The Secret Behind All Masterpieces! : Lessons LearnedThe ten-year period which followed
stock market crash of October 1929 is referred to as
Great Depression. This time frame is considered to be
worst and most difficult of Modern American History by business historians. Unemployment was as high as 27% among White Americans and reached 60% in
African American community. In Mississippi, on a single day in 1932, one quarter of
entire state was auctioned off. Scarcity and limitations were everywhere to be seen. The Gross National Product of
country, that unit of measurement which represents everything that is produced nationwide fell by as much as 43%. The prices of wheat and corn and cotton fell so low,
crops were left to rot in
fields. Many businesses and families were wiped out.
We all try to forget unpleasant moments in our lives. However,
central premise of any meaningful philosophy is to look back upon
hardest times of our lives and locate
wisdom and insight necessary from which success and joy can occur. It has been my experience that usually within
anxiety there are seeds of wisdom for us to learn from if we will only learn to look and understand
experience. When you examine your business, life or relationships it is
tough times that will teach you
most.
During
rough times of
Great Depression
music business also almost collapsed. American record companies, which had sold in excess of 200 million records in
mid 1920’s, had seen unit sales drop by 97% by
mid 1930’s. To put it mildly, things were tough! Even
giant Victor phonograph company stopped making phonograph players altogether. However, there was a tiny silver lining in all of this hardship. A certain type of music was gripping regions of
country and offering hope. There was no political message attached to
tunes. No lyrics. It was an earthy, rhythmic, emotional and dynamic music. Its purpose was to make people dance. Huge parties would emerge that would often last for days. Even today music historians marvel how a distinctive and repetitive bass line and energetic rhythm could change
focus of an entire community.
To classify this music as infectious would be an understatement! At its inception this music would be played solo by only one piano player. Since times were tough sometimes two piano players would share
same instrument. Later, there would be as many as six musicians on three pianos all contributing to
infectious power. The result was a celebration of creative energy that everyone could recognize. It was magical. In spite of
economic hardships, people could find genuine joy even if only for a short moment.
The celebrations grew. House parties would turn into block parties. The refrains and melodies would often be played non-stop for what seemed like hours at a time. Top Musicians of
day could locate work easily once they mastered this art form. Hope was born against
horrendous economic landscape.
Then in 1938, legendary Jazz Promoter John Hammond saw a huge business opportunity. He organized and promoted a concert in New York City featuring
three masters of this art form. When Albert Ammons, Pete Johnson and Meade "Lux" Lewis performed in Carnegie Hall, it launched a national craze. Businesses and clubs had to hop on
bandwagon and get with
program. Newspapers began to assign special editors to cover
‘music beat’ and report about this incredible energy as its popularity spread into
clubs. Soon all of
“happening” places were featuring top musicians playing these infectious energetic tunes. Club owners seeking to get good reviews and “cash in” would do whatever necessary to bribe
music editors so they could acquire good press. Bribes of free food, free drinks, free women were commonplace. Musicians and club owners understood that one bad review from
critics would kill
good times! Or so they thought…
The name of this musical art form was Boogie-Woogie. The slang term that
musicians gave to
critics was
Boogie Man!
Yes
Boogie Man was
monster who could criticize and sit in judgment. In spite of his inability to create or understand music they somehow were qualified to evaluate it. The Boogie Man, like an executioner could determine
fate of musicians and club owners with his words. The Boogie Man was fear incarnate. He could kill
party as quickly as
review could be published. The Boogie Man was bad news! Funny thing is most people do not believe in
Boogie Man. At least that is what they tell you to your face! However within this story is
understanding of how success and joy is born and how it dies. Did you “get it?”
In
words of Earl Nightingale, “Don’t Compete. Create!” Regardless of what is going on in your life you can always play
music and do
dance! Sometimes
most therapeutic thing we can ever create is to purposely put our focus on joy and creation. We are happiest in life when we create and can easily take responsibility for our creations. However we squelch this inherent ability when we consider
evaluation of
creation as being more important than
act of creation itself. Quite frankly joy is perverted and distorted when creation is done primarily for approval. The misery is amplified even further when we make others responsible for
quality of our lives. This is
big lie of
Boogie Man.