Polychords and the Jazz Improviser: How to Practice & Apply Polychords to Improv

Written by Andrew Hanna


Inrepparttar world of music, many Jazz improvisers and Classical composers eventually venture into exploring poly-harmony within their respective art form. Poly harmony isrepparttar 141824 simultaneous sounding of more than one harmonic concept. The preponderance with poly-harmony beganrepparttar 141825 late 19th-early 20th centuries with classical composers as Stravinsky and Debussy. About sixty years later, jazz musicians as John Coltrane and Richie Bierach incorporated such ideas into their music. The benefits of learning poly-chords will enhance an improviserís repertoire of harmonic concepts. Thus they can create harmonic colorings that can influence a listenerís outlook. This article will focus on how once can practice and incorporate tertian polychords into their improvisational styles. Many ofrepparttar 141826 examples and references within this article will make use ofrepparttar 141827 seventh chord and triad. One should to explore other tertian harmonies such as ninths, elevenths, and all other similar formulations.

Tertian harmony is harmony that spaces its notes a third a part from other notes. Additionally, tertian harmony includesrepparttar 141828 harmonic inversion of thirds. Before one begins their exploration into poly-chords, one should be familiar with tertian harmony in its simplest terms of inversions and through a few applied patterns. From this understanding of tertian harmony through inversions and patterns and after one has accomplished or, inrepparttar 141829 least, feels comfortable with tertian harmony, one should then attempt to combine more than one chord.

The first step in gaining an understanding tertian ploychords is to write triads and 7th chords in a formulaic fashion. For example, begin by writing each major chord a major second apart (i.e. Cmaj-Dmaj, Ebmaj-Fmaj, etc.) After writing these series of chords, write out triads that are minor third apart. For example: Ebmaj-Gbmaj, Amaj-Cmaj, and all other similar progressions. As one can see fromrepparttar 141830 two previous examples, one should continue this process until one has exhausted allrepparttar 141831 permutations ofrepparttar 141832 triad progression. In a similar fashion, one should continue this writing exercise with seventh chords. The purpose to this writing exercise is forrepparttar 141833 musician/composer to develop a visual and intellectual connection torepparttar 141834 concepts that they will use in a open/free musical environment.

How to improve your odds of winning the lotto by millions.

Written by Ed Flowers


Odd or Evens in Powerball andrepparttar Megamillions lottery

or

How to improve your odds of winningrepparttar 141787 lotto by millions.

One factor to consider in picking your Powerball orrepparttar 141788 Megamillion lottery numbers isrepparttar 141789 ratio betweenrepparttar 141790 odd / even lotto numbers.

Looking atrepparttar 141791 past history of all lottery games there appears a pattern that shows you would be better off by not playing all odd or all even numbers.

Example of playing all even numbers 2.4.6.20.40 example of playing all odd balls 3.11.21.35.47

Forrepparttar 141792 462 Megamillion lotto games reviewed atrepparttar 141793 www.needto.net lotto site,repparttar 141794 ratios were

Odd/even combo analysis ******************************************************* play mix hits 5 odd 0 even 13 as a percentage 2.81 % 4 odd 1 even 63 as a percentage 13.64 % 3 odd 2 even 142 as a percentage 30.74 % 2 odd 3 even 163 as a percentage 35.28 % 1 odd 4 even 67 as a percentage 14.50 % 0 odd 5 even 14 as a percentage 3.03 % *****************************************************************

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