Insanity in the Sign & Graphics Industry

Written by Danny Tangredi


Albert Einstein once said “The definition of insanity is doingrepparttar same thing over and over again and expecting different results”. Think about this quote for a second and ask yourself, does this quote apply torepparttar 103813 way you run your company?

Have you been doingrepparttar 103814 same thing over and over again expecting different results? If so, then you might want to keep on reading. In a world where technology is becoming a key productivity tool torepparttar 103815 success of any business, it simply comes down to, are you accepting and harnessing technology or rejecting it. Are you willing to change or will you dorepparttar 103816 same thing over and over again? There are two main reasons why I pose this question. First, many shop owners today have trouble understanding how new technology, specifically software, can become a major benefit to their business, and second, owners have trouble measuringrepparttar 103817 profits they are losing by rejecting this technological change. Have you ever rejected technology?

“If It Ain’t Broke Then Don’t Fix It!” Mentality

Are you expecting to increase profits by continuingrepparttar 103818 same business strategy year after year? If so, how long do you thinkrepparttar 103819 method will work?

Many shop owners simply do not seerepparttar 103820 need to update or change their current method. They believe that there is no need to invest in a new method whenrepparttar 103821 old one still seems to work fine. This isrepparttar 103822 common, “If it ain’t broke then don’t fix it!” mentality. Well, I hate to berepparttar 103823 one to say it, but just because something isn’t “broke” doesn’t mean you can’t make it work better. When new technology such as software, could save you large amounts of time & money, how can you not accept it? In an industry where there is an increasing level of competitiveness, shop owners must take advantage of every method available to help them cut costs. Would a commercial printer looking to grow their business, limit their shop to just a one color press? Sure they can continue to operate with a one color press, but wouldn’t a two or four color press help expand their business into other areas more effectively. In this examplerepparttar 103824 current method works, but a technological change would help increaserepparttar 103825 company’s ability to grow. Exploring these other areas help companies to sustain and increase profits. Without accepting new technology, shop owners greatly limit their profit potential. By usingrepparttar 103826 power of technology to make their business practices more efficient owners can continue to achieve their goals.

Are You Sacrificing?

A lot of shop owners that we talk with have a hard time visualizingrepparttar 103827 amount of money they are losing, or in actuality,repparttar 103828 amount of money they are giving to their competition, due to inconsistencies inrepparttar 103829 work flow process. These shops feel they are doing well withrepparttar 103830 system they currently have in place and do not seerepparttar 103831 need to change to a new method. This lack of vision can cause owners to limit their future profits. Onrepparttar 103832 opposite side,repparttar 103833 owners that do see a need for change begin to focus more attention on how much money it will cost to makerepparttar 103834 switch rather than how much they are losing. These owners become unsure and wonder ifrepparttar 103835 investment today will pay off tomorrow. To those owners, how much will it cost you not to switch? Do you even know? Is it one, three, possibly five jobs a day? Dorepparttar 103836 math. How much money/time is lost due to inefficiencies such as faulty estimates, under/over-priced jobs, or lost invoices. Ask yourself, how long can a company continue to compete if they are not being as efficient as their competition? If companies choose to stay withrepparttar 103837 same system they have been using for years and reject change are they, in essence, choosing to sacrifice future profits?

Indie Artist Management: Economic Realities & Insightful Strategies

Written by Scott G (The G-Man)


Three personal managers of independent artists outline pathways for success in an increasingly competitive marketplace - a Los Angeles Music Network program, reported by Scott G (The G-Man).

"An artist's music must be something I love," stated Jennifer Yeko of True Talent Management. "It has to be music I want to hear in my personal life as well as when I'm working."

This view was echoed by Ben Laski of Sonic Management, and Steve Ross of Raving Loon Management, as all three spoke onrepparttar Indie Artist Management program presented byrepparttar 103812 Los Angeles Music Network (LAMN).

"I will never work with an artist whose music I don't love," said Ross. "Commercial radio," added Laski, "sucks, and so…" He waited forrepparttar 103813 applause to subside, "…and so, why would I want to work with anything other than music that means something to me?"

Each of them acknowledgedrepparttar 103814 economic realities ofrepparttar 103815 marketplace ("The product has to be viable at some point," Ross pointed out), but all three were adamant that their personal reaction to an artist's music wasrepparttar 103816 primary factor in selecting them for representation. "It's like a marriage," said Ross, "so it's best to make a careful choice."

Speaking before an audience made up of equal numbers of indie managers and artists seeking information about management, Ross, Yeko and Laski provided insights into their approach to guiding recording artists to achieving commercial success as well as their maximum career potential.

Moderated by Tess Taylor, LAMN President,repparttar 103817 event covered a lot of territory and generally moved rapidly from one topic torepparttar 103818 next, although too much time was spent on answering repeated audience questions about California labor law dealing with booking agents.

Basically, no one may "procure employment" for a client in California unless they are a registered agent who has posted a bond and followed other formalities. Since this means that managers are putting their entire contractual relationship at risk if they book a gig for a client, there were a lot of managers in attendance who were hoping to find a loophole inrepparttar 103819 law.

Both Laski and Ross are attorneys, and Ross has obtained his agent license in order to book gigs for his clients.

During a spirited Q & A session followingrepparttar 103820 formal part ofrepparttar 103821 presentation, one artist asked four questions without waiting for an answer and there was a bit of fun forrepparttar 103822 rest of us as we watchedrepparttar 103823 microphone being wrestled away from her. It's nice to see passionate artists, but there is also something to be said for displaying a modicum of decorum in public.

Highlights fromrepparttar 103824 presentation:

On obtaining publicity for clients:

Ross: "You do whatever you can for publicity." He occasionally spends time in music chat rooms to see who is into which artists in local markets. "You call, write, give out 200 sampler CDs. It all builds forrepparttar 103825 future."

Laski disagreed: "I don't believe in artists giving out free samplers to fans. Make an EP and sell it for $5."

Yeko: "We call music editors to get reviews and write-ups, butrepparttar 103826 main thing is to figure out your goals ahead of time. Underrepparttar 103827 right circumstances, you can't give out too many flyers or CDs."

Cont'd on page 2 ==>
 
ImproveHomeLife.com © 2005
Terms of Use