Four Different Ways People Process Your Information

Written by Sandra Schrift


Publishing Guidelines: You are welcome to publish this article in its entirety, electronically, or in print fre*e of charge, as long as you include my full signature file for ezines, and my Web site address(http://www.schrift.com) in hyperlink for other sites. Please send a courtesy link or email where you publish to sandra@schrift.com Thank you. ___________________________________________________________

TITLE: Four Different Ways People Process Your Information AUTHOR: Sandra Schrift CONTACT: sandra@schrift.com COPYRIGHT: ©2004 by Sandra Schrift. All rights reserved Format: 60 Characters per line Article URL: http://www.schrift.com/article_information_process.htm Article Autoresponder: article-034@schrift.com ___________________________________________________________

Four Different Ways People Process Your Information

There are four different ways that audience members assimilate information. They are: visual, auditory, auditory digital, and kinesthetic. While all members of repparttar audience will process information utilizing all four of these approaches at different times, each audience member will individually will individually tend to rely on one of these approaches more thanrepparttar 104175 other three.

Visual: These people memorize and learn by seeing pictures and are less distracted by noise than others. They often have difficulty remembering and are bored by long, verbal presentations because their minds will wander. They are interested in how your presentation looks. They like it when you use words like “see, look, envision, imagine, and picture” in your presentation as these words encourage them to make pictures in their minds.

Auditory: These people are easily distracted by any noises occurring during your presentation. Typically these audience members learn by listening, Your vocal tone and vocal quality will be very important with these people. Words that work well with people in this category include “hear, listen, sound, resonate, and harmonize.”

Time Off

Written by John Assaraf


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Time Off

I get asked a lot about time off and how I manage to take so much of it to play.

Many years ago one of my mentors taught me thatrepparttar 104174 human body is like a multi-billion dollar racehorse. If you owned that horse, how much time off would you give it in between races?

The answer seems simple enough, but somehow we get caught up inrepparttar 104175 stress of day-to-day life and we forget to rest. And I mean really rest!

I know that putting in 18-hour days is not uncommon for me because I love what I do. I am sure that you also just go, go, go...allrepparttar 104176 time between work, parenting, friends, exercise, problems, etc.

One ofrepparttar 104177 best practices that I took on many years ago is what I call my six weeks on, one week off routines. Here's how it goes...I play full out for six weeks, then full off for one week.

This gives merepparttar 104178 chance to really unwind and do zip, nada, nothing. I get a chance to totally rejuvenate, and what I've found is that I am so ready to get back to creation once I am truly rested, that I am ten times more productive.

I used to feel that if "I just push a little longer, I'll get more done", butrepparttar 104179 truth is thatrepparttar 104180 quality of my work was not up to my highest standard.

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