Apostrophe Usage Explained

Written by Michael LaRocca


APOSTROPHE USAGE EXPLAINED Copyright 2004, Michael LaRocca

According to one of my previous articles, whenever a Southerner says "Y'all watch this," get out ofrepparttar way because those are probablyrepparttar 129053 last words he will ever say.

Well, I am a Southerner. I used to live inrepparttar 129054 southern US, but I moved to south China. And, I'm about to sayrepparttar 129055 magic words:

Y'all watch this.

The word is "week." If I want to talk about more than one week, like I did nearrepparttar 129056 end ofrepparttar 129057 previous article, I'll use weeks. No apostrophe. If I want to talk about something belonging to a week, such as "last week's newsletter," I'll use an apostrophe.

That'srepparttar 129058 rule. If it's a noun, s makes it plural and apostrophe-s makes it possessive. It's just that simple.

If I were still inrepparttar 129059 US, and I wanted one of those fancy carved signs that are so common on southern lawns, it would not read "The LaRocca's." The LaRocca's what? His lawn? His sign? That apostrophe makes it singular possessive, so The LaRocca is surely claiming ownership of something. If that was not his intent, and he whacked in an apostrophe anyway, he's an idiot.

What about plural possessive? Is it "the LaRoccas' house" or "the LaRoccas's house?" Well, it's neither, since my wife isn't a LaRocca and we don't own a house. But forrepparttar 129060 sake of this article, pretend she is and we do.

In ON WRITING, Stephen King swears it's LaRoccas's. When I was a student, my teachers swore it was LaRoccas'. As an editor, I've heardrepparttar 129061 first was US standard andrepparttar 129062 second was UK standard. Andrepparttar 129063 answer is, I don't care. Just be consistent.

Rhetorical Questions

Written by Michael LaRocca


RHETORICAL QUESTIONS Copyright 2004, Michael LaRocca

Here's a question I ask as an avid reader. It's rhetorical, which means you don't have to answer it. Which is convenient when you think about it, since I won't hear you. I'm not talking to you, I'm writing. The floor is all mine.

Why is it that when someone's in a fight, and someone hits them hard enough, bright lights always explode behind their eyes?

I've been clocked a time or two. Sows, boars, horses, falling objects, falling Michael, a baseball bat, a nightstick, footballs, basketballs, baseballs, kickballs, kung fu cousin, a bad neighbor,repparttar jaws of a leaping dog. And, never has light exploded behind my eyes.

What usually happens to me at that point of impact is sensory overload. I don't feel it when a hunk of metal pops me inrepparttar 129050 mouth hard enough to split my lip and break my dentures and send them acrossrepparttar 129051 room. (The dentures, notrepparttar 129052 lips.) Sensory overload. Then a couple seconds later I seerepparttar 129053 damage and think, "Dang, what happened?" But in books, it's always those darn bright lights exploding behind people's eyes.

My advice to authors, then, is this. Before you write a lot of fight scenes, ask someone to punch you a few times. No, I'm kidding. No lawsuits, please.

My real advice is, avoidrepparttar 129054 cliches. Don't say "a snowball's chance in hell," say "a broccoli's chance in Bush One's White House." It's original, see? And if you're going to write about something you know nothing about, please do a bit of research.

This isn't a rhetorical question, but rather a true story. You know how inrepparttar 129055 comic books, whenever someone gets popped, they see stars? I really did. Once. Readers of RISING FROM THE ASHES know who "kung fu cousin" is. Clint. The naughty boy. My hero. He's in this story. Naturally.

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