How to Care for Your Photographs

Written by Andrew J. Morris


Photographs are wonderful, mysterious things. Yet we have become so accustomed to them that we take them for granted. 1999 markedrepparttar 160th anniversary ofrepparttar 110884 public introduction of photography. Prior to 1839 you could not see what distant places truly looked like, or see yourself as you appeared when you were younger. Most people didn't know whatrepparttar 110885 President ofrepparttar 110886 United States really looked like, orrepparttar 110887 King or Queen of England. Oh sure there were pictures, artists drawings and paintings, but they were all interpretations -- evenrepparttar 110888 most faithful representations were influenced byrepparttar 110889 style, medium and mind ofrepparttar 110890 artist. Along camerepparttar 110891 invention of photography, and all that changed overnight.

With every picture you take, you are freezing a moment in time; capturing a view that can never be exactlyrepparttar 110892 same again. You may have a closet full of such frozen moments, or just a few rolls from your last vacation. If you want to be able to enjoy those moments far intorepparttar 110893 future, you need to take some care inrepparttar 110894 handling and storage of those images. If you have family photos handed down from earlier generations, you have a responsibility to future generations to pass them on in as good condition as possible.

When taking care of older photographs it helps to know something ofrepparttar 110895 process by which they were made, but it not essential. If you would like to learn more about 'Identifying and Dating Old Photographs' there is considerable information available. In practice, all photos need to be protected fromrepparttar 110896 same dangers. Light is enemy number one. Chemical degradation is another problem, and much less easy to deal with. And of course you must protect them from physical damage, be itrepparttar 110897 curiosity of children orrepparttar 110898 fury of storm, flood or fire.

LIGHT

Photographs are made byrepparttar 110899 action of light on a specially treated chemical surface (at least they were before digital imagery was invented, but more about that later ...) Little wonder then that even after they are fixed into a stable image, photographs can still be affected by light. Bright light will cause photos to fade. Actually, all photographs are fading at all times, but light greatly acceleratesrepparttar 110900 process. The degree of fading depends onrepparttar 110901 type of process used to createrepparttar 110902 image, how well it was processed, and other factors. As a general rule, color photos fade faster than black and white.

Of course you have to expose photos to light to view them, and what good are they if they are never seen? But you should be careful to store them in light-proof boxes. Pictures you hang on your walls should be thought of as disposable -- don't hangrepparttar 110903 original if it is a family heirloom -- make a copy and hang that. Avoid placing pictures where they will be in direct sun.

CHEMICAL DEGRADATION

When pictures fade from sunlight it is really a form of chemical degradation, but there are other factors that can contribute to this process. Ifrepparttar 110904 pictures were not properly processed when they were made, they have more damaging chemicals on them, and will sufferrepparttar 110905 effects of chemical degradation much faster than properly processed images. If you are having copies made, or prints from new photos that you want to last well intorepparttar 110906 future, you can have them archivally processed to ensurerepparttar 110907 fewest possible damaging trace chemicals will remain onrepparttar 110908 print. Old prints can be re-processed to remove chemicals, but that process should only be attempted by professional restoration experts.

Another source of chemical degradation isrepparttar 110909 paper (or on mounted pictures,repparttar 110910 cardboardrepparttar 110911 print is mounted on) used in making prints. Ifrepparttar 110912 paper is too acidic, it may fall apart with time, disintegrating slowly from within. There are sprays available that can be used onrepparttar 110913 back of photos to slow this process.

Photos can also pick up deleterious chemicals from their environment,repparttar 110914 air around them, other pictures, orrepparttar 110915 material they are stored in. To ensure long life, store your pictures in safe materials designed for archival storage. Never use those so-called magnetic photo album pages that are sticky -- that sticky surface is made of chemicals that will destroy your pictures.

Book Review of "Where's Stretch?"

Written by Sherri Allen


Review of: Where's Stretch by Karen Pandell, illustrated by Jill McElmurry Candlewick Press, July 2004 Hardcover, 18 pages ISBN: 0763615943 Recommended Ages: 2 - 5

Review by Sherri Allen:

Children love lift-the-flap books. Children love dogs. Author Karen Pandell and Illustrator Jill McElmurry successfully combinerepparttar two in "Where's Stretch?" a charming book that young readers will adore.

The family of Stretch,repparttar 110883 dog, is getting ready for laundry day when they decide to give Stretch a bath. Of course, Stretch makes himself scarce andrepparttar 110884 search for Stretch begins. Is he inrepparttar 110885 closet? No. Is he inrepparttar 110886 bathtub? No. Where can that dog be? Your children will delight inrepparttar 110887 search for Stretch and will loverepparttar 110888 surprise atrepparttar 110889 end when Stretch's hiding place is revealed.

The text is effectively presented as family dialogue, bringingrepparttar 110890 reader intorepparttar 110891 search for Stretch and eliminating a lot of unnecessary words that would detract fromrepparttar 110892 story and make things harder forrepparttar 110893 beginning reader. The story was so compelling and easy to follow, my 2-and-a-half year old memorizedrepparttar 110894 book after having it only half a day. A few months later, afterrepparttar 110895 newness has worn off, it is still one of her favorite books.

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