Performing Magic for Kids

Written by J.L. Siefers


You have just discoveredrepparttar wonderful world of magic. Trip after trip torepparttar 116073 magic shop has added to your ever growing arsenal of magic tricks. Thirty-three days laterrepparttar 116074 credit card bills arrive to remind your wife that this IS an expensive hobby.

No problem! You will make back all ofrepparttar 116075 money you’ve spent and more by becoming a part-time professional magician. Looking around for places to hone your craft, you suddenly remember that you niece has a seventh birthday coming up. You call you sister and offer your services in lieu of a gift.

Two weeks laterrepparttar 116076 performance time arrives. You pack all of your “A” material into two large cardboard boxes. You startrepparttar 116077 show for sixteen first graders and all of your relatives. The show goes well. Everybody is laughing and having a good time. You take some theatrical pauses to build suspense as you search your boxes forrepparttar 116078 next great trick. Finally, your fifteen minute show concludes after fifty-three minutes. You never realized you had that much great magic. The kids cheer and applaud for your debut magic show. Even your sister, wipingrepparttar 116079 tears from her eyes, says, “I have never had more fun than I did watching your magic show. It was great. John got it all on tape.”

This is how many part-time professional magicians attempt to begin their career. They look around and decided that doing kid shows isrepparttar 116080 best way to start. Performing magic for kids is one ofrepparttar 116081 most difficult areas of magic to do well. This article explores some ofrepparttar 116082 challenges of performing children’s magic.

--You are training children--

Children don’t understand many ofrepparttar 116083 common cues in a live performance. Most children are raised inrepparttar 116084 age of television. Not a bad thing, exceptrepparttar 116085 laugh tracks promptrepparttar 116086 children when to laugh. No laugh tracks andrepparttar 116087 children are left out inrepparttar 116088 cold. They are quick and will get up to speed in no time. But they need your help.

The same issue is even more problematic with applause. Children are not used to clapping. They don’t understand applause cues. Those wonderfully timed applause cues will leave you and your audience with a lot of uncomfortable silence.

What can be done? Everything. One of your most important tasks as a children’s magician is your opening. The beginning of your show must do four things:

•Establish audience control •Teachrepparttar 116089 children to react to applause cues •Setrepparttar 116090 tone forrepparttar 116091 show •Introduce your performing personality

The audience needs to be warmed up prior to your magic show. It seems hokey and a waste of time, but it can makerepparttar 116092 difference between a great magic show and a horrible one.

Children love to have fun. Even in school children are taught to obey those in authority. For some reason, many magicians forget to establish authority early inrepparttar 116093 show. The result resembles a saloon brawl inrepparttar 116094 wild west.

When you step out forrepparttar 116095 start of your show, you haverepparttar 116096 perfect opportunity to establishrepparttar 116097 ground rules forrepparttar 116098 show. I don’t mean that you should bring out a list of house rules forrepparttar 116099 show. Instead come out with confidence and warm up your audience.

After you welcome everyone torepparttar 116100 show, look out overrepparttar 116101 audience and say, ”This looks like a really great crowd. Let’s see how loud you can clap. Onrepparttar 116102 count of three ONE. . . TWO . . THREE . .Not bad! Let’s try it again. On three . . .” After some byplay conclude by saying, ”What do we do when we likerepparttar 116103 magic? (pause) What do we do when we LOVErepparttar 116104 magic?” (pause and react strongly torepparttar 116105 crowd)

Why do magicians wear tuxes?

Written by J.L. Siefers


This wonderful question has rarely bothered magicians for decades. It should. Some possible answers might include:

•He is getting married today. •He just got off work as a waiter. •He is going torepparttar prom.

Wait! The man is about to do magic. Surely anyone doing great magic wears a tux. It logically follows that a person dressed in attire not worn generally byrepparttar 116072 public in nearly sixty years must be a well trained and entertaining artist.

I encounter responses such as:

“People won’t know we’re magicians if don’t wear our uniform,” bemoan penguin-like prestidigitators.

“Real magicians must wear tuxes,” criesrepparttar 116073 part-time professional in his ill fitted and second hand attire.

The question of what magicians should wear has been around for more than a century. The correct answer has been around just as long. Unfortunately, many magicians don’t get it.

Jean Robert-Houdin,repparttar 116074 father of modern magic, looked around at how his fellow magicians dressed. The common uniform for a “real magician” was to dress up like a wizard complete with a conical hat. Robert-Houdin chose to view magic as an art. He devised many wonderful effects. He would go out on a bare stage to present his magic dressed in formal evening attire. The attire was appropriate and commonly worn for evening theatrical productions. Instead of dressing in way completely different from his audience, Robert-Houdin dressed just like his audience.

The point being made is simple. If you want magic to be viewed as a fine art, take your performance and dress seriously. Letrepparttar 116075 quality of your magic performance speak torepparttar 116076 level of your magic artistry. If you want to be a magic clown, then dress like a penguin.

What about Lance Burton? Great question, thanks for asking. Lance’s performing personality makes wearing a tuxedo appropriate for his performance. Mr. Burton consciously links back to magic’s historical roots. Figuratively speaking, he wearsrepparttar 116077 mantel of magic passed down throughrepparttar 116078 ages. He portraysrepparttar 116079 great magician out of our past. Lance performs classical magic effects while donningrepparttar 116080 classical magical attire.

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