Alternative View Points and the Lamp of Creativity

Written by Sue Kendrick


Pictures they say are worth a thousand words, but many writers know that they are worth much more than that!

Without decent photographs or other artwork to accompany an article many features published in todays magazines and newspapers would never seerepparttar light of day, so it makes sense to try and supply illustrations along with your submissions.

Last month's article gave some tips and advice on how to improve your camera wielding technique so click here if you missed it.

This month we're going to look at how photographs can spark off ideas for features and other writing opportunities which means takingrepparttar 128979 slightly unusual step of writingrepparttar 128980 article aroundrepparttar 128981 picture rather than finding photographs to illustraterepparttar 128982 article.

So let's begin withrepparttar 128983 hanged man. Who on earth is that and what does he have to do with writing or photography? Not much really, but he makes a nice analogy. The hanged man fromrepparttar 128984 Tarot card deck for those not familiar with this form of divination, isrepparttar 128985 only card inrepparttar 128986 major arcana which isrepparttar 128987 right way up when it showsrepparttar 128988 hanged man upside down!

Although he is bound and beset by problems and troubles he has takenrepparttar 128989 bold step of consideringrepparttar 128990 world and his options from an alternative view point which is what exchanging our computers and pens for a camera can do for us.

A good method of doing this is to set yourself a couple of themes. What these themes are depend on you and your interests, but let's suppose you chose "chimneys" and "dogs".

Both of these are common enough to ensure plenty of subject matter and you should be able to find enough examples whether you are a town or country dweller. Don't forget to take plenty of film with you, (or spare batteries and flash cards for digital cameras), and most importantly! A pen and notebook!

A couple of hours wanderingrepparttar 128991 streets gazing skywards at smoke blackened chimney stacks or staring fixedly atrepparttar 128992 local canine Romeo plighting his troth to Lady Muck's prize Saluki might earn you a few odd looks fromrepparttar 128993 neighbours, but with a bit of luck and determination on your part could also add a few pennies torepparttar 128994 coffers as well.

The trick is to take plenty of snaps, a doddle if you've got a digital camera as you'll only be printing offrepparttar 128995 shots you want to keep. If not, well you can often get cheap film from your local dealer's bargain box. The developing costs you'll have to take onrepparttar 128996 chin, unless there's a special offer running.

The next stage is to examine what you've got. This is a bit like a deep sea fisherman trawling for cod. Your net is not very discriminating and you'll find a lot of sprats and mackerels amongst your "catch". You may not actually have any photographs worthy of publication, but you will almost certainly have ideas and if this means that you will have to go out again armed with your camera to shoot appropriate illustrations, then so be it!

Fight The Fluff!

Written by Robert Warren



The first and final rule of quality writing is this: what doesn't strengthen your writing, weakens it.

There are no neutral words when you're trying to be persuasive - every word must be doing real work and every sentence must be necessary. Don't say in two sentences what you can say in one; don't use five words when you can use three. Don't use a five-syllable word when an available two-syllable word meansrepparttar same thing. Takerepparttar 128977 fluff out of your writing.

Fluff isrepparttar 128978 often subtle cancer that grows - and ultimately kills - good writing. If your writing isn't achievingrepparttar 128979 effects you want, consider a few ofrepparttar 128980 warning signs of a fluff infection:

Redundancy. Analyze your writing for places where you are repeating yourself. It happens often, particularly whenrepparttar 128981 writer isn't convinced thatrepparttar 128982 reader will getrepparttar 128983 point without it. Give your reader some credit. Make each point once and make it effectively - and then don't make it again.

Tangents. A good piece of writing is one that makes a single effective point, supported by other lesser ones; anything that doesn't directly contribute to that support structure is a distraction and an excuse to stop reading. Don't take readers on side trips and don't let them catch their breath. Cut out anything that doesn't directly advancerepparttar 128984 final cause.

Ornamentation. Ornamentation happens when a writer is hit with a sudden burst of creativity, andrepparttar 128985 writing ends up saddled with clever turns of phrase that don't contribute anything but wit. This is what Hemingway was referring to when he advised writers to kill their darlings - art is all well and good, but make sure it keeps its day job.

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