Hungary’s Bartok LegacyWritten by Rob LaGrone
Hungary’s Bartok LegacyRead Jetsetters Magazine at www.jetsettersmagazine.com To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas/hungary/hungary.html Las Vegas is on classical map! Tonight's guest performance by Hungarian National Philharmonic adds another world-class orchestra to list of those that have graced our city's cultural scene. Led by conductor and music director Zoltán Kocsis, group performed works by Bartók, Mozart, and Dvorák before a full house at UNLV's Artemus W. Ham Concert Hall. Hungarians must be gifted dancers. The orchestra opened with "Dance Suite" by Béla Bartók, but unless you're really good on your feet, you might want to sit this one out. The tempo changed constantly, and there were many brief pauses followed by sudden changes in rhythm and mood. I could barely keep up! Bartók made great use of many different instruments in this 1923 work. It started in a rather mischievous mood, featuring low bassoon and a brief tuba solo. The sound was sparse at first but soon filled in with violins providing a pretty melody. The trombonists played some rather whimsical glissandos, using their slides to glide up or down from one note to another. Most orchestras tend to feature French horns more, but in Hungarian National Philharmonic, trombones were ever-present, and their rich tones filled hall. Classical composers are such thieves! I've lost count of how many have ripped off old folk tunes for their works. Okay, I'm kidding - but old songs have long provided inspiration for wonderful orchestral adaptations. The evening's second piece was a suite of five songs from Bartók's "Twenty Hungarian Folksongs". In 1933 composer added orchestral accompaniment to these five and stated, "These are not arrangements, but original compositions even though they made use of old folk melodies." Yeah, tell it to judge, Béla. What's a folk tune without a singer? Soprano Júlia Hajnóczy lent her clear voice to five songs, entitled 'In Prison', 'An Old Bitter Song', 'Wedding Song I', 'Lament', and 'Wedding Song II'. She sang in Hungarian, of course, and it was too dark to follow words in program, but what struck me was mood of each piece. The sad songs were beautiful and poetic but not at all dark, and happy wedding songs were playful and intimate rather than exuberant and celebratory. The line "I am pretty Jani, aren't I, I am meant just for you" says it all. Perhaps Hungarian peasants were much more even-tempered than we might guess. Had these folk adaptations been written by Russian composer Dmitri Shostakovich, we would have been dancing in aisles one minute and looking for razor blades next. Nobody does manic depression like Russians. Harold L. Weller, conductor of Las Vegas Philharmonic, was right: there's no really good way to situate a piano for a piece like this next one. Maestro Kocsis is also an excellent pianist, and his podium was replaced at center-stage by a grand piano for Mozart's 'Concerto No. 17 in G Major'. Maestro Weller was talking about problem of getting full volume from instrument, but I was thinking about how it looked. I'm used to conductor facing away from us, but when he's sitting at a piano, it seems rather strange. The upside, however, was fun I had watching him play and conduct at same time. As his eyes and hands constantly switched from one task to other, he reminded me of a lady commuter trying to apply makeup in her rear-view mirror.
| | Bada Bing Dinner Theater in Las VegasWritten by Linda Lane
Bada Bing Dinner Theater in Las VegasRead Jetsetters Magazine at www.jetsettersmagazine.com To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/shows/vegas/badabing/bada.html America's love affair with The Sopranos, The Godfather, Goodfellas, and a host of equally thrilling mobster tales can be satisfied vicariously by spending an evening at "Ba-Da-Bing", interactive dinner musical at Orleans Casino in Las Vegas, Nevada. The show is a clever marriage between Gustav Mauler's Italian eatery, Sazio's, and Ba-Da-Bing repertoire company of wise guys and slick chicks. The occasion is a surprise birthday party for Mr. Big, Godfather of Las Vegas, and as his guests, audience members get to join one of families. Mike Hughes, general manager, stage manager, and Mr. Big's Bookie, explained that they have been performing for three years. They've been at Sazio's one year and have become so popular that instead of five nights, they are now running seven nights a week. Certainly, food plays a major role in gangster comedy's success. There is a three-course dinner beginning with a crisp, freshly tossed Caesar salad and homemade bread. Black and white helium balloons and stars float above tables reserved for: Pizza Family, Antipasto Family, Pepperoni Family, and so on. The dialogue may be tongue in cheek but atmosphere is authentic down to spats, big rocks, and pistol packin' mamas. The show's publicist, Bobbie Katz, explains that Ba-Da-Bing is only interactive musical in Las Vegas. It is more intimate than Tony and Tina's wedding. And thanks to Gustav Mauler's cuisine, food is far better than most catered dinners. Even Lisa, our waitress, was Jersey through and through, her voice, resonating with Sopranos inflections. "Okay, tonight we got Chicken Marsala with garlic mashed potatoes, Meat Lasagna, Grilled Ribeye Steak with Whiskey Peppercorn Sauce, and Salmon with Honey Basil Sauce. There's homemade Tiramisu for dessert so save room. And, everybody gets a glass a champagne to toast Mr. Big, godfather of Las Vegas. Drinks are extra." As we ordered our entrée actors and actresses looking like they came out of a vintage Godfather epic roamed private dining room, dubbing one man at each table Don for night. Others were enlisted to participate in one of sketches. Frankie Marone, or Moron as he's often called, played by Ted Davey is Mr. Big's former right-hand man. Frankie is hosting boss's surprise party "so's he can get back in Don's good graces." His former girlfriend, Chickie Parmesan, played by Carrie SaLoutos, happens to be Mr. Big's favorite entertainer. Her version of "Santa Baby" brings back warm, sultry sounds of Eartha Kitt.
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