African Art - sculpture with a deeper meaning

Written by Susan Phillips


Traditional African art is often unusual and abstract. Sculptures of human figures may have out of proportion elements such as an over-sized head coupled with a tiny body form. To understandrepparttar art, it must be remembered thatrepparttar 116074 majority was made for religious purposes. The artist was not interested inrepparttar 116075 beauty ofrepparttar 116076 subject in a Western European sense but insteadrepparttar 116077 work would have a deeper meaning that was based on a religious belief.

Most traditional Africa tribal reglions are based on one all-powerful God and ancestor worship being a major part ofrepparttar 116078 belief. As God could not be represented in an artistic work then statues and carvings were made of ancestors. Realism was not an important factor or even a consideration.

The most important aspect torepparttar 116079 work would berepparttar 116080 artists ability to bring a life-force intorepparttar 116081 sculpture that came direct from God. In this wayrepparttar 116082 spirits ofrepparttar 116083 ancestors could occupyrepparttar 116084 statues and only then wouldrepparttar 116085 artist have created a successful sculpture.

Performing Magic for Kids

Written by J.L. Siefers


You have just discoveredrepparttar wonderful world of magic. Trip after trip torepparttar 116073 magic shop has added to your ever growing arsenal of magic tricks. Thirty-three days laterrepparttar 116074 credit card bills arrive to remind your wife that this IS an expensive hobby.

No problem! You will make back all ofrepparttar 116075 money you’ve spent and more by becoming a part-time professional magician. Looking around for places to hone your craft, you suddenly remember that you niece has a seventh birthday coming up. You call you sister and offer your services in lieu of a gift.

Two weeks laterrepparttar 116076 performance time arrives. You pack all of your “A” material into two large cardboard boxes. You startrepparttar 116077 show for sixteen first graders and all of your relatives. The show goes well. Everybody is laughing and having a good time. You take some theatrical pauses to build suspense as you search your boxes forrepparttar 116078 next great trick. Finally, your fifteen minute show concludes after fifty-three minutes. You never realized you had that much great magic. The kids cheer and applaud for your debut magic show. Even your sister, wipingrepparttar 116079 tears from her eyes, says, “I have never had more fun than I did watching your magic show. It was great. John got it all on tape.”

This is how many part-time professional magicians attempt to begin their career. They look around and decided that doing kid shows isrepparttar 116080 best way to start. Performing magic for kids is one ofrepparttar 116081 most difficult areas of magic to do well. This article explores some ofrepparttar 116082 challenges of performing children’s magic.

--You are training children--

Children don’t understand many ofrepparttar 116083 common cues in a live performance. Most children are raised inrepparttar 116084 age of television. Not a bad thing, exceptrepparttar 116085 laugh tracks promptrepparttar 116086 children when to laugh. No laugh tracks andrepparttar 116087 children are left out inrepparttar 116088 cold. They are quick and will get up to speed in no time. But they need your help.

The same issue is even more problematic with applause. Children are not used to clapping. They don’t understand applause cues. Those wonderfully timed applause cues will leave you and your audience with a lot of uncomfortable silence.

What can be done? Everything. One of your most important tasks as a children’s magician is your opening. The beginning of your show must do four things:

•Establish audience control •Teachrepparttar 116089 children to react to applause cues •Setrepparttar 116090 tone forrepparttar 116091 show •Introduce your performing personality

The audience needs to be warmed up prior to your magic show. It seems hokey and a waste of time, but it can makerepparttar 116092 difference between a great magic show and a horrible one.

Children love to have fun. Even in school children are taught to obey those in authority. For some reason, many magicians forget to establish authority early inrepparttar 116093 show. The result resembles a saloon brawl inrepparttar 116094 wild west.

When you step out forrepparttar 116095 start of your show, you haverepparttar 116096 perfect opportunity to establishrepparttar 116097 ground rules forrepparttar 116098 show. I don’t mean that you should bring out a list of house rules forrepparttar 116099 show. Instead come out with confidence and warm up your audience.

After you welcome everyone torepparttar 116100 show, look out overrepparttar 116101 audience and say, ”This looks like a really great crowd. Let’s see how loud you can clap. Onrepparttar 116102 count of three ONE. . . TWO . . THREE . .Not bad! Let’s try it again. On three . . .” After some byplay conclude by saying, ”What do we do when we likerepparttar 116103 magic? (pause) What do we do when we LOVErepparttar 116104 magic?” (pause and react strongly torepparttar 116105 crowd)

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