The Myth of the Writing Fairy

Written by Joseph Devon


Here’s a fun question to ponder. What do The Stand, The Hobbit and A Christmas Carol all have in common? The answer is simple. Too simple. Horrifyingly simple. A few years ago I decided to write a novel. I had characters all outlined and plot points galore. I had my settings down pat and a nice storyline that would illuminaterepparttar main character’s journey into a self-activated person, hopefully sending a touch of inspiration my reader’s way when they turnedrepparttar 129134 last page of my novel. I had a large amount of notes in an even larger amount of notebooks. I was a writer. Right? Wrong. I wasn’t a writer yet because I was still enchanted byrepparttar 129135 Writing Fairy.

You know whatrepparttar 129136 Writing Fairy looks like. She is that magical creature that will takerepparttar 129137 dialogue running through your head and place it ontorepparttar 129138 page. She isrepparttar 129139 person that will fill in those little blanks that don’t seem worth worrying about while you’re inrepparttar 129140 brainstorming stage. She isrepparttar 129141 mythical beast that will take all of your imagination and creativity and turn them into a book for you. The Writing Fairy sits on your shoulder every time you pace up and down your room thinking up great new ideas for where your characters are heading and convinces you that you are on your way to being an established author. The Writing Fairy’s touch isrepparttar 129142 only thing you are waiting for before you begin to actually sit down and pound outrepparttar 129143 pages of your manuscript. Yes, as soon asrepparttar 129144 Writing Fairy says that it is time, you will begin to write in earnest. I have news for you. The Writing Fairy is none other than you because you arerepparttar 129145 only person who can do these things for you. Andrepparttar 129146 moment you are waiting for? I have some news concerning that, too. That moment either comes right here right now, or it never comes at all.

Am I saying that brainstorming about characters and muddling over speeches is a waste of time? I most certainly am not. What I’m saying is that you reach a certain point where your outline doesn’t need to be refined any more, where it’s time to put it ontorepparttar 129147 page and nail it down in a more concrete sense. The Writing Fairy will make you hesitate to do this, promising you that thinking really hard is writing. She’ll tell you that you aren’t ready to put anything down onrepparttar 129148 page yet, or you’re not ready to go on withrepparttar 129149 next scene because everything just doesn’t seem right. Don’t believe her, she’s deceiving you. I’d like to say that she is flat out lying, but she’s not. Things aren’t going to seem right when they first start to appear onrepparttar 129150 page. This is what seems so contradictory aboutrepparttar 129151 writing process. Your dreams and aspirations seem to shrink down once you actually put them into writing. Being creative seems harder and harder as more and more words get put down. Don’t worry though; your dreams are big enough. Acknowledging that your finished piece is not going to live up torepparttar 129152 sparkling gem you have inside your head is something that every artist goes through…it could berepparttar 129153 reason why so many of us seem a little bit crazy. Pick any piece of art. Now, as great as that finished product seems to you, there is not a single book, painting, opera, movie, whatever, that came out exactlyrepparttar 129154 way its creator intended it. That is a very large part ofrepparttar 129155 creative process: surrendering to its limitations. And accepting this fact goes a long way towards chaining down that Writing Fairy and actually producing some work. Don’t listen to her siren song. Don’t think that it should feel one hundred percent rightrepparttar 129156 first time. It won’t. That’s whatrepparttar 129157 rewriting process is all about. Believe me writing is truly inrepparttar 129158 rewriting. Even Kerouac rewrote his stuff. However, in order to startrepparttar 129159 rewriting process you need a hard first draft to pick over and toy with. You need something concrete to look at and see which scenes fit and which don’t. You’ll find that a lot of your brainstorming gets thrown outrepparttar 129160 window. This isn’t a stifling of your creativity, is channeling your creativity into your selection process. And it doesn’t matter how horrible and offrepparttar 129161 mark your first draft seems to be turning out, you’ll polish all of that out later. But you need that first draft to really start things off, and it will never get finished if you continue to believerepparttar 129162 Writing Fairy’s misleading comments.

Take another look atrepparttar 129163 opening question of this article again. Any closer to an answer?

I have more bad news aboutrepparttar 129164 Writing Fairy. Simply sitting down in front of your keyboard and starting your novel cannot vanquish her forever. She’ll be back. She always comes back. Here and there she offers a much-needed break and a much-needed step back from your work to rethink things. More often than not, though, she’ll pop up as you write more and more detailed character sketches, or get sucked into researching something for hours and hours and days and days. She is very good at convincing you that more outside work is needed and that you don’t need to sit down at your keyboard quite yet. She must be stopped. When you really hit a roadblock, you’ll know. If you just need to sort some things out that does not qualify a three-week break from your manuscript. That’srepparttar 129165 Writing Fairy singing her sweet song. You need to do more then just sit down and start in order to silencerepparttar 129166 Writing Fairy. You need a schedule. “But how can you turn your writing on and off like that? How can you force yourself to write if you aren’t feeling it?” I imagine that some of this is flowing through your head right now. The answer is that you can. It’s that easy. I’m not saying that you’re going to sit down and write Nobel Prize winning page after Nobel Prize winning page. But you must keep writing. Keep fleshing out your story and your scenes. Keep plowing through with your writing when you say your going to even though it doesn’t seem to be very good. You’re not going to submit it as it is anyway. The ending of my novel changed about three hundred times inrepparttar 129167 course of writing it. What’s more, I never would have reachedrepparttar 129168 ending if I had continued to go over and over my first twenty pages wanting them to be perfect. It’s really silly when you think about it. You don’t have an entire book yet, how can you make surerepparttar 129169 opening is perfect if you don’t know where it’s supposed to leadrepparttar 129170 reader? You don’t really know your characters yet, how can you expect them to be just right? Believe me, it is better to write it horribly wrong and then fix it than to never write it inrepparttar 129171 first place. Keep plugging away, keep going, keep heading towards that ending that doesn’t seem to fit and that you don’t really even like. Carve a few hours out of each day and just type away atrepparttar 129172 keyboard. You can always make a scene longer. You can always take out some dialogue. You can always change a character or a point of view. You can really do anything you want to, which is why it’s easy to get bogged down inrepparttar 129173 beginning. Keep in mind that while you can always change it, you have to write it first.

Realizing the Potential of Your Writing Output

Written by Jim Green


Achieving publication for your extra income ideas is removed fromrepparttar improbable dream category and becomes instead a calculated certainty when you followrepparttar 129133 strategies contained in my 'Writing for Profit' tutorial. That'srepparttar 129134 beauty of niche non-fiction: it lends itself to formula writing techniques where commercial nuances are seamlessly interwoven into practical expression without disturbingrepparttar 129135 flow ofrepparttar 129136 creative dynamic. You do it allrepparttar 129137 time without perhaps realizing it; you do it automatically when you compose a letter, a thesis, a report and such like. Why not then convert your innate skills into a vehicle to make money writing by developing extra income ideas that become in time residual income streams.

As reported elsewhere I did not set out to write a niche non-fiction bestseller: it just happened fortuitously because subconsciously I had somehow managed to string allrepparttar 129138 essential ingredients together inrepparttar 129139 correct order in my first work. You won't have to trust to luck though. Intrigued byrepparttar 129140 runaway success ofrepparttar 129141 initial title andrepparttar 129142 two that followed inrepparttar 129143 break-though to bestseller status I set about deconstructing each in turn to determine what I had done right and where I had gone astray on occasion. The results not only provided me with benchmarks for revising future editions but also made availablerepparttar 129144 raw material for my creative writing course 'Writing for Profit'. Combining my own findings with those of other successful non-fiction authors provides you in turn with a series of tried and tested strategies to ensure flawless progression of your own extra income ideas into residual income streams.

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