How Much Should I Charge?

Written by Laurie Soper


People ask me, “What should I charge?” I say, “Ask your clients.” If they are respectable professionals you want as clients, they will be honest with you and give you a fair price based on their experience, their need, and their ability to pay. They will not try to undercut you. And if you are a true professional, you will charge them a fair price and not try to overcharge them. You will not undercut yourself, either. You will base your price on two things: your value to their business, andrepparttar client’s value to your own company. Your fee should always be based onrepparttar 140535 criterion of a good relationship. If it threatensrepparttar 140536 relationship, is it worth it? You cannot base your price on your company policy or an annual raise, or what you’re worth to your most lucrative corporate clients. You must base your price onrepparttar 140537 relationship with this one specific client and all your clients. Shortly after I opened my business, I received a call from a chartered bank. They were experiencing difficulties with a team who managed world trading, and they needed someone to teach them a thing or two about communications. I was very excited about this opportunity. I shook their hands vigorously and we retired into a little room, where we discussed their needs and they told merepparttar 140538 kind of written proposal they were looking for. I listened carefully as these two women talked. I couldn’t wait to sink my teeth into it. I proceeded to tell them how I would approachrepparttar 140539 project and then—poor naïve little me—I lowered my voice and almost whispered: “I should tell you, though, that I’m not cheap. I charge $325 a day.” The two of them looked at each other and giggled. “Did I say something funny?” “When you submit your proposal, you had better charge us twice that, orrepparttar 140540 Manager won’t look at it.” I stared at them, cleared my throat, and replied, “Certainly.” I “certainly” learned a lesson from that encounter. You don’t charge a chartered bankrepparttar 140541 same fee you charge a non-profit organization. I also, unwittingly, had been given an opportunity to grow my business. When you meet a new client you have nothing to lose. Use it to take risks with your fees. Let them teach you whatrepparttar 140542 going rate is, what they expect to pay. You might be pleasantly surprised.

YOU GOTTA PUT ON A GOOD SHOW

Written by Terry L. Sumerlin


Amarillo, Texas is known for at least two things – Palo Duro Canyon and some ofrepparttar finest people you’ll find anywhere.

It was recently my good fortune to be with some of those good people. I was that district’s keynoter forrepparttar 140534 annual safety awards banquet of Texas Department of Transportation.

Both before and duringrepparttar 140535 meeting part ofrepparttar 140536 banquet, I received some good natured ribbing about my Barber-osophy outfit. The red and white stripped vest and arm garters, along withrepparttar 140537 black bow tie, tend to stand out a bit. My shiny head also usually draws comments.

When it came time to speak, I felt compelled to respond in kind. First of all, I jokingly pointed out that if one ofrepparttar 140538 Austin TxDot guests, who preceded me atrepparttar 140539 mic and who has a haircut like mine like mine, would stand beside me we’d look like two headlights. I then noted thatrepparttar 140540 Barber-osophy outfit was my version of an old country and western song. One line says, “If you’re gonna make a livin’ to gotta put on a good show.” In other words,repparttar 140541 outfit and lots of humorous stories were for purposes of entertainment and uniqueness. The uniqueness part, I believe, is needed in most businesses.

At J.B.’s Barber Shop our “show” (uniqueness) is our family atmosphere. It’s a place where customers are called by name and where friends meet. It’s where you’re a friend instead of just a customer. That’s our “show,” and it’s been going on for nearly 50 years.

Cont'd on page 2 ==>
 
ImproveHomeLife.com © 2005
Terms of Use