Part Two-- Question # Six - Editors, how do you locate that next position when it's time to move to a new publishing house, newspaper or magazine? How do you keep that great editing job once you have it?” --
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Jenny Kasza –
“To keep a great job once you have it, you have to be creative with your time to get
most out of day. Plus you have to be creative with covers and articles.
You also have to be flexible with others around you (graphics person, sales staff, president, publisher, other departments).”
Tudor Hampton –
“Success is about hard work but in any job, it is important to keep in touch with your colleagues, take interest in their work and show them respect when appropriate, even if you are competitors.
If you look to them for examples of how to do your job better, they will do same for you and everyone fares well in end. Our careers get stifled when we shut down, close doors, focus too much on ourselves and restrict our imaginations.”
Lori Widmer -
“Locating next position is as easy as networking.
When I was at magazine, I networked not only with clients, but also with other magazines in that space. I got to know some key folks and kept in friendly contact.
Also, when I interviewed outside company, I kept in touch with every employer I connected with. It's helped me to find some projects since I've lost my job. I've also found a lot of leads through these same folks.
Other writers in these publications are also a great source. I've received two projects from former coworkers.
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Also, clients I bothered to get to know (many of them) have been a huge help in finding me projects. I've received almost three projects in two weeks from former clients.
If you want to keep that great editing job, then you have to give them more than they bargained for. Make sure you're strong in both writing and editing.
Finding a person who can do both well is a dream come true for companies. If you're weak in one area, then do what you need to in order to become great at it.”
Tracy Owens –
“In order to enjoy continued success, an editor must always stay on cutting-edge of genre that they work in -- be it news, music or business. Find your niche and further your education as it relates to that, with Internet research, conferences and like.
I'm currently working as managing editor of a small trade publication, but have worked primarily as an editor/writer in arts & entertainment industry, including stints at MSN.com and now-defunct "Experience Hendrix" magazine (published by family of Jimi Hendrix).”
-- Question # Seven - How do you succeed at freelance editing? --
Teresa Acosta –
“By meeting deadlines and accuracy; evenings or weekends or when I feel a need to write; create as many revenue streams as possible;”
Dana Cassell –
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“It's not main part of my business, but what I have done over past several years has found me through writers-editors.com.”
Tracy Owens –
“Success in freelance work comes from tenacity, time management and talent.
The bulk of my freelance work assignments have come from former co-workers that are already familiar with my work (as well as writing strengths and specialties) and have moved on to other publications and are looking to hire writers or editors.
Other gigs have come from networking or media-specific job boards and listservs.”
Lori Widmer -
“Keep networking. Also, become reliable writer/editor in their stable of freelancers. Ask each client if they know of anyone else who might need your services.”
-- Question # Eight - How do you get freelance (writing) work of your own on side when you want to? --
Dana Cassell –
“In past few years have only done freelance articles when those editors I worked with over years call me with assignments. So I only do about 10 articles a year, none of which I have solicited - so this question probably does not apply to me.”
Anonymous -
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“The only freelance writing I do on side is for a greeting card/social expression company, and I don't do a whole lot of that. I have written some short stories, but never really tried to sell them.”
