Web Writing: Create Writing Flow With Four Uncommon Connectors

Written by Catherine Franz


Web Writing: Create Writing Flow With Four Uncommon Connectors

Connectors -- conjunctions, punctuation, and transitional phrases -- allow readers to process information promptly by creating balance and relationships between sentence parts. The connectors are performingrepparttar same work as verbs, objects, modifiers and multiple subjects.

Here are four uncommon connections that will create an easier flow for your readers:

1. Parallel Constructions. This side-by-side structure buildsrepparttar 129007 bond between multiple joined parts. Example: Inrepparttar 129008 children's story, Peter Pan stressesrepparttar 129009 need "for Wendy to sew" his shadow back on, "for her to return" to Never Never Land with him to take care ofrepparttar 129010 Lost Boys, and "for them to leave" before her parents returned.

2. Beginning your sentence with a conjunction. One way to divide a long sentence or several independent clauses is to make each clause an independent sentence. And, but and or are three common conjunctions used frequently. This shortensrepparttar 129011 sentence, creates a conversational level, and keepsrepparttar 129012 reader moving forward.

3. Creating A Series Without A Conjunction. Using punctuation, usually commas but not limited to them, instead of words to separate, opensrepparttar 129013 door of possibilities inrepparttar 129014 reader’s mind. It allows them to "feel"repparttar 129015 "something more" and mindfully fill in their own words. The series allows readers to sense a separateness rather than a joined relationship. Example: Tinker Bell got angry, didn't like Wendy, flew frantically aroundrepparttar 129016 room. Many times editors want to add a conjunction -- and, but or or -- torepparttar 129017 last series. When actually it is intentionally not added to createrepparttar 129018 feeling of possibilities. Ask yourself, "Do I want to create this feeling, or be more adamant withrepparttar 129019 reader?"

Using Body Language to create Believable Characters

Written by Lisa Hood


Have you ever had a “Gut” feeling about someone? You meet someone and a little voice says: "I like him” or “I don’t trust her”. Have you ever wondered why you formed that immediate opinion?

Body language plays a big role in intuition as it gives us messages aboutrepparttar other person that we can interpret at an intuitive level. We are alwayscommunicating verbally and nonverbally.

To make a good impression, it is important to understand that you are always communicating through body language, whether it is intentional or not. Studies done inrepparttar 129005 field indicate that:

•55% ofrepparttar 129006 communication consists of body language, •38% is expressed through tone of voice (paralanguage) and only •7% is communicated through words. (1)

As a writer, you can userepparttar 129007 body language of your character to convey a great deal of information.

There are four types of body language to be aware of: facial expression, including eye contact, gestures, posture and space relationship.

1. Facial Expressions including eye contact - “Darwin believed that facial expressions of emotion are similar among humans, regardless of culture.” However, researchers now believe “our non verbal language is partly instinctive, partly taught and partly imitative.” (1) There are some universal facial expressions; a smile, a frown, a scowl, however, there are many more nonverbal messages that are learned and may be unique to specific cultures.

Eye contact is direct and powerful. The eyes are always talking. A poet and writer of 19th-century France wrote, ‘Eyes are so transparent, that through them, one seesrepparttar 129008 soul.’ Nothing builds trust and rapport as effectively as eye contact. (2) The use of eye contact varies significantly from culture to culture. In some regions, direct eye contact may be considered insulting or challenging. Inrepparttar 129009 United States, direct eye contact is often considered a sign of trustworthiness. So, if your character is American, regular, attentive eye contact would convey honesty, straight forwardness and/or approachability. However, a hard, unblinking stare will send a much different message.

2. Gestures - can be used purposefully to emphasis meaning. Fidgeting shows boredom and restlessness. Pressing fingers together to form a steeple shows interests, assertiveness and determination. Touching repparttar 129010 nose or rubbing eyes indicates discomfort, or it may even be a signal that your character is not being completely honest. A hand torepparttar 129011 back ofrepparttar 129012 neck may indicate withdrawal from a conversation.

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