How to Make the Most of Your Website Copywriter

Written by Glenn Murray


How to Makerepparttar Most of Your Website Copywriter By Glenn Murray *

Many people feel uncertain when dealing with copywriters. Like any artform, writing is subjective; instead of black and white, most business owners and marketing managers see indistinguishable shades of grey. But copywriting possesses one key element that most other forms of art don’t – a commercial imperative.

Becauserepparttar 128955 copywriter’s audience is driven byrepparttar 128956 realities ofrepparttar 128957 business market, so too isrepparttar 128958 copywriter. Althoughrepparttar 128959 good ones love to write, they don’t necessarily love to write about toilet paper and real-estate. Copywriters – in particular website copywriters – write because it’s their job. And like any job, copywriting has very defined objectives and parameters which determine howrepparttar 128960 copywriter works, andrepparttar 128961 kind of material they produce.

So, if you need black and white, this is where you’ll find it.

There are two primary commercial realities for a website copywriter. Understand these realities, and you’ll understandrepparttar 128962 writer. Ignore them, and your job will take longer, be more frustrating, be less engaging, and earn you less money.

REALITY 1 – READER-FRIENDLY AND SEARCH-ENGINE-FRIENDLY A website copywriter needs to adhere to certain guidelines to ensure your website is both reader-friendly and search-engine-friendly. This is black and white.

Because most websites rely on search engines for their traffic, your website copywriter has to write for two broad audiences: human and computer. This introduces a number of complexities because, quite often, these audiences want different things.

For instance, with humans, less is generally more. But with computers, more is more. Humans need to understand, sorepparttar 128963 fewer wordsrepparttar 128964 better. Search engines, onrepparttar 128965 other hand, are programmed to think that anything important enough to be ranked highly has to have a lot of words. A website copywriter must balance these conflicting requirements. Your copywriter will work faster and more efficiently if you don’t demand too few words or too many.

TIP: If your site needs both humans and search engines, try not to set your heart on less than 100 words per page or more than 300 words. Generally speaking, somewhere inrepparttar 128966 middle is a nice compromise for both audiences.

And it’s not justrepparttar 128967 number of words used that’s important. Humans tend not to like repeated words, whereas search engines do. Humans will understand from your heading what it is you do, and if it’s relevant. Mention it once, and they’ll generally remember. Search engines are not so smart. They need to be told again and again. This is how they figure out how relevant your site is.

How to Evaluate Writing Contests: Six Starter Questions

Written by Dr. Erika Dreifus


At some point in your writing career you will probably encounterrepparttar possibility of entering writing contests. As you peruse writing newsletters and magazines, at any rate, you’ll almost inevitably find listings of competitions; you may very well begin to wonder how to decide whether a given contest is “right” for you and your poetry or prose. Here are six “starter” questions you can ask yourself to initiate that process of evaluation:

1. Do you recognizerepparttar 128953 press, university, writing center, magazine, literary review, etc. that is sponsoringrepparttar 128954 contest? Do your writing friends and teachers know about it? (A number of Internet boards post warnings about “scam” contests—it can’t hurt to check those out.) Isrepparttar 128955 administering organization one you’d be happy to have publish your work?

2. Doesrepparttar 128956 competition postrepparttar 128957 names of past winners (andrepparttar 128958 titles of their winning works)? Can you locaterepparttar 128959 published stories, poems, essays, or books?

3. Is an award guaranteed? Some contests stipulate that an award may not be given in a particular year; this may not be appreciated when fees have been collected; you may choose not to hand over a fee to such a contest.

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