Article: " How to keep your artwork as fresh as
day it was created " Author: Heather Diodati Contact Author: info@whimsies-online.com Word Count: 1730 Words formatted to 65 characters/line Publishing Guidelines: May be freely published w/bylines; courtesy copy appreciated Web Address: http://www.whimsies-online.comClueless about how to protect
beautiful acrylic painting you received as a birthday gift? Wondering how to mat and frame your new watercolor? Here’s a handy guide on how to care for your precious artwork, no matter what media it was created in.
. Handling . Storage . Transporting . Matting . Framing . Laminating . Display . Cleaning
Special care for different types of media
. Acrylics . Oils . Watercolors . Pastels . Charcoal, Pencil, Colored pencil, Crayon drawings . Ink drawings . Digital art
Handling
Always use great care in handling artwork. Never touch
surface of
art with your bare fingers as
natural oils, acids and salts on your skin can transfer to
artwork and cause permanent damage. If you must touch
art, wear cotton gloves.
Storage
Artwork not displayed should be stored in a clean, dry, dark and well-ventilated area in moderate temperatures and humidity levels that do not fluctuate a great deal. Avoid storage in basements, attics or garages as extreme temperatures and moisture can damage
artwork.
Store unframed art flat with acid-free paper between each item, or store individual items in archival-quality envelopes.
Avoid storing art between cardboard, as it is highly acidic and can damage artwork over time.
Store art created with charcoal, pastels, pencil or crayon between glass to avoid rubbing and damaging
delicate artwork. Preferably mat
item first with an acid-free mat and then cover it with glass to protect
artwork from any kind of contact with its surface.
Never store unframed art in shipping tubes for any length of time. Remove
art as soon as possible and lay it flat until you are ready to frame it. If a painting has been stored in a tube for a long time, consult a professional who will use
utmost care and expertise in unrolling and relaxing
artwork to avoid possible cracking and damage.
Never store framed art directly on
floor. Instead, rest
artwork on blocks or on shelves.
Transporting
Never leave artwork in your car for extended periods of time. Carry framed artwork by
sides and avoid resting canvas against any items that may damage
surface.
Roll prints carefully and insert into heavy duty shipping tubes. Remove
artwork and unroll as soon as possible after transport to avoid permanent damage.
Matting
Have your artwork matted with an acid-free mat board. Poor quality mats may damage art over time due to
chemicals in
board that can transfer to
artwork. The same is true for backing your art with cardboard which also has chemicals that may cause discoloration.
Never use rubber cement or white glue to adhere
art to a surface as it can cause damage to your precious artwork.
Framing
Art created with ink, pencil, pastels or charcoal should be framed under glass. You may use Plexiglas only for pencil or ink drawings as any pastel or charcoal artwork may be damaged by
build-up of electrostatic charge emitted from Plexiglas and similar plastics.
Make sure to completely seal
back seams of
frame and backing with acid-free tape.
To further protect your print from harmful UV rays you can ask your framer to use glare-free glass with a UV protective coating to cover
artwork in
frame.
The frame you choose should be slightly larger than your artwork. Humidity may cause
paper to contract or expand and
extra space between
frame and artwork will allow for these changes without damaging
art.
Never frame artwork without also using a mat board between
art and frame. Wood may hold humidity that can transfer to
artwork. You can use acid-free frame spacing instead of matting, if you prefer. Ask your art store to see what is available.
Also, if you have a glass insert to protect
artwork, make sure you add a mat to prevent
art from sticking to
glass over time.
Laminating
Since nearly all laminating materials have UV inhibitors in them it makes sense to consider this option for protecting your prints, photos and digital art as well as other artwork such as delicate pastels and charcoals.
Consult a photo store to ensure that this process will not damage
artwork you’re thinking of laminating.
Either bring your print or photo to a photo shop to have it professionally laminated to a base, or use a laminating machine if you would rather use a frame.
A laminating machine that uses a heat process will protect
print more than a machine using cold lamination. Be careful of low-end laminators with fluctuating temperatures that can result in bubbles between
print and
plastic, incomplete lamination or variations in thickness of
plastic.