Creativity Myths

Written by Kal Bishop


Sustained myths about Creativity and Innovation lead to confusion, bad practice and bad decision-making. Some of them include:

1. Creativity requires Creative Types While some theorists assert that there are creativity traits such as tolerance for ambiguity and intolerance to conformity, these assertions are countered byrepparttar fact that traits are hard to identify and are not stable nor transferable across situations. Further, motivation is a critical factor. Additionally, creativity is a cognitive process and thus measurements like “she looks creative” are poor benchmarks. Allrepparttar 103090 research shows that everyone can produce novel, useful, varied, diverse ideas and looking for certain types to come up with them reduces total valuable output.

2. Money isrepparttar 103091 best Motivator Material reward is a synergistic extrinsic motivator. That means that it is a factor that enhances intrinsic motivation but may not in itself cause maximum creative effort and output – there are at least six other motivators that are as valuable. Additionally,repparttar 103092 exact level of material reward very positively correlates to that received by peer groups.

3. Time Pressure drives Creativity Yes and no. There are at least three conflicting forces: a)Time pressure increases creative output. By forcing idea production, setting goals and incremental deadlines, a greater number of ideas are produced than if a “do your best” approach is taken. This action benefits fromrepparttar 103093 positives of prolific production and other processes. b)Time pressure may be a non-synergistic extrinsic motivator. It reducesrepparttar 103094 level of engagement inrepparttar 103095 endeavour and inhibits intrinsic motivation. c)Short-term time pressure does not allowrepparttar 103096 mind to engage inrepparttar 103097 endeavour at various cognitive levels. It does not allow rich ideas to formulate throughrepparttar 103098 process of incubation.

Revenge of the Sith – Creativity and Structure

Written by Kl Bishop


The common belief is that lack of structure and randomness enhances creative output, whereas in truth, creativity is enhanced when it is organised, systematic and based on highly structured processes. This article will use Episode III ofrepparttar Star Wars trilogy – Revenge ofrepparttar 103089 Sith – to demonstrate that point.

First, some basic concepts.

a)We can measure creativity by observingrepparttar 103090 number of ideas produced, their novelty and diversity andrepparttar 103091 frequency of production. This allows us to gauge which ofrepparttar 103092 two methods indicated above, produces more output. Using it, we can say for example, whether a structured approach with incremental deadlines and goals yields more of a screenplay than a “do your best approach.” Graham Green,repparttar 103093 famous English writer, insisted that his success was due to writing, without fail, 500 words a day. Similar examples of incremental goal setting,repparttar 103094 experience of people who regularly have to generate ideas (e.g. creatives in advertising) and experimentation reveal that incremental deadlines do indeed help us complete that screenplay much faster.

b)Creative output versus applied creative output. Creative output is enhanced to some degree by unstructured and random thinking. This isrepparttar 103095 essence of lateral thinking, where ideas are generated for i)repparttar 103096 sake of generating them, ii) without direction, iii) without evaluation, iv) using random stimuli to open up pathways and so forth. However, applied creativity results from i)repparttar 103097 use of frameworks that relate torepparttar 103098 problem and ii) critical thinking – reducingrepparttar 103099 idea pool to feasible ideas. In effect there are three stages, first creative thinking which is a combination of lateral and logical idea generation and second, critical thinking.

c)Structures and formal processes trigger a problem finding and resolving attitude and inducerepparttar 103100 goal state. This establishes boundaries, consistency, focuses creative energy and is a major source of motivation. It is commonly noted that people seem to be creative when constrained to some degree.

d)Prolific output. Structures such as incremental goals force output and lead to prolific production, which increasesrepparttar 103101 likelihood of quality. It can be declared with great certainty that quality positively correlates with quantity. The single best creative product appears at that point inrepparttar 103102 career whenrepparttar 103103 creator is being most prolific.

e)Incubation. Incremental goals can be short and longer term. Short-term goals increase output. Longer terms goals allow problems to incubate at various cognitive levels and lead to richer insights.

Withrepparttar 103104 above in mind then, how did George Lucas go about writingrepparttar 103105 screenplay for Revenge ofrepparttar 103106 Sith? He didn’t just sit there and hope forrepparttar 103107 muse to strike. He had a deadline, a budget was involved and distributors and marketers had expectations. So he used structure.

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