Customers - What They Really Want - 6 Secrets of Customer

Written by Alan Fairweather


What customers really want can be divided into two areas. Firstly - they wantrepparttar core service of your business to meet their needs. They expect your product or service to work. If you say you're a plumber, thenrepparttar 103107 customer expects you to fix their leaking pipe. If you say you're an accountant, then they expect you to resolve their tax details.

They also expect your product or service to represent value for money. If I buy an expensive pair of winter boots I expect them to keep outrepparttar 103108 cold and wet and also look good. Naturally if I was to buy a cheaper pair I wouldn't expect them to last as long. Customers expect your after-sales service to be efficient. If my new winter boots start to leak when I wear them forrepparttar 103109 first time, then I expectrepparttar 103110 shop to replace them immediately.

However, none of this will make customers loyal or cause them to tell others how good you are. They take this core service as a given. You wouldn't see me running around telling people that my new winter books didn't leak. This isrepparttar 103111 Second and most important point -

What customers really - really - really want and what will make them loyal to your business and say wonderful things about you to other people are:

1 Warm and friendly responses - When customers make contact with you face to face or overrepparttar 103112 telephone, they want a warm response. It can still be businesslike but you and your people need to look and sound - friendly and likeable.

(This may all sound like common sense to you but think about these factorsrepparttar 103113 next time you're a customer and ask yourself if the're happening to you. Then ask yourself if your customers or clients are experiencing this from you and your people)

2 They want to feel important - They know that you have lots of other customers and clients but they just love it when you make them feel special.

3 They want to be listened to - Customers often getrepparttar 103114 impression thatrepparttar 103115 person dealing with them is not really listening. You must keep working on your listening skills. Keep good eye contact with people and concentrate on what they're saying. Keep and open mind and resistrepparttar 103116 temptation to jump in with an answer. It's also important to show that you're listening. Open body language and head nods when face to face - lots of Uh - Hu's when overrepparttar 103117 phone.

Managing Creativity and Innovation part 2 of 2

Written by Kal Bishop


Managers must be competent in at least thirteen domains to even begin effectively managing creativity and innovation. Part 2 of Managing Creativity and Innovation coversrepparttar last six of these domains.

h) Group Structure. There is much confusion as which group structure (or combination of structures) maximises creative output. Workshop leaders randomly seem to make people work alone, in pairs, or in small or large groups. Each combination has strong arguments for and against:

i)The individual working alone can be very creative; after all, many people who are acknowledged to have made great contributions to society have worked alone. ii)Pairs reducerepparttar 103106 path dependency and enhancerepparttar 103107 intellectual cross-pollination that limitsrepparttar 103108 individual. iii)Many successful enterprises grow rapidly inrepparttar 103109 early stages, when there are only a small team of people working together. iv)Large groups benefit from massive intellectual cross-pollination but introduce politicking, core and peripheral groups, a dilution of ideas and more negatives.

i) The degree of knowledge input has a significant effect on output. There are three types of knowledge input:

i)Tacit knowledge. That experience which results from a natural life-long interest and curiosity in many subjects and experiences. ii)Depth versus Breadth. Can someone with limited knowledge of a field make a significant contribution to it? Does excess knowledge cause blinkered vision? iii)Networks and Collaboration. Importing competencies from networks and collaboration overcomes path dependency and parochialism and allows greater frame breaking.

j) Radical versus Incremental productivity. Radical / transformational / disruptive creativity is very much glamorised. But is this what is required most often? Is radical really radical orrepparttar 103110 result of incremental improvement? How is radical defined? If we want a radical idea as opposed to an incremental change, what arerepparttar 103111 implications? Incremental and radical creativity require vastly different structures, processes, skills and resources.

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