Creative Promotions

Written by Eugenijus


Continued from page 1

* Always Start With The Least Expensive Venue When you embark on a campaign be sure that you build in a method for scaling your response. Before you blow your ad budget on an expensive Solo Ad, measurerepparttar response you get from an abbreviated ad in a smaller publication. This preserves capital while it serves as a test for evaluating your response. For example,repparttar 137494 ezines withrepparttar 137495 most readers are not alwaysrepparttar 137496 ones withrepparttar 137497 best results - test first, then go forrepparttar 137498 solo ad if your smaller ad generated acceptable interest.

* Create a System For Testing Your Promotion The sophistication of Internet technology now provides modern methods of testing and re-testing. Use of Ad Trackers, Click Exchange venues, and quickly edited auto-responders greatly reducerepparttar 137499 expense of mistakes. Set up a system that takes advantage of technology.

* Ask For The Order More Than Once Whether your sales pitch is delivered on a website or via e-mail, insert your action/order links multiple times. Prospects respond to different buying signals, so be sure to insert a link directly after each perceived trigger within your ad copy.

* Persistence Will Pay You, Quitting Will Cost You Failure is an opportunity for future success, but giving up is simply giving in. The expression, "Try, try, again" is not a click without reason. If you are leaning inrepparttar 137500 right direction, you will, atrepparttar 137501 very least, fail forward. That will get you closer to success. Quitting will not. The Internet loves and caters to quitters - don't be lured in byrepparttar 137502 promise of greener pastures. If you aren't making money in a legitimate opportunity where others are making money, then you won't solve that problem by moving onto something else. You solve it by trying a different approach and by not giving up. Likerepparttar 137503 saying goes: Wherever you go, you take yourself with you.

In your next training e-mail you will be introduced torepparttar 137504 greatest friend any marketer could ask for when it comes to promoting your business. Stand by . . . it's AIDA with a brand new face. You're going to love this!



Eugenijus Sakalauskas is an established ezine publisher and direct marketer who specializes in developing new ideas and methods on Website Marketing & Home Business Secrets Get FREE infomailto:pluginnetproefit@getresponse.com Support:support@pluginnetproefit.com




Seven Tips on Making a Successful Video Production

Written by Marie-Claire Ross


Continued from page 1

4.Messages. One ofrepparttar key areas to work out is what communication messages you need to get across. Work outrepparttar 137442 4-6 key messages and developrepparttar 137443 video around these. If you have too many messages people will tune out. Essentially, make sure you give information that your audience wants to know (not what you think they ought to know).

5.Script. The script providesrepparttar 137444 backbone to any video project. It’s always worthwhile spending extra time refiningrepparttar 137445 script. As a rule of thumb, it needs to be completed before any filming begins. The best kind of script is short and sharp and revolves around your main messages. The quicker you can get your message across,repparttar 137446 betterrepparttar 137447 result. Avoid putting everything intorepparttar 137448 script, as wall to wall voiceover is quite tiring (and boring) to watch.

6.Assign a contact person. A designated person from your firm will need to be available to work withrepparttar 137449 video production company. The production house will need script information and approval, help in organising shoots, copies of your logo and other relevant materials and someone to view a draft ofrepparttar 137450 video and then finalise. This person will also need to make sure thatrepparttar 137451 look and feel ofrepparttar 137452 video best represents your company.

7.Get expert advice. A good production company will be able to advise you onrepparttar 137453 best format for your needs such asrepparttar 137454 music,repparttar 137455 filming, editing style and howrepparttar 137456 schedule will run. They will also be able to take your brief and come back with a range of suitable suggestions. Don’t stress aboutrepparttar 137457 technical issues. That’srepparttar 137458 job of your producer.

(c) Marie-Claire Ross 2005. All rights reserved.

Marie-Claire Ross is one of the partners of Digicast. Digicast works with organisations who are not satisfied that their marketing and training materials are helping their business grow. She can be contacted at mc@digicast.com.au. The website is at www.digicast.com.au.


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