Negotiating Right: Get What you Deserve

Written by Mridu Khullar


If magazine publishing worked like any other business, writers would fix their rates, and magazines would run around trying to hirerepparttar best writer inrepparttar 128920 lowest possible cost. Sadly, that’s notrepparttar 128921 case. In this bizarre business, writers trying to compete with each other not only have to prove their worth once, but again and again, and each time they want an assignment. You’ve got clips. You’ve writtenrepparttar 128922 perfect query. You’ll even deliverrepparttar 128923 best assignment. But then again, you’ll have to ask for more money and negotiate your way into getting what you deserve.

If you’re a writer whose only source of income is writing, then you have to negotiate. It’srepparttar 128924 whole lifeblood of your business. Don’t get paid less simply because you didn’t ask. Don’t worry. You’re not going to sound greedy. You work hard, and you deserve to be paid for it.

When a magazine puts “pays $50-$700” in their guidelines, what can you do to berepparttar 128925 writer that is paid inrepparttar 128926 higher range? If you’re a beginner, you probably won’t even think of getting intorepparttar 128927 high-paying slot. You’d think those places were reserved forrepparttar 128928 regular andrepparttar 128929 more experienced writers, right?

Wrong!

Admitted, regular writers are preferred, and their pay rates will usually be much higher than yours. But you don’t fall into that lower category because you’re a beginner; you fall into it because you fail to negotiate.

If you’ve got a sparkling query, an article proposal thatrepparttar 128930 editor simply loves, and good writing skills that leaverepparttar 128931 editor craving for more, she’s not going to bail out on you simply because you asked for more money. In fact, she’ll be glad to arrange it for you. Not having a dozen clips on your resume does not entitle you to less pay. In fact, if you act like a professional, and giverepparttar 128932 editor what she wants, money won’t even be an issue.

Spotrepparttar 128933 Loopholes -------------------- Whenever you find a magazine that has a variable pay rate, be sure there’s room for negotiation. Why else would they have such a broad category? A very well known magazine mentions in their guidelines that they pay their writers anywhere from $50-$1000 based on experience and length of article. What I also noticed was that they’ve specifiedrepparttar 128934 length of pieces in their columns and departments. So, reading betweenrepparttar 128935 lines, I’m thinking—negotiation!

What about all those magazines that pay fixed rates? Do you just settle for what they have to give or is there room for something more? If you’re looking to be paid more, there’s a very remote possibility. However, there are other things that you can ask for. For one, there are rights. If you could use one piece in more than one publication, it would get you more money, though indirectly. Even so, another publication means another name added to your list of growing credits. Wouldn’t you much rather sell one piece to ten different magazines, than get paid only once? Other than increased pay, you’ve also added to your list of credits. That’s bound to bring in more money inrepparttar 128936 future.

Other than that, kill fees are a definite must. You don’t want to spend hours on your research, only to have your article removed offrepparttar 128937 publication list. You deserve payment forrepparttar 128938 time you put in. Talk torepparttar 128939 editor about this before you’ve actually startedrepparttar 128940 writing process. Normally, kill fees are around 20-50%. It’s very unlikely that you’ll get more even if you have a working relationship withrepparttar 128941 editor.

Another issue is payment on acceptance versus payment on publication. Magazines have very long lead times. In simple words, this means that there you could have to wait as long as six to eight months after acceptance to see your article in print. If you’re an international writer,repparttar 128942 delay is even longer, sometimes leading to getting payments months after you’ve writtenrepparttar 128943 article. Do you really want to wait that long? Can you?

What else? Bios. Short blurbs after our names that could point to a website, have contact information or simply mark us as experts. A few magazines give them, but if they don’t, you could ask for one. Or you could ask for a bigger bio or a photo alongside. This is much easier to do if your article is appearing online. Ifrepparttar 128944 editor is unwilling to pay you more, this is your best bet.

Publishing Your Own Book of Poetry

Written by Peggy Eldridge-Love


Many established poets published themselves initially, some of them do so continually. Inrepparttar literary arena that currently exists this is very acceptable and respected. But before you consider self-publishing considerrepparttar 128918 following.

Does your poetry hold universal appeal?

You can determine whether or not your poetry holds universal appeal by joining a few well-established poetry forums that offer critiquing from a variety of other poets and poetry readers. Search around first. Explorerepparttar 128919 forum forrepparttar 128920 quality of work that is being exchanged there andrepparttar 128921 quality of feedback that is being offered. Bring your hard hat and leave your sensitivity checked atrepparttar 128922 door. You want legitimate critiquing, not something to make you feel good. You want to ensure that your poetry meets and exceedsrepparttar 128923 norm. If it does not you may want to continue to write poetry for your own enjoyment, but not labor withrepparttar 128924 issue of publication.

Is your poetry extremely well received by your poetic peers?

Withinrepparttar 128925 forums where you have been developing your craft you are receiving extremely good reviews. If this isrepparttar 128926 case, andrepparttar 128927 reviews are not just fromrepparttar 128928 friends you have established withinrepparttar 128929 forum, but due torepparttar 128930 quality of your work (you will honestly knowrepparttar 128931 difference), start to set asiderepparttar 128932 ones that have been best received. You might want to take them though even deeper critiques in more sophisticated poetry workshops, but bring them torepparttar 128933 highest level you can. If they continue to receive good feedback you will almost certainly want to include them in your book ultimately, but you will now want to submit them to publications.

Submit to Publications.

Submit your work to reputable Literary and Poetry eZines and print publications. There are hundreds of eZines online that you can submit to. Do a little research. Look at what they are publishing and if you feel they might be receptive to your work submit to them. The same with print publications. When you receive notification that your poem(s) has been accepted this will berepparttar 128934 first bona fide signal you get that publication of your first volume of poetry is a good idea.

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