Sticktoitivity: Lessons Learned!

Written by Harald Anderson


Walt Disney coined a special phrase for persistence and determination, he referred to it as sticktoitivity. I reflected upon this recently, because I stumbled across 20 old business cards from previous business ventures and jobs I had been associated with overrepparttar last twenty five years. Those old business cards , certainly brought back a museum full of memories and mixed feelings. I had forgotten about some of those jobs that shaped my outlook as I pushed onward and upward. As I look back on all of those opportunities withrepparttar 123075 benefit of perspective and age,repparttar 123076 one benefit I have derived is my own personal understanding ofrepparttar 123077 concept of success and failure.

The majority of people are so petrified of failure that they paralyze themselves into inaction. The Japanese have a fascinating way of looking at success, …”Fall seven times; stand up eight.” A wonderful tribute to sticktoitivity! I have framed this statement for my office because it provides a fitting summary ofrepparttar 123078 most important ingredient to succeed. Perseverance and Commitment.

Life constantly tests us for our level of commitment. As simple as this may sound it isrepparttar 123079 one ingredient that separatesrepparttar 123080 winners fromrepparttar 123081 losers. The one skill that winners acquire, is an understanding that growth is only possible if you haverepparttar 123082 courage to change what you have been doing, if it is not achievingrepparttar 123083 result you desire. Sometimes success is learning how to fall and recognizing that from that fall you will learn to grow. And growth is what a fulfilling life is all about.

When I worked as an investment broker many years ago I found thatrepparttar 123084 most successful traders I worked with often lost on 90% of their trades. Yet in spite of this terrible win/loss percentage their investments were incredibly lucrative. Might it be that they knew something about success thatrepparttar 123085 rest of us only pay lip service to? The one comment that I recall these superstars reiterating was that its not how much you make when you are right but rather how little you lose when you are wrong. Imagine losing on 90% of your trades and still being wildly successful. That is a fitting example of sticktoitivity!

My best teachers have been my failures. My failures taught me that I was so petrified of failure that unfortunately failure became my focus. Not experiencing failure is quite different than experiencing success. My focus for years was on not experiencing failure….although I would’ve argued differently!

The most important lessons that I have learned from successful colleagues is thatrepparttar 123086 road to success is often a path of experiments and tests. If someone is more successful than I am,repparttar 123087 only reason this is so is because they have experimented with how to accomplishrepparttar 123088 objective they desire more often than I have. The inverse is also true, that those who are not successful have been too scared to experiment. My question is, where do you fit in this equation? What experiments have you been holding back on because of fear? How are you going to breakrepparttar 123089 mold and reach your potential?

The Secret Behind All Great Masterpieces: Lessons Learned!

Written by Harald Anderson


The Secret Behind All Masterpieces! : Lessons Learned

The ten-year period which followedrepparttar stock market crash of October 1929 is referred to asrepparttar 123074 Great Depression. This time frame is considered to berepparttar 123075 worst and most difficult of Modern American History by business historians. Unemployment was as high as 27% among White Americans and reached 60% inrepparttar 123076 African American community. In Mississippi, on a single day in 1932, one quarter ofrepparttar 123077 entire state was auctioned off. Scarcity and limitations were everywhere to be seen. The Gross National Product ofrepparttar 123078 country, that unit of measurement which represents everything that is produced nationwide fell by as much as 43%. The prices of wheat and corn and cotton fell so low,repparttar 123079 crops were left to rot inrepparttar 123080 fields. Many businesses and families were wiped out.

We all try to forget unpleasant moments in our lives. However,repparttar 123081 central premise of any meaningful philosophy is to look back uponrepparttar 123082 hardest times of our lives and locaterepparttar 123083 wisdom and insight necessary from which success and joy can occur. It has been my experience that usually withinrepparttar 123084 anxiety there are seeds of wisdom for us to learn from if we will only learn to look and understandrepparttar 123085 experience. When you examine your business, life or relationships it isrepparttar 123086 tough times that will teach yourepparttar 123087 most.

Duringrepparttar 123088 rough times ofrepparttar 123089 Great Depressionrepparttar 123090 music business also almost collapsed. American record companies, which had sold in excess of 200 million records inrepparttar 123091 mid 1920’s, had seen unit sales drop by 97% byrepparttar 123092 mid 1930’s. To put it mildly, things were tough! Evenrepparttar 123093 giant Victor phonograph company stopped making phonograph players altogether. However, there was a tiny silver lining in all of this hardship. A certain type of music was gripping regions ofrepparttar 123094 country and offering hope. There was no political message attached torepparttar 123095 tunes. No lyrics. It was an earthy, rhythmic, emotional and dynamic music. Its purpose was to make people dance. Huge parties would emerge that would often last for days. Even today music historians marvel how a distinctive and repetitive bass line and energetic rhythm could changerepparttar 123096 focus of an entire community.

To classify this music as infectious would be an understatement! At its inception this music would be played solo by only one piano player. Since times were tough sometimes two piano players would sharerepparttar 123097 same instrument. Later, there would be as many as six musicians on three pianos all contributing torepparttar 123098 infectious power. The result was a celebration of creative energy that everyone could recognize. It was magical. In spite ofrepparttar 123099 economic hardships, people could find genuine joy even if only for a short moment.

The celebrations grew. House parties would turn into block parties. The refrains and melodies would often be played non-stop for what seemed like hours at a time. Top Musicians ofrepparttar 123100 day could locate work easily once they mastered this art form. Hope was born againstrepparttar 123101 horrendous economic landscape.

Then in 1938, legendary Jazz Promoter John Hammond saw a huge business opportunity. He organized and promoted a concert in New York City featuringrepparttar 123102 three masters of this art form. When Albert Ammons, Pete Johnson and Meade "Lux" Lewis performed in Carnegie Hall, it launched a national craze. Businesses and clubs had to hop onrepparttar 123103 bandwagon and get withrepparttar 123104 program. Newspapers began to assign special editors to coverrepparttar 123105 ‘music beat’ and report about this incredible energy as its popularity spread intorepparttar 123106 clubs. Soon all ofrepparttar 123107 “happening” places were featuring top musicians playing these infectious energetic tunes. Club owners seeking to get good reviews and “cash in” would do whatever necessary to briberepparttar 123108 music editors so they could acquire good press. Bribes of free food, free drinks, free women were commonplace. Musicians and club owners understood that one bad review fromrepparttar 123109 critics would killrepparttar 123110 good times! Or so they thought…

The name of this musical art form was Boogie-Woogie. The slang term thatrepparttar 123111 musicians gave torepparttar 123112 critics wasrepparttar 123113 Boogie Man!

Yesrepparttar 123114 Boogie Man wasrepparttar 123115 monster who could criticize and sit in judgment. In spite of his inability to create or understand music they somehow were qualified to evaluate it. The Boogie Man, like an executioner could determinerepparttar 123116 fate of musicians and club owners with his words. The Boogie Man was fear incarnate. He could killrepparttar 123117 party as quickly asrepparttar 123118 review could be published. The Boogie Man was bad news! Funny thing is most people do not believe inrepparttar 123119 Boogie Man. At least that is what they tell you to your face! However within this story isrepparttar 123120 understanding of how success and joy is born and how it dies. Did you “get it?”

Inrepparttar 123121 words of Earl Nightingale, “Don’t Compete. Create!” Regardless of what is going on in your life you can always playrepparttar 123122 music and dorepparttar 123123 dance! Sometimesrepparttar 123124 most therapeutic thing we can ever create is to purposely put our focus on joy and creation. We are happiest in life when we create and can easily take responsibility for our creations. However we squelch this inherent ability when we considerrepparttar 123125 evaluation ofrepparttar 123126 creation as being more important thanrepparttar 123127 act of creation itself. Quite frankly joy is perverted and distorted when creation is done primarily for approval. The misery is amplified even further when we make others responsible forrepparttar 123128 quality of our lives. This isrepparttar 123129 big lie ofrepparttar 123130 Boogie Man.

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