How To Play The Violin

Written by Helen Baxter


This article givesrepparttar essential basics for how to playrepparttar 109780 violin. Generally violins are quite commonly available instruments and it is reasonably easy to rent or buy a violin. Children may need smaller violins (from an eighth, quarter, half, three-quarters, seven-eighths up to full size) to accommodate smaller hands if they are going to be learning over an extended period.

The Basics

The bow is held inrepparttar 109781 right hand withrepparttar 109782 thumb bent underneathrepparttar 109783 frog to support it andrepparttar 109784 other hands loosely grippingrepparttar 109785 wood. There are many different holds and it its important to find one that suits your hand size and strength. The violin is held withrepparttar 109786 left hand, withrepparttar 109787 chin onrepparttar 109788 chin rest supporting most ofrepparttar 109789 weight, andrepparttar 109790 fingers loosely coiled aroundrepparttar 109791 neck ofrepparttar 109792 violin. The thumb should be relaxed but firm. The left elbow should be curved underrepparttar 109793 violin. The violin should be roughly horizontal andrepparttar 109794 right arm held high. The main methods of playingrepparttar 109795 violin are bowed and pizzicato.

Bowed

The bow should be drawn swiftly and smoothly acrossrepparttar 109796 strings, about halfway betweenrepparttar 109797 fingerboard andrepparttar 109798 bridge. A down bow starts withrepparttar 109799 hand close torepparttar 109800 strings pulling acrossrepparttar 109801 string from left to right, and is generally used on strong beats. An up bow goesrepparttar 109802 opposite way, right to left, and is used on weaker beats and upbeats. However with practice down bows and up bows should be fairly difficult to distinguish. Slurs in music indicate that all notes within a slur should be played inrepparttar 109803 same bow movement. To play loud notes,repparttar 109804 bow is pressed down harder onrepparttar 109805 string usingrepparttar 109806 index finger orrepparttar 109807 bow is drawn acrossrepparttar 109808 string faster. To play more quietly use less pressure or drawrepparttar 109809 bow acrossrepparttar 109810 string slower. In classical music bowed music is indicated byrepparttar 109811 Italian term arco.

How Shall I Practice the Piano?

Written by Emily Sigers


1. Never miss a day's practice, if you can possibly help it. If it should happen that your time is limited, practice your regular daily technical exercises at least.

2. If you cannot manage to get through withrepparttar study ofrepparttar 109779 work set for you, inform your teacher of it before beginningrepparttar 109780 lesson. A few measures practiced thoroughly are better than a whole exercise or piece studied superficially.

3. Never waste time strumming onrepparttar 109781 piano. The more conscientiously you practice,repparttar 109782 sooner you will be able to play anything you like. Five or ten minutes well applied will do a great deal towards improving your technique. Never practice, however, without being properly seated and without concentrating your whole mind upon your work.

4. Never begin to practice before having ascertained and made clear to yourself all aboutrepparttar 109783 key,repparttar 109784 time,repparttar 109785 rhythm, andrepparttar 109786 phrasing ofrepparttar 109787 piece. Think over every measure and determine uponrepparttar 109788 best way of playing it.

5. When taking up a new exercise, carefully guard againstrepparttar 109789 first mistake. Remember: "prevention is better than cure;" it is always easier to avoid a mistake than correct it. The fingers are only too apt to repeat mistakes once made, and thus to accustom themselves to bad habits.

6. Every technical difficulty must be overcome and mastered by a special exercise. Similarly, every passage or part in a movement must be practiced, or worked up, till it can be played withrepparttar 109790 exactness and precision of clockwork. Every detail in a piece must be studied and mastered separately, untilrepparttar 109791 whole can be rendered in a truly artistic manner.

7. It is no use playing a piece over and over again from beginning to end, even though each hand plays its part separately; mind and memory must first of all have become familiar with every detail, andrepparttar 109792 fingers must be trained, until they become accustomed to overcome each difficulty perfectly and with ease. Hencerepparttar 109793 necessity of dividing up each exercise into small parts or sections which must then, if necessary, be practiced first with each hand separately and then with both hands. The more difficultrepparttar 109794 parts,repparttar 109795 more frequently they must be practiced.

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