Tip 3: INK JET PRINTS

To avoid second-guessing where mistakes rest, it is better to just provide your printer with prints, especially to alert operators to potential problems.

Tip 4: SHARPNESS

Although well-sharpened images look a bit intimidating when viewed in Photoshop, especially at 1:1, your image will print well. Great sharpness is required when you're dealing with coarser screens and uncoated stocks.

Tip 5: FOR POSITION ONLY

Layouts showing FPO images cropped and scaled will help printers provide optimum and sharpened result to your image.

Tip 6: COLOR CHECKER

With each new set up for color reference, one printer suggests that you ask your photographer to do a shot of his Gretag MacBeth "Color Checker" target.

Tip 7: RAW FILES

Ask your photographer if he or she can provide you with digital camera raw files. These raw files will provide you with greatest latitude and quality in hands of skilled operators.

The best way to go about this problem is to simply deal with printing companies whose prepress staffs understand basics of color management. People who know and are experts on advantages of digital raw camera files, and explain them to you when asked.

If not, then it's better for you to change now.

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3 - To adjust size of any part of face (e.g. big nose), adjust to your liking with Liquify filter. Click Filters menu and choose Liquify. This tool allows you to smudge, move, squish, and even distort your image according to your satisfaction. For best results and easy navigation, turn grid on. This will let you view changes you’ve made.

For increasing or reducing size of area, you can also use Warp, although Pucker and Bloat are most effective with this type of retouch. Remember to be careful and again, do not be afraid to experiment. Use appropriate brush size and go slowly, moving bits at a time.

4 –To smoothen skin, use cloning stamp and carefully apply to skin. The best would be to use multiple clicks rather than strokes to even out skin tone. This is part where you need to be patient. Be careful with your patterns and do not repeat. Also, try to be creative. Don’t worry if you make mistakes along way. Just go back to history palette everytime you create something you don’t like and start again.

5 – For overdoing smoothing process, just use history palette to restore specific area. If this does not work, try to select and add noise filter to simulate texture of skin.

Finally, after a little adjustments and a little nip and tuck here and there, you are ready to view your final image.

According to photographer, beauty retouching needs patience and a lot of perseverance. Many methods are available, but there are only a few tricks to help others retouch their photos. Even for professionals, this job takes time to finish. However, with time, one can get faster.

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