How to Know When You've Done a Good Ad

Written by Walter Burek


HOW TO KNOW WHEN YOU'VE DONE A GOOD AD.

A good ad is a marvelous, magical thing. An object of emotion as well as intellect. A work of art.

Once you've done one, you know what a good ad can do. Turn nerves taut. Make fellows mellow. Raise eyebrows or raise hopes. Inspire or intimidate or influence. Impart information that motivates action.

A great copywriter once wrote, "A good ad is like a good sermon: It not only comfortsrepparttar afflicted, it also inflictsrepparttar 100935 comfortable."

Butrepparttar 100936 question ofrepparttar 100937 moment is this: How do you know -- before a single living colleague, client or consumer has laid eyes on it -- that you've done a good ad? That it'srepparttar 100938 right time to stop allrepparttar 100939 thinking, talking, writing, doodling and designing. The right time to click on "save" and call a meeting?

It ain't easy, knowing that moment. Because a good ad isn't likerepparttar 100940 99-yard run kickoff return that everybody inrepparttar 100941 stadium can follow as it turns into a touchdown. Orrepparttar 100942 4th of July fireworks display that gets everyone oohing and aahing in unison.

A good ad is hard to recognize. Often because it's hiding in blah advertising meetings and windy memos. Lost in dim product descriptions and lengthy creative briefs. Or even gone missing inside another ad.

A good ad is difficult to get your hands on. Like a glob of mercury on a glass tabletop. Slippery and elusive. (Onrepparttar 100943 other hand, Leo Burnett said, "I have learned that any fool can write a bad ad, but it takes a real genius to keep his hands off a good one.")

A good ad will sometimes show itself when you least expect it. While you're inrepparttar 100944 shower, at a movie, listening torepparttar 100945 latest from Eminem, or having a couple of quiet beers. Sometimes, even when you're working on something else.

"You Can Observe a Lot by Watching" and 24 Other Brilliant Answers to a Mind-Boggling Question

Written by Walter Burek


"YOU CAN OBSERVE A LOT BY WATCHING" AND 24 OTHER BRILLIANT ANSWERS TO A MIND-BOGGLING QUESTION.

It's inevitable. It will happen at work, at a party, or a job interview. Even a client meeting. If you're inrepparttar marketing communications biz long enough someone, some time, somewhere is going to ask yourepparttar 100934 question: "Where do you get your ideas?" The first thing to remember when this happens to you is to remain calm. Nobody who asks this question expects you to bore them to tears by actually discoursing onrepparttar 100935 "creative process" (which someone once described as "making sausage and you don't want to know.") Onrepparttar 100936 other hand, you don't want to sound totally clueless either. So, here's what to do: Plant your feet firmly, look your questioner inrepparttar 100937 eye and let one or two ofrepparttar 100938 following witty and wise sayings flow smoothly off your tongue. They're short and sweet -- and guaranteed to make you sound brilliant. And byrepparttar 100939 way, don't feel guilty about borrowing any of them because, as Voltaire said, "Originality is nothing but judicious imitation."

"I don't know where my ideas come from...however ... one key ingredient is caffeine. I get a couple of cups of coffee into me and things just start to happen." - Gary Larson

"The best way to get a good idea is to get a lot of ideas." - Linus Pauling

"I shut my eyes in order to see." - Paul Gaugin

"Some men see things as they are and say, why. I dream things that never were and say, why not." - George Bernard Shaw

"Eighty percent of success is showing up." - Woody Allen

"An idea can turn to dust or magic, depending onrepparttar 100940 talent that rubs against it." - Bill Bernbach

"Creativity is reallyrepparttar 100941 structuring of magic." - Anne Kent Rush

Cont'd on page 2 ==>
 
ImproveHomeLife.com © 2005
Terms of Use