God Bless IMAXWritten by Joshua Tyler
As a resident of American South for 27 out of 28 years of my life and a childhood “Dukes of Hazzard” fan, let me start this by saying following: I’m really sick of us Southerners making ourselves look like ass-clowns. Get it together people. For every episode of “Boston Legal” that portrays us all as gun-toting, mustache twirling, murdering dim-wits, there’s a real life story like this one that makes us every bit as stupid as James Spader portrays us. Maybe it’s time I moved up north.Here’s long and short of it: IMAX theaters in several southern cities (Texas is listed specifically, so no doubt this includes my IMAX theater here in Dallas.) have opted not to show a film on volcanoes on grounds that it references theory of evolution. Cited are concerns that movie-goers might be offended, or worse still actually learn something. The South’s education reputation didn’t occur by accident after all. Now granted, I don’t spend a lot of time watching The Discovery Channel, but when was last time you saw a nature program that didn’t reference evolution? They’re absolutely RIFE with it, perhaps because they’re put together by smart people known as “scientists” instead of evangelical, money-hungry preachers. Scientists you see are this weird cult of folks who worship this guy named Einstein and believe in crazy things like scientific method as a way for unraveling mysteries of Earth. They also feel pretty confident that we all got here by a process known as evolution. Fun fact… Pope agrees. To be honest, I’m not sure what I believe on subject, but that’s irrelevant to discussion. Whether evolution is real deal or not, this is a move that’s completely out of wack. I support rights of these individual theater owners to run whichever
| | Music of the Spheres with the Las Vegas PhilharmonicWritten by Robert LaGrone
Music Of The Spheres with The Las Vegas Philharmonic Read Jetsetters Magazine at www.jetsettersmagazine.com Read this entire feature free with photos at: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas04/sphere/sphere.htmlComposers have long described natural world in music: Beethoven wrote his sensual “Pastoral” Symphony, Stravinsky tempestuous “Rite of Spring,” Led Zeppelin “Misty Mountain Hop.” (You may have different examples.) Few, however, can surpass Gustav Holst’s spectacular suite, The Planets, performed tonight by Las Vegas Philharmonic. Excluding earth, and written before Pluto was designated ninth planet, this work comprises seven movements describing seven other known planets as they relate to classical mythology. Each movement is distinct in style and, according to composer, not related to others musically. However, chosen sequence makes for a very moving and unique musical experience. First things first, of course. Great orchestral performances normally start with overtures, and English composer William Walton’s Johannesburg Festival Overture set a lively, upbeat tone. Written for South African capital’s seventieth anniversary in 1956, piece is full of melodic European optimism, flavored in middle with a pulsating percussion passage drawn from traditional Zulu music.
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