Stop Struggling and Write Your Article - Part II

Written by David Roddis


Don’t let overwhelm hold you back— follow this expert advice and start writing your promotional article today.

In Part 1, I talked aboutrepparttar importance of planning and structuring your article. Here are three more essential steps to help you make sure your article is ready to go.

4. Avoid clichés (likerepparttar 128715 plague). As in, clichéd language, clichéd advice, and clichéd topics. To refresh your memory, a cliché is anything that's over-used, banal, or tired. It's anything we've all heard 1,000 times before and hoped we'd never hear again.

Some typical examples of overworked expressions (and there are thousands):

... bring you up to speed, atrepparttar 128716 end ofrepparttar 128717 day, since time immemorial, chilled torepparttar 128718 bone, a gleam in his eye, her heart leapt into her mouth, a level playing field, when all is said and done, onrepparttar 128719 same page ...

Clichéd language can be fixed with a good edit. First, determine whether you really need that phrase. If you do, expressrepparttar 128720 concepts in ordinary terms. So, for "see if we’re onrepparttar 128721 same page", substitute "see if we all agree".

Clichéd advice and topics might include:

"Achieve your goals" "Buildrepparttar 128722 life you want" "Don't worry, be happy" "Empower yourself" and, my personal fave, sent to me in an e-mail newsletter: "Take a bubble bath".

I include in this category any concept that's corny and sentimental, or writing that attempts to expressrepparttar 128723 inexpressible: all those fluttering leaves, vibrant sunsets, and yearning sighs.

It's really tough to write about intense emotions or universal experiences in a way that's original and subtle. Great novelists and poets spend their lives struggling to do this. If you’re not careful, it's easy to end up sounding like a 50-cent greeting card.

Fixing clichéd ideas is more challenging than fixing clichéd language. You need to ask tough questions:

"What does this phrase mean? What am I really saying here? What situations illustrate this? What do I want people to get? What value am I adding here?"

Remember that people are looking for straight talk and solutions to problems. Your solutions. They want your ideas, expressed with your urgency and importance.

So don't give your readers hackneyed ideas expressed in stale language. Don't fob them off with a bubble bath, try shoving them into a brisk, eye-opening cold shower instead.

5. Proofread Your article has to be 100% perfect in grammar, spelling and punctuation beforerepparttar 128724 public gets to see it. The public means anyone visiting your Web site, and anyone you submit your article to for feedback or possible publication.

I confess, I did work as a professional proofreader for a time. And when you spend your life looking for missing periods and dots over i's, you tend to get a little demanding. But there's a reason for my concern.

Your article isn't like a casual e-mail that you zap off without reviewing or editing: It's more permanent and public. Your article is you, and people are going to assess your value by how you present it.

Poetry Techniques

Written by Gary R. Hess


The style of writing poetry differs from person to person; long or short meters, three or four lines to a stanza. Butrepparttar great thing is, no matter how a poem is written it still holds great emotion. Some techniques used in poetry are onomatopoeia, alliteration, assonance, rhyming, simile and metaphor.

Onomatopoeia is one ofrepparttar 128712 easiest to learn and use (but not spell). The definition of onomatopoeia is a word imitating a sound. For example; “buzz”, “moo” and “beep”. This can be used in a variety of ways givingrepparttar 128713 reader a “hands on” feel.

One technique that you might be familiar with is alliteration. This procedure is used by starting three or more words withrepparttar 128714 same sound. An example of this would be “The crazy crackling crops.” The three words don’t have to haverepparttar 128715 exact same beginning to have this effect.

The next style is assonance. It is defined as a repetition of vowel sounds within syllables with changing consonants. This is also used in many different circumstances. One would be “tilting at windmills.” Noticerepparttar 128716 vowels within each syllable soundrepparttar 128717 same.

Rhyming is probablyrepparttar 128718 most well-known technique used. However unlike popular belief, it does not need to be within a poem to make it a poem. It is what it is.. a technique.

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