Publishing Trends: Traditional vs ePublishing

Written by Lisa Hood


Publishing Trends: Traditional vs ePublishing

You’ve done what most people only talk about. You’ve written a book, spent countless hours agonizing for justrepparttar right words only to delete many of them inrepparttar 129026 painful editing process. After many months, or perhaps, many years, you have a manuscript ready for submission. You’ve heard all aboutrepparttar 129027 struggles for new authors: slush piles, solicited queries only, scam artists and cons, but you know luck or fate or sheer talent will eventually deliver your precious manuscript intorepparttar 129028 right hands atrepparttar 129029 right time. I can’t say that isn’t so. After all, JK Rowling, Stephen King, Danielle Steel, Nora Roberts, Tom Clancy and every other bestselling author were once unpublished and unknown. I can tell you thatrepparttar 129030 odds of receiving a lucrative contract with a traditional publisher as an unpublished author are not in your favor.

According to Associations of American Publishers (Press Release, 2003) “ U.S. book sales totaled $26,874,100,000 in 2002, a 5.5 percent increase over 2001…” While these numbers are encouraging, it is important to note that 75% (Curtis, 1995, p. 5) of books onrepparttar 129031 bestsellers lists, were written by authors with proven bestselling titles. Why is this? Well, as a reader, you are more likely to invest $15, $20, or $30 if you have some familiarity withrepparttar 129032 author’s work. Not only are readers more likely to choose known authors, so are publishers, motivated by bottom line, dollars and cents. Considering a small publisher will receive 5000 unsolicited queries a month, a junior editor earning $25,000 a year may be able to read four or five a day. You can see thatrepparttar 129033 cost to evaluate some 60,000 queries can be $125,000 a year. (Curtis, 1995) If only 1% of unsolicited queries are sent to senior editors, who in turn accept 1%,repparttar 129034 publisher has invested nearly $50,000, before any contracts are signed, any printing is done, or any marketing undertaken.

Publishing Pit Bulls

Written by Lisa Hood


Publishing Pit Bulls

You have invested a great deal into your writing: time, attention, your heart and soul, maybe even a few tears, and now you’re considering investing even more: your cold hard cash. Rather than accepting “No” as an answer to your dream of being published, you have decided to publish your book yourself. Before you put your money where your mouth is, be aware there are publishers willing to take your money and offer little in return.

To self publish, you must take onrepparttar expense of printing, marketing, distributing and storing of your manuscript. You will be involved in every aspect ofrepparttar 129025 publishing process, which could leave you with very little time for writing. However, you will keep 100% ofrepparttar 129026 profits from your book sales.

You may work with a vanity press, which will print and bindrepparttar 129027 book for a substantial fee. Vanity presses are not selective, they will publishrepparttar 129028 work of any one willing to pay, and they do not edit, market, promote or storerepparttar 129029 books once printed. Some vanity publishers do not require upfront money, but require payment for other “services” such as editing, set up charges, promotional charges, or they may ask authors to buy their own books for resale. While they may call themselves “small press” or “traditional”repparttar 129030 fact remains they are a pay for print publisher.

A subsidy publisher will promote their services as a partnership, perhaps offering to absorb some ofrepparttar 129031 publishing costs or provide marketing services. You are still expected to pay a large fee forrepparttar 129032 cost of publishing, but you do not ownrepparttar 129033 books once printed and you receive only a portion ofrepparttar 129034 profits from book sales. You need to be very careful about using subsidy publishers. The only benefit over vanity press isrepparttar 129035 promise to market and promote your work. However, they have already made plenty of profit just from printing your work and are likely to forego any marketing to make a few more dollars in book sales. It’s much more profitable to just move on torepparttar 129036 next new author desperate to see their name in print. According to Writers Beware (2004) “…it's rare that this financial investment is ever recouped through sales. Vanity/subsidy publishers have no economic incentive to get books intorepparttar 129037 hands of readers, since they've already made a profit fromrepparttar 129038 author's fees. Despite what they may promise, they won't effectively market or distribute your work. Some vanity/subsidy publishers don't even have arrangements with book wholesalers, making it impossible obtain books except through you or mayberepparttar 129039 publisher's website.”

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