they'll be read together.

(4) And finally, THE rule. It works for narrative and it works for dialogue. Read what you've written aloud. Wherever you would pause for breath, whack in a comma. Because, you have internalizedrepparttar 129064 rules. You've been speaking English all your life. But as an aspiring writer, you've been so busy trying to learn "the rules" that you've forgottenrepparttar 129065 rule you've known all along. And you do know it!

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