Listen Up and Improve your Writing

Written by Lisa Hood


Are you a good listener? Almost everyone will answer this question affirmatively. However, listening is notrepparttar same as hearing; it requires concentration, effort and practice. To be an effective listener, you must be an active participant of communication, not justrepparttar 128989 passive recipient. If you’re a writer, you need to be a good listener, no make that a GREAT listener. How can you create life-like dialogue, with its natural cadence, graceful as a dance, if you don’t listen torepparttar 128990 people in your life? “I like to listen. I have learned a great deal from listening carefully. Most people never listen.” Ernest Hemingway

Do you recognize any of these symptoms of poor listening?

1)Getting distracted, half listening, thinking about something else or what you plan to say next. Part ofrepparttar 128991 problem may be our ability to think four times faster then we can speak. It is easier to stay focused if you remove distractions. Some distractions may be internal: you’re ill, upset or you may be physically uncomfortable, while others are external: noise around you, kids, phone ringing, TV blaring. All these factors compete for your attention. If you can’t removerepparttar 128992 distractions, letrepparttar 128993 speaker know that now may not berepparttar 128994 best time to have a conversation, because you can’t give 100% of your attention. 2)Assuming you understand what others have to say. You may be tempted to interruptrepparttar 128995 speaker. DON’T. Speakers appreciate havingrepparttar 128996 chance to say everything they would like to say without being interrupted. Jumping in before they are done will make you appear impatient, uninterested and rude. The speaker may be so annoyed they will withdraw fromrepparttar 128997 conversation. After all, why should they bother to speak if you know what they’re going to say? One ofrepparttar 128998 best ways to ensure you understand what was said is to ask clarifying questions. You don’t need to act like a parrot. If your speaker says “It’s raining outside.” don't respond with “Are you saying it’s raining outside?” When in doubt, it is a good idea to repeat in your own words whatrepparttar 128999 speaker said so that you can be sure your understanding is correct.

3)Being Competitive or Combative. Are you more interested in promoting our own point of view, rather than hearingrepparttar 129000 other person? According to Stephen Covey, author of Seven Habits of Highly Effective People, you should “Seek First to Understand, Then to be Understood.” In addition, Covey explains that we listen autobiographically, from our own perspectives, so we will judge what we hear. You may express disagreement through feedback, shaking your head or frowning whenrepparttar 129001 other person is speaking. You may look for weak points of flaws so you can contradictrepparttar 129002 other person.

Going On A Word Diet

Written by Catherine Franz


There are three ways to write a first draft. One is to ink whatever surfaces, in whatever order without regard to grammar, spelling or staying on topic. Afterrepparttar free write,repparttar 128987 points, and message extracted for notes or an outline. Time is its adversary and clarity chisels its way forward slowly.

Or start with a plan that minimally includes a purpose, description, chosen structure, word count, objective, points, message, and possibly a mind map or outline. Patience is its adversary and clarityrepparttar 128988 benefit.

Third, you holdrepparttar 128989 pen, connect with your higher power, and allowrepparttar 128990 recording session to begin. You become an aqueduct for a message, usually to humanity or yourself. Dr. Wayne Dwyer, on his PBS show withrepparttar 128991 same name of his latest book, says, "I connected with God andrepparttar 128992 book [Power of Intention] seemed to write itself. I didn't know what was going to appear nor did I do any planning." He continues to explain how a very lose but clear outline visually formed right before each writing session. It became clearer while he created an outline. The water just gushed afterwards and he could hardly keep up. Control is its adversary and clarity and enlightenment forms afterrepparttar 128993 writing.

We frequently read that writing requires organization, clarity, focus, andrepparttar 128994 discipline to write tight. Yet, seldom provided are methods on how to leave outrepparttar 128995 lard "before"repparttar 128996 ink scratchesrepparttar 128997 page--saving editing time.

Organization also contributes to lard remove. Some writers believe that organization stifles creativity while others take an opposite viewpoint. There is a compromise -- organization with a twinge of discipline. High productivity, a requirement of freelancers, requires organization.

Here are four strategies on how you can eliminate excess words and increase productivity before they hitrepparttar 128998 page:

1. Build massive creative steam before starting to write -- see and tasterepparttar 128999 words before you begin. Robert Fritz, an expert and author on creativity, expands on this process with progressive clarity through each of his three books. Fritz explains how important it is to pushrepparttar 129000 idea, generating creative tension, untilrepparttar 129001 last part ofrepparttar 129002 first stage of creativity. He continues to explain how important it is to carry this first energy through torepparttar 129003 second stage, which doesn't carry its own energy. He also discusses how each ofrepparttar 129004 three stages requires a separate set of skills for writers. And whyrepparttar 129005 two top reasons why writers lose interest or drop projects--lost creative tension and didn't haverepparttar 129006 skills forrepparttar 129007 second stage, becomes frustrating, and gives up.

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