Writing a Book's Marketing Plan for Maximum Profit

Written by Roger C. Parker


Much has been written about book proposals. But less has been written about book marketing plans. This is wrong!

What happens after your book is published has a great deal to do with whether you become published and profitable… or just published.

A book proposal is a direct-marketing document intended to persuade publishers to edit, print and distribute your book. It’s a sales piece intended to communicaterepparttar inevitability of your book’s success.

Your book’s marketing plan, however, is intended for an audience of one – You! It’s not intended for your publisher. Rather, it’s intended to identifyrepparttar 104257 revenue streams that you will develop after your book is published.

Your marketing plan should describe profits you will earn above and beyond royalties from sales of your book. It should describe in detail your market andrepparttar 104258 steps you will take to earn this income.

The reason to prepare your marketing plan now, before you sign a publishing contract or write your book, is thatrepparttar 104259 success of your marketing plan depends onrepparttar 104260 way your book publishing contract is negotiated.

Coaching and consulting

Let’s assume, for example, that you plan to use your book as a way of enhancing your visibility and credibility among your target market. Atrepparttar 104261 simplest level, you will want to include your web site address at several points inrepparttar 104262 book. Knowing this goal, you can insist thatrepparttar 104263 publisher agrees in writing to include your web site address in specific locations in your book.

Remember: promises don’t make it! Let’s takerepparttar 104264 worst case scenario. You and your acquisition editor agree that you can include five mentions of your web site address inrepparttar 104265 book. However, as often occurs,repparttar 104266 acquisition editor, after signingrepparttar 104267 contract, fades out ofrepparttar 104268 picture.

The new development editor then informs you that author’s URL’s can only appear in one place, inrepparttar 104269 author biography hidden towardrepparttar 104270 rear ofrepparttar 104271 book. When this happens, what happens to your coaching and consulting plans?

4 Questions to Answer Before Contacting a Book Agent

Written by Roger C. Parker


Obtaining agency representation is your first step toward getting profitably published. Most publishers won’t even look at unsolicited manuscripts.

But, before approaching an agent to represent you, you should finalizerepparttar presentation of your book.

Agents don’t have time to waste dealing with publishing ‘wannabees’ who don’t have, and may never have, a concrete project to represent. To busy agents, dreams don’t make it.

If you approach an agent before you’re prepared, you may never be able to contact them again. They’ll consider you a ‘dreamer’ and disregard you emails and phone calls.

Elevator Speech

Before approaching an agent, prepare an ‘elevator speech’ describing your project inrepparttar 104256 less than thirty-seconds it takes for an average elevator ride. If you can’t, your project probably isn’t ready for prime time.

Your elevator speech must answer four major questions:

- What is your book about?

- Who is going to buy it?

- How does it differ from existing books onrepparttar 104257 subject?

- How are you going to promote it?

1. What is your book about?

Finalize your book’s title and contents before contacting an agent.

The title is crucial to your book’s success. It must attractrepparttar 104258 attention of acquisition editors, book reviewers, bookstore managers, web surfers and readers. The title is often your one – and only – chance to make a sale.

Finalize your book’s table of contents and prepare a brief description ofrepparttar 104259 contents of each chapter. You should also know how long your book is going to be andrepparttar 104260 number of illustrations, graphics or worksheet

Prepare two – three, if you’re a first-time author – sample chapters and hire a professional editor to fine-tune them. It’s better to show three perfect chapters than a finished manuscript filled with spelling errors.

You don’t have to write your whole book before approaching agents. And your sample chapters don’t have to begin withrepparttar 104261 first chapter, nor do they have to be in sequence. But, they must represent your writing at its best.

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