Publishing: Raise Your Hand If You'd Consider Giving Up The Rights To Your Book Forever

Raise Your Hand If You'd Consider Giving Up The Rights To Your Book Forever

Written by Mark Levine

If Random House pulls up to your house with a U-haul filled with millions and wants to buy your book, maybe you’d consider giving up repparttar

rights forever. But, let’s come back to repparttar 126378

real world. In repparttar 126379

real world, many authors find that repparttar 126380

best way to launch a writing career is to essentially self-publish by using a print-on-demand (POD) publisher.

The problem is that repparttar 126381 POD buffet is filled with repparttar 126382 equivalent of healthy choices (publishers who charge low or no publishing fees and allow authors to terminate repparttar 126383 contracts at anytime) and unhealthy choices (publishers that charge exorbitant upfront fees and lock authors into contracts for years). Often repparttar 126384 writer’s eyes are bigger than her stomach – she makes a move for repparttar 126385 first publisher who tells her that her work is great.

Signing a POD contract impulsively is always a mistake. Unless you are trained as a lawyer, deciphering a POD contract can be tricky since many POD publishers have paid some hefty legal fees to have attorneys sculpt contracts that could easily crush an unsuspecting author.

If you can’t afford to hire a lawyer to review your POD contract you need to arm yourself with some knowledge before signing one. In my book, The Fine Print (www.book-publishers-compared.com), I take repparttar 126386 legalese commonly found in most POD contracts and explain it in terms that will actually make sense. I also tell you repparttar 126387 types of clauses in a POD contract that should cause you to run away from a publisher as quickly as possible.

If you don’t want or can’t purchase The Fine Print, here are some three tips that may help you avoid a bad publishing experience.

1. Never pay more than $500 in up front POD publishing fees.

The most reputable POD publishers charge between $300-$500 for repparttar 126388 publishing package which should always include customized cover art, formatting, placement of your book on Amazon, etc.; and ISBN number, bar code, and a sales page on repparttar 126389 publisher’s website. If you are paying more and not getting at least repparttar 126390 services mentioned above, you are getting taken.

2. Only Sign a Contract That You Can Terminate When You Want

The best contracts are those you can terminate at any time (usually by giving 30-90 days notice). Some POD publishers that don’t charge or charge very little for their services require a longer commitment on your end (1-2 years) before you can terminate. Because they have money invested in you this is understandable. Never sign a POD contract that you can’t get out of easily. Some POD publishers require that you give them repparttar 126391 rights to your book for repparttar 126392 term of repparttar 126393 copyright. When you see this run fast! The term of repparttar 126394 copyright is for repparttar 126395 life of repparttar 126396 author, plus another 70 years – basically forever.

Color correcting by numbers for giclee printing

Written by Fabio Braghi

Color correcting by numbers for giclee and other digital printing methods

Color correcting images on screen for digital output is one of repparttar most problematic issues in digital imaging. What was a task left to pre-press professionals in repparttar 126377 past and something of no concern with repparttar 126378 general public using film cameras, has now become a must for anyone using a digital camera. Over repparttar 126379 years there have been a number of companies offering color calibration hardware and software to match what is seen on screen to repparttar 126380 actual printout. Soft proofing (the ability to see an image on repparttar 126381 monitor and being able to make a pretty good judgment about how it is going to look when printed) is definitely of big help.

This said, repparttar 126382 only sure way to be able to precisely color correct is done by numbers. To make a comparison, take a pilot for example: when visibility is low pilots rely on what repparttar 126383 instruments say to navigate. No matter if it is day or night, they can navigate without having to see where they are and where they are going.

The same can be applied to color correction. Depending on a monitor to apply color changes, especially when subtle modifications need to be made, is not repparttar 126384 best way. All computer screens shift in color from repparttar 126385 moment they are turned on. Numbers do not change.

Photoshop makes it very easy to see what repparttar 126386 color measurements are for any given area in an image. The eye picker will read repparttar 126387 quantity of red, green and blue when passed over repparttar 126388 chosen area. For repparttar 126389 purpose of this article we will stay with repparttar 126390 RGB primary color space. When looking at a pure black repparttar 126391 reading will be R=0, B=0, G=0. A pure white will be R=255, B=255, G=255, 255 being repparttar 126392 maximum amount in repparttar 126393 scale. What is between pure white and pure black? Grey, which can be any equal amount of these 3 colors, would be for example 122, 122, 122. A lighter grey is 180, 180, 180.

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