Q&A for Writers, Editors and Publishers - Thoughts from Your Peers on Life and Work, Part One

Written by David Geer


Part One

Answers to questions aboutrepparttar writing life – and work - from your peers – almost entirely unedited but for formatting and [corrections].

Yes, editors commit errors too, especially when communicating viarepparttar 128661 quick and dirty method we lovingly call e-mail.

-- Question # One – Editors, how do you find writers? --

Tudor Hampton, associate editor, McGraw-Hill’s Engineering News-Record www.enr.com -

“Strange as it may sound, it is very difficult for us to find freelancers who clearly understand what readers are looking for in a publication. For us, it is important to find writers who understandrepparttar 128662 difference between writing news-driven rather than marketing-driven copy.

Our publication is a 129-year-old, weekly trade magazine with a paid circulation, a rarity, and many freelancers are accustomed to writing for "controlled" circulation trade publications, which typically have a more relaxed editorial ethic and generally serve advertisers more than readers.

Page One

That said, we look to find quality news-savvy stringers who are not heavily involved with competitive publications. The challenge herein lies in a freelancer's ability and quickness to become familiar enough with our readers,repparttar 128663 tone of our work, and respond accordingly.

Journalistic associations can be a good source for locating quality freelancers, but generally speaking, I have found good people through mere luck as well as trial and error.”

Tiffany Owens, managing editor Corporate Logo magazine www.corporatelogo.com -

“My favorite resource for finding writers and freelancers are personal recommendations, whether it be someone I've worked with inrepparttar 128664 past and know to be a strong contributor, or referrals from industry peers whose work I respect.”

Dana Cassell, editor, Cassell Network www.writers-editors.com –

“Because we have our own Network of Writers (www.writers-editors.com), I would go there first to find a writer -- either by posting a notice onrepparttar 128665 Member Bulletin Board, or doing a search of our Writer Data Bank, or looking in our Guide to CNW Writers.

If none of these located a writer or editor who could do exactly what I needed, then I would likely do a search on Google forrepparttar 128666 subject or skill (copywriter, brochures, direct mail, ghostwriter) and something like "freelance writer" -- searching for those writers who have their own websites.

Inrepparttar 128667 past, I posted jobs torepparttar 128668 better-known general and larger writer-specific job sites, but received too many responses, most of which were not at all what I was looking for. So I've learned to more tightly target and control my searches for freelancers.”

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Jenny Kasza, editor, NASPA Technical Support http://www.naspa.com/tsyellow.htm -

“In general they are IT magazines and sometimesrepparttar 128669 Internet. I find great writers by attending shows and conferences and asking people to write.

Sometimes, writers just find me viarepparttar 128670 Web or they were a previous member of NaSPA and now want to get involved with it again by writing.

Our sales staff also points me to people who may be able to write, as they talk with people inrepparttar 128671 IT industry, too.”

Anonymous –

“My situation is unique to associations: our audience and our contributors are mostly members. I use very few freelancers.

Freelancers contact me from time to time, and, depending on how they present themselves and how qualified they look, I may follow up. But most of my articles come directly or indirectly from our members.

I'm a publications staff of one--I do allrepparttar 128672 planning and production myself. I do use an outside proofing service called Editorial Services based in Washington DC.

I keep my job because it suits my needs and provides me with security--I'm confident they would have trouble finding someone else who could do this or who would want to! (I work very hard.)”

Dennis Bridges, publisher/editor ComputerBits magazine http://www.computerbits.com –

Page Three

“I getrepparttar 128673 majority of articles via an email withrepparttar 128674 editorial calendar to authors who have previously written for Computer Bits. New authors find us either via word of mouth or onrepparttar 128675 Internet and contact me with their proposals.”

-- Question # Two – What are your favorite life and work resources? --

Lori Widmer, freelance editor, writer and former editor of Risk & Insurance magazine http://www.geocities.com/loriwidmer -

“Getaways--This one's weird. I like to go to Ontario, to my parents' fishing camp, and sit byrepparttar 128676 river with my journal or just sit and read a book.

Oh, and I fish. Nothing soothesrepparttar 128677 nerves and brings you back down intorepparttar 128678 earth better than connecting with it on a personal level. Of course, that's only because I like to catch bass and would use any excuse to fish.

Communities--I like participating in either email writing groups or local ones, though I've not had much time until now for either. I also plan to joinrepparttar 128679 Chamber of Commerce and schmooze that way.

“Books--The Well-Fed Writer, Harbrace College Handbook, AP Style Guide, The Synonym Finder (better than Roget's Thesaurus, I think).

Web sites--About.com's freelance [writer] group, creativemoonlighter.com, mediabistro.com, journalismjobs.com (do we see a pattern here?), Salon.com, NYTimes.com, prnmedia.com, businesswire.com, writerswrite.com”

C. Hope Clark, editor, FundsforWriters http://www.fundsforwriters.com –

Page Four

“Mine is a constant effort at seeking new sources.

I have few I rely on allrepparttar 128680 time since I like to keep my work fresh and innovative. I believe in professional lists online from which I glean a massive amount of information. It's like tapping into experts via a daily digest mode.

Promoting Your Online Writing Portfolio

Written by The StoryMaster


Dear Writing Reader,

One ofrepparttar most popular questions from Authors on my site, Writing.Com, is: "How do I promote my Online Writing Portfolio outside of Writing.Com?"

Here are my top five tips for increasingrepparttar 128658 amount of exposure to anyone's online Writing Portfolio:

Tip #1: Add your Online Writing Portfolio URL to your email signatures.

The simplest way to promote your Portfolio's URL is to add it torepparttar 128659 email signature of any and all email accounts you have. With just a few minutes of your time, you'll turn any correspondence you have into referral generating machines! Here's a couple quick examples:

Check out my portfolio! http://www.Writing.Com/authors/storymaster

or

I'm an Author @ Writing.Com! http://www.Writing.Com/authors/storymaster

Tip #2: Link to your Public Portfolio from your homepage or other sites you control.

Next onrepparttar 128660 simplicity ladder is linking to your public portfolio from your personal homepage or business website. You can provide your site's visitors with a text link or create a logo for your online portfolio.

Ebay and other auction sites are also great places to get added exposure. The next time you list something for sale, don't forget to add your portfolio URL and you'll have your site's visitor count onrepparttar 128661 rise in no time!

Tip #3: Directly invite family, friends, teachers, coworkers, publishers, agents, editors and more to visit your online writing portfolio.

Inviting your own family and friends doesn't always haverepparttar 128662 highest appeal... Afterall, its not necessarily their opinion you want and you can ask them to read your writing any time you want. But, reading something online is different and often opens up someone to provide a better and more realistic critique of your work.

Plus, these real life contacts may berepparttar 128663 one to forward your portfolio URL to someone else's friend or family member who lends that helping hand or offersrepparttar 128664 right word of encouragement to brighten your day.

Cont'd on page 2 ==>
 
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