Read Jetsetters Magazine at www.jetsettersmagazine.com To read this entire feature FREE with photos cut and paste this link: http://jetsettersmagazine.com/archive/jetezine/classic/calif/frank/frank.html

Have you ever had one of those experiences that really made you believe that you were born too late?

You know, not a few days or weeks late like a normal birth, but a number of years late, like 40 - 50 years.

As devoted Jetsetters Travel Writers, always on go, we had not one, but three experiences in which we had déjà vu trippy experiences that really make us think we were born 40 - 50 years too late. For both of us having grown up in good old, corn-fed Midwest in Chicago, we're huge fans of architecture created by rightly self proclaimed "Greatest Architect in American History."

Who is this, you ask and why? Read on, my friends and we'll explain in our three-part karma journey for our latest Jetsetters Magazine feature article.

First, we went to always cutting edge Los Angeles Museum of Contemporary Art to view an excellent 90-minute theater production presented by The Theatre of Will Foundation. It was a one-person play about then 68-year-old Frank Lloyd Wright that occurred during a three-hour timeframe in 1935. The setting for this play was in drafting room at Spring Green, Wisconsin at Taliesin, initial hilltop architectural home for Mr. Wright's fellowship of architectural and landscape architect apprentices. This brilliant two-act play examines Wright's life, from personal adversities and professional set backs to design innovations and architectural achievements to his outrageous comments about American popular culture.

In intimate Ahmanson Auditorium at MOCA, having approximately 160 seats, mostly filled with an eclectic, artsy crowd of thirty-somethings, we were privileged to experience this special engagement of this amazing theatrical production starring John Crowther. Not only did he write and perform entire play, but he even looks like a spitting image of Frank Lloyd Wright while he is decked out in his beret, gold ascot, and gray suit.

Read Jetsetters Magazine at www.jetsettersmagazine.com To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/shows/lax/abingdon/abindgon.html

Recently we went to see Los Angeles premiere of this very dramatic play written in 1984 by Maria Irene Fornes. It was premiered by The Open Fist Theater Company at a funky little theater on La Brea, a mere stone's throw from Hollywood Boulevard, in heart of always happening Hollywood, California.

The audience, primarily dressed in their best black, filled 99 seat theater to capacity, and from overhearing a few random conversations, was filled with screenwriters, playwrights and students studying theater in college.