Effective communication in business

Written by Lee Hopkins


Continued from page 1

* Standing passively: Crossed arms, crossed legs... they signal just one thing—u—detachment, as if you really don't want to be there, listening torepparttar other person, but you have to. Passively standing kicks downrepparttar 107975 building bricks of trust, over time reducing your career reputation to rubble.

* Avoiding eye contact: Whilst too much staring at someone can cause discomfort, so can too little. By not looking at your audience (of one of one thousand) inrepparttar 107976 eye, you come across as nervous and insincere. A reasonable period of eye contact is between 4 and 7 seconds at a time, per person, especially when you are talking to them.

* Playing with your hands: Wringing your hands, or playing 'fig leaf' is a sure way of conveying insecurity about yourself or your message. And recently I was reminded by my Toastmasters club colleagues of a habit of mine that I need to break——twisting my wedding ring around my finger when I present. My colleagues found themselves focusing more on my ring-twiddling than my message.

* Speaking too softly: A habit that is a sure sign inrepparttar 107977 eyes of others, that you are not confident about yourself, your message or your authority to deliver it. You come across as near-invisible, weak and insubstantial, as well as make yourself difficult to be heard by those who are hard of hearing. And as I get older, my hearing is definately getting worse—u—a legacy of spending years in front of PA stacks as a lighting manager for rock bands.

* Using qualifying words: This is quite possibly one ofrepparttar 107978 worst habits anyone could have. Absolutely nearly everyone qualifies their words, and most oftenrepparttar 107979 effect is to dilute repparttar 107980 power and impact of your message. Seriously, using words such as "kind of", "sort of" and "maybe" make evenrepparttar 107981 smartest of us appear unsure.

When you match consumer psychology with effective communication styles you get a powerful combination. At Hopkins-Business- Communication-Training.com you can find the secrets to communication success. At Hopkins we show you how to communicate better for better business results. www.hopkins-business-communication-training.com


Fundamentals of Headlines, Copy and Design in Communication

Written by Lee Hopkins


Continued from page 1

Next,repparttar photo or illustration amplifiesrepparttar 107974 message. An ad for Bull Worldwide Information Systems, for example, showed a satellite photo ofrepparttar 107975 earth withrepparttar 107976 headline "GloBull."

Oncerepparttar 107977 headline and illustration have drawnrepparttar 107978 customer into your ad,repparttar 107979 copy convinces them to buy. So make it believable, full of information, and bolstered with words and style that complement your identity. Almost any Volkswagen or Mercedes Benz print ad exemplifies convincing copy in a style that suitsrepparttar 107980 product perfectly.

Broadcast advertising will also involve selecting music, sound effects, actors or announcers, and perhaps a theme song. All these elements enhance your message and reinforce your identity but, forrepparttar 107981 most part,repparttar 107982 copy and what it conveys actually do repparttar 107983 selling.

When you match consumer psychology with effective communication styles you get a powerful combination. At Hopkins-Business- Communication-Training.com you can find the secrets to communication success. At Hopkins we show you how to communicate better for better business results. www.hopkins-business-communication-training.com


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