How to Catch the Writing Bug

Written by Stephen Bucaro


---------------------------------------------------------- Permission is granted forrepparttar below article to forward, reprint, distribute, use for ezine, newsletter, website, offer as free bonus or part of a product for sale as long as no changes are made andrepparttar 128889 byline, copyright, andrepparttar 128890 resource box below is included. ----------------------------------------------------------

How to Catchrepparttar 128891 Writing Bug

By Stephen Bucaro

If you earn income as a writer, or use writing as a marketing tool, you know how difficult it can be at times to write. I started writing for my website and newsletter a few years ago. Sometimes it would be two or three weeks between articles. Sometimes writing would be torture. Then one day I caughtrepparttar 128892 writing bug.

Now I write two or three articles each day. I don't have to struggle for topic ideas. I have thousands of good ideas to choose from. Instead, now I struggle to limitrepparttar 128893 scope of areas that I will write about. What happened to cause this change? I caughtrepparttar 128894 writing bug.

The writing bug is contagious, and by reading this article, you too will catchrepparttar 128895 writing bug!

How to Choose a Topic

The most difficult part ofrepparttar 128896 writing process is choosing a good topic. A good topic is one that other people want to read about and one that is interesting enough for you to write about. Here's how to create a notebook full of great topic ideas.

- Use a three-ring notebook as an idea file.

Your idea notebook should have two parts. The first part is sheets where you jot down ideas whenever they pop into your head. The second part is tabbed dividers where you keep reference material and partially written articles.

Where do ideas come from? Everywhere! Ideas can come from TV news or any TV show. They can come from a book, newspaper, or magazine. They can come fromrepparttar 128897 web. Ideas can come from a conversation with a friend. All of these sources are sending information and ideas to you.

After you learn how to catch ideas, your idea notebook will be bulging with great ideas and research information for article and book topics. You don't need to plagerize or copy other peoples' work. Your article should be nothing likerepparttar 128898 material that you get an idea from because you haverepparttar 128899 "writer's attitude". Below are some thoughts from a person withrepparttar 128900 writer's attitude.

- I can explainrepparttar 128901 topic better. - I know more aboutrepparttar 128902 topic. - I disagree with this source. - I can approach that topic from another angle. - I can elaborate more on that topic. - I can write a more concise article. - I can breakrepparttar 128903 information up into more readable short articles. - I can write a more comprehensive article. - I can write a more up-to-date article. - I can rewrite that topic and include examples.

When an idea hits you, write it down inrepparttar 128904 first part of your idea notebook. Ifrepparttar 128905 idea comes from an article, tearrepparttar 128906 article out, punch holes in it, and save it behind a tab inrepparttar 128907 second part of your idea notebook.

Now when you need an idea, just flip through your idea notebook. Eventually your idea notebook will contain thousands of great ideas to choose from.

- One surprising source of topic ideas is material that you wrote previously. You can applyrepparttar 128908 writer's attitude to your own articles.

How to Writerepparttar 128909 Article

The second most difficult part ofrepparttar 128910 writing process is actually writingrepparttar 128911 article.

First, make an outline. If you're going to writerepparttar 128912 entire article in one sitting,repparttar 128913 outline doesn't have to be in writing, you can keep it in your head. If you're writing a large article or a book, create a written outline.

Keys to Characterisation

Written by Aspire2write


Keys to Characterisation

Copyright © 2004 Aspire2write.com

Far too many inexperienced writers create flat, stereotypical characters:repparttar brave fireman,repparttar 128887 damsel in distress,repparttar 128888 strict schoolmistress. The best characters are those who evoke emotions withinrepparttar 128889 reader – fear, admiration, affection, laughter, horror… Ifrepparttar 128890 writer fails to make us care aboutrepparttar 128891 characters, no matter how ingeniousrepparttar 128892 plot, we will tossrepparttar 128893 story aside without a second thought.

Every character should be unique. There are no two people in this world exactlyrepparttar 128894 same. Each of us has an individual personality; everything we do derives fromrepparttar 128895 governing aspects of that personality. The following factors contribute to our uniqueness: Names Appearance Possessions / props Speech Body language Habits Behaviour Background Major traits

These factors are best used in combination. For example, Charlie’s broken spectacles combine with his habit of tripping over things. Natasha’s boasting photographs of her new house combine with her loud voice that demands to be heard. A character who displays only one of these factors is nothing short of mundane. Let’s look at these issues more closely.

1) Names

Everyone needs a name. Names identify who we are; they can be associated with status, be notorious, unusual, or nondescript. Some beginning writers struggle over naming their characters. Names often hold symbolic association. Pip in Great Expectations is like a seed growing through childhood to adulthood. Lemuel Gulliver is ‘gullible’ in his travels through Lillput, Laputa and beyond. A character should not be givenrepparttar 128896 first name that pops into your head. It requires more thought than that.

2) Appearance

We do not remember every detail of someone’s appearance, but hone in to something that differentiates them from others. In Harry Potter, Ron Weesley’s distinguishable feature is his red hair. In Edmond Rostand’s play Cyrano de Bergerac,repparttar 128897 title character has a large nose. Appearance can be used to reveal personality moreover. For example, someone with dirty fingernails, besides being unclean, is far from a perfectionist; they are neither fussy nor obsessive. The relationship between appearance and reality has always fascinated authors. Appearances can be used to deceive after all. Frankenstein’s monster is inhumanly ugly and yet his natural impulses are benevolent. Oscar Wilde’s Dorian Gray is stunningly beautiful in everything but his soul, his reality, which is as foul asrepparttar 128898 rotting canvas hidden out of sight.

3) Possessions and props

Appearance ties in closely with personal possessions (or props). Everyone has possessions, including their homes, clothes, books, and cars. Even a homeless beggar viewsrepparttar 128899 street corner on which he sleeps as his own. Let’s look at more examples. Margaret never leavesrepparttar 128900 house without her bulging handbag. Charlie wears a pair of broken spectacles fastened together with sticky tape. Natasha goes nowhere without a photograph album containing pictures of her new five-bedroom house. Such concrete objects reveal aspects of character. Margaret carries her handbag, stuffed with everything she could ever need, because she feels insecure without it. Charlie is so clumsy that he doesn’t bother to buy a new pair of spectacles for he will only sit on them again. Natasha’s photographs scream out, “I am a shameless show-off!”

4) Speech

Speech evokes personality, both what is said,repparttar 128901 content, andrepparttar 128902 way in which it is said,repparttar 128903 manner. Nick is arrogant; his speech is long, loud, and self-interested. Emma’s occasional social shyness, onrepparttar 128904 other hand, is mirrored in her short speeches. Sometimes she only utters a monosyllable in reply to a prying question. Content and manner, moreover, reflect social class. A university lecturer will use different language than a pub barmaid (even if talking aboutrepparttar 128905 same subject.) Also note that people have their own set of speech idioms: Nick waffles, “etc, etc” atrepparttar 128906 end of each sentence; Emma utters, “don’t you think” to engage her listener's approval.

5) Body language

Body language falls into two categories: voluntary and involuntary. We shake our head when we mean to say “no,” for example; we smile when we mean to be friendly. Voluntary body language, conversely, may be used to deceive. Sophie laughs loudly at her boss’s jokes even though they bore her to tears. Involuntary gestures are difficult to feign, however, as we tend not to realise we are making them. Sally rubs her left earlobe when she is nervous. Daniel folds his arms across his chest when he feels defensive.

Cont'd on page 2 ==>
 
ImproveHomeLife.com © 2005
Terms of Use