The Questions People Ask About Writing Niche Non-Fiction

Written by Jim Green


Here is a list of questions that people frequently ask me onrepparttar topic of writing for profit inrepparttar 129137 realms of niche non-fiction. Hopefully you will findrepparttar 129138 answers helpful but if you have any questions of your own please feel free to contact me.

WHAT EXACTLY IS NICHE NON-FICTION?

Simply put, it isrepparttar 129139 narrow focus a writer employs to position his work aboverepparttar 129140 norm in published produce of a specific non-fiction topic. For example, writing a book on fly fishing as apposed to fishing per se - that's niche - that'srepparttar 129141 route to take to make money writing. Isolate your extra income idea, convert it into an extra income opportunity and progress thereafter to create a residual income stream.

WHY IS THE 'NICHE' PART SO IMPORTANT?

Writing inrepparttar 129142 niche non-fiction mode allowsrepparttar 129143 writer to fine tunerepparttar 129144 precise identification of (a)repparttar 129145 target market and (b) appropriate publishing houses. The target market will comprise devotees and enthusiasts ofrepparttar 129146 topic in question andrepparttar 129147 appropriate publishing houses will be those who cater for that niche sub-sector ofrepparttar 129148 overall market. Do it this way and you are setting out your stall to earn extra income at home.

ARE YOU SERIOUS WHEN YOU SAY ANYONE CAN WRITE FOR PROFIT?

Yes, I am, and let me give you an illustration from history to proverepparttar 129149 point. Wallace D Wattles (what a great name for an author) was a working man who resided inrepparttar 129150 Mid West ofrepparttar 129151 USA. He had something to say on his specialist subject and he desperately wanted to put it all down in book form. His problem was that he was short on basic education let alone writing technique. For several years he spent night after night at his local public library buried in other people's literary works in an endeavour to bring himself up to speed. Finally he managed to have his own book published and it became an instant bestseller. It's still around today some 80 years on and you can read about its substance in my creative writing course which, incidentally, will negaterepparttar 129152 necessity for you to spend years training to become a master of writing for profit. Followrepparttar 129153 signposts and you will be up and running in next to no time in your mission to isolate an extra income idea, convert it into an extra income opportunity and create your very own residual income stream.

CAN YOU REALLY BECOME SUCCESSFUL WRITING FOR PROFIT PART TIME?

I am living proof that you can; I have far too many other commercial interests pressing on me to make a full time career out of writing. Even at that I wouldn't persist on a part time basis unless it were affording me fulfilment in (a) recognition) and (b) profit from my undertakings. You will recall reading this statement whenrepparttar 129154 first flush of recognition comes your way. It's addictive!

SURELY THE LEARNING CURVE IS TOO COMPLICATED FOR BEGINNERS?

No, it is simplicity itself and as short as you'd like to make it providing you are prepared to apply yourself torepparttar 129155 basics,repparttar 129156 signposts andrepparttar 129157 templates for progression, all of which are clearly laid out inrepparttar 129158 tutorial: 'Writing for Profit in Your Spare Time'.

ISN'T ALL THIS JUST FOR LONERS?

We all live in a mind world to varying degrees but authors spend more time there thanrepparttar 129159 average Joe (esphine). They require to if they are to be successful. That however does not mean to imply that they are all necessarily loners by nature. Gregarious people also make good writers because they know instinctively when to cut away fromrepparttar 129160 talk addicted crowd and visitrepparttar 129161 silent mind to further their aspirations.

HOW DO I KNOW IF WHAT I KNOW IS OF ANY INTEREST TO OTHERS?

If your area of specialist expertise fits neatly into a defined niche (andrepparttar 129162 majority of topics do just that) then you already have an edge because there's a 50/50 chance that other like-minded enthusiasts will want to know what you know. But it doesn't end there. You must consistently add to your perceived knowledge to determine that what you think you know is all there is to know, and more torepparttar 129163 point, is valid. Better to find out now than have someone else point it out to you later. The modus operandi for all of this you will find in Chapter 5 of 'Writing for Profit in Your Spare Time'. It's painless when you know how...

ARE YOU JUST FOCUSING ON SELF-HELP AND HOW-TO BOOKS?

Not at all; self-help and how-to projects are natural channels for niche non-fiction but there are hundreds of other disparate topics (ways to make extra income) that are equally applicable. Read Chapter 4 ofrepparttar 129164 tutorial and you'll see what I mean.

YOU TALK ABOUT TESTING FOR LONGEVITY. HOW DO YOU DO THAT?

Ah, now that's a secret which is revealed in Chapter 4 (working well that one...)

HOW DO I CONVERT MY EXPERTISE INTO A TEACHING MODULE?

Read Chapter 4 (what did I just say?)

DON'T YOU NEED TO BE EXPERIENCED TO RESEARCH EFFICIENTLY?

This may have beenrepparttar 129165 case years ago but no longer. Universal access torepparttar 129166 Internet makes it ultra easy for anyone to locate targeted information on any subject. 'Writing for Profit in Your Spare Time' shows you how and directs you to sources that are of particular value in researching niche topics.

WHAT ABOUT STRINGING IT ALL TOGETHER?

The tutorial demonstrates how you can rapidly sift though your accumulated research data, evaluate, prioritize and position your findings in sequential order.

The Myth of the Writing Fairy

Written by Joseph Devon


Here’s a fun question to ponder. What do The Stand, The Hobbit and A Christmas Carol all have in common? The answer is simple. Too simple. Horrifyingly simple. A few years ago I decided to write a novel. I had characters all outlined and plot points galore. I had my settings down pat and a nice storyline that would illuminaterepparttar main character’s journey into a self-activated person, hopefully sending a touch of inspiration my reader’s way when they turnedrepparttar 129134 last page of my novel. I had a large amount of notes in an even larger amount of notebooks. I was a writer. Right? Wrong. I wasn’t a writer yet because I was still enchanted byrepparttar 129135 Writing Fairy.

You know whatrepparttar 129136 Writing Fairy looks like. She is that magical creature that will takerepparttar 129137 dialogue running through your head and place it ontorepparttar 129138 page. She isrepparttar 129139 person that will fill in those little blanks that don’t seem worth worrying about while you’re inrepparttar 129140 brainstorming stage. She isrepparttar 129141 mythical beast that will take all of your imagination and creativity and turn them into a book for you. The Writing Fairy sits on your shoulder every time you pace up and down your room thinking up great new ideas for where your characters are heading and convinces you that you are on your way to being an established author. The Writing Fairy’s touch isrepparttar 129142 only thing you are waiting for before you begin to actually sit down and pound outrepparttar 129143 pages of your manuscript. Yes, as soon asrepparttar 129144 Writing Fairy says that it is time, you will begin to write in earnest. I have news for you. The Writing Fairy is none other than you because you arerepparttar 129145 only person who can do these things for you. Andrepparttar 129146 moment you are waiting for? I have some news concerning that, too. That moment either comes right here right now, or it never comes at all.

Am I saying that brainstorming about characters and muddling over speeches is a waste of time? I most certainly am not. What I’m saying is that you reach a certain point where your outline doesn’t need to be refined any more, where it’s time to put it ontorepparttar 129147 page and nail it down in a more concrete sense. The Writing Fairy will make you hesitate to do this, promising you that thinking really hard is writing. She’ll tell you that you aren’t ready to put anything down onrepparttar 129148 page yet, or you’re not ready to go on withrepparttar 129149 next scene because everything just doesn’t seem right. Don’t believe her, she’s deceiving you. I’d like to say that she is flat out lying, but she’s not. Things aren’t going to seem right when they first start to appear onrepparttar 129150 page. This is what seems so contradictory aboutrepparttar 129151 writing process. Your dreams and aspirations seem to shrink down once you actually put them into writing. Being creative seems harder and harder as more and more words get put down. Don’t worry though; your dreams are big enough. Acknowledging that your finished piece is not going to live up torepparttar 129152 sparkling gem you have inside your head is something that every artist goes through…it could berepparttar 129153 reason why so many of us seem a little bit crazy. Pick any piece of art. Now, as great as that finished product seems to you, there is not a single book, painting, opera, movie, whatever, that came out exactlyrepparttar 129154 way its creator intended it. That is a very large part ofrepparttar 129155 creative process: surrendering to its limitations. And accepting this fact goes a long way towards chaining down that Writing Fairy and actually producing some work. Don’t listen to her siren song. Don’t think that it should feel one hundred percent rightrepparttar 129156 first time. It won’t. That’s whatrepparttar 129157 rewriting process is all about. Believe me writing is truly inrepparttar 129158 rewriting. Even Kerouac rewrote his stuff. However, in order to startrepparttar 129159 rewriting process you need a hard first draft to pick over and toy with. You need something concrete to look at and see which scenes fit and which don’t. You’ll find that a lot of your brainstorming gets thrown outrepparttar 129160 window. This isn’t a stifling of your creativity, is channeling your creativity into your selection process. And it doesn’t matter how horrible and offrepparttar 129161 mark your first draft seems to be turning out, you’ll polish all of that out later. But you need that first draft to really start things off, and it will never get finished if you continue to believerepparttar 129162 Writing Fairy’s misleading comments.

Take another look atrepparttar 129163 opening question of this article again. Any closer to an answer?

I have more bad news aboutrepparttar 129164 Writing Fairy. Simply sitting down in front of your keyboard and starting your novel cannot vanquish her forever. She’ll be back. She always comes back. Here and there she offers a much-needed break and a much-needed step back from your work to rethink things. More often than not, though, she’ll pop up as you write more and more detailed character sketches, or get sucked into researching something for hours and hours and days and days. She is very good at convincing you that more outside work is needed and that you don’t need to sit down at your keyboard quite yet. She must be stopped. When you really hit a roadblock, you’ll know. If you just need to sort some things out that does not qualify a three-week break from your manuscript. That’srepparttar 129165 Writing Fairy singing her sweet song. You need to do more then just sit down and start in order to silencerepparttar 129166 Writing Fairy. You need a schedule. “But how can you turn your writing on and off like that? How can you force yourself to write if you aren’t feeling it?” I imagine that some of this is flowing through your head right now. The answer is that you can. It’s that easy. I’m not saying that you’re going to sit down and write Nobel Prize winning page after Nobel Prize winning page. But you must keep writing. Keep fleshing out your story and your scenes. Keep plowing through with your writing when you say your going to even though it doesn’t seem to be very good. You’re not going to submit it as it is anyway. The ending of my novel changed about three hundred times inrepparttar 129167 course of writing it. What’s more, I never would have reachedrepparttar 129168 ending if I had continued to go over and over my first twenty pages wanting them to be perfect. It’s really silly when you think about it. You don’t have an entire book yet, how can you make surerepparttar 129169 opening is perfect if you don’t know where it’s supposed to leadrepparttar 129170 reader? You don’t really know your characters yet, how can you expect them to be just right? Believe me, it is better to write it horribly wrong and then fix it than to never write it inrepparttar 129171 first place. Keep plugging away, keep going, keep heading towards that ending that doesn’t seem to fit and that you don’t really even like. Carve a few hours out of each day and just type away atrepparttar 129172 keyboard. You can always make a scene longer. You can always take out some dialogue. You can always change a character or a point of view. You can really do anything you want to, which is why it’s easy to get bogged down inrepparttar 129173 beginning. Keep in mind that while you can always change it, you have to write it first.

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