Write With Passion: 4 Steps To Emotionally Charge A Nonfiction Article

Written by Catherine Franz


Continued from page 1

Another way to findrepparttar emotion is to relaterepparttar 128775 article, topic, to music. Does it remind you of a fox trot, waltz, rock and roll, jazz, R&B, what? It could even remind you of a particular song. Can you accessrepparttar 128776 song, or rememberrepparttar 128777 lyrics? Musically lyrics are great places to find emotional words and language.

Step 2: Connecting

Close your eyes, sit quietly withrepparttar 128778 article. Sense yourself readingrepparttar 128779 article in your mind. No, notrepparttar 128780 identical words butrepparttar 128781 idea,repparttar 128782 vision,repparttar 128783 thoughts. If that’s a challenge, readrepparttar 128784 article out loud, very softly, as if reading it to an angel. Even notice where you take breaths. These are places where new paragraphs begin, commas or periods needs to occur. If you run out of breath, mayberepparttar 128785 sentence needs dividing, eliminated, or even combined.

You can even tape record your reading. Listen with your eyes closed. This is also a great way to hearrepparttar 128786 flat places inrepparttar 128787 article. Identifyrepparttar 128788 emotion from what you hear. Record allrepparttar 128789 emotional words you hear or feel inrepparttar 128790 margins. Every word is right, so don't miss any. Place all judgment in a shoe box for now.

Step 3: Adding In The Emotion

Review your words. Brainstorm with a thesaurus, synonym finder, or dictionary. Online you can use: http://thesaurus.reference.com/, or http://www.acronymfinder.com/, http://m-w.com/netdict.htm. Continue your list inrepparttar 128791 margins. Now its time, beforerepparttar 128792 editing process to add inrepparttar 128793 emotion. Ifrepparttar 128794 first draft is very dry, this is a good time to realize that it’s not uncommon for writers to rewriterepparttar 128795 article completely becauserepparttar 128796 emotion conveyed was too far off atrepparttar 128797 beginning. If this isrepparttar 128798 case, considerrepparttar 128799 first draft a brain dump, a warm up session. And now you're ready to roll. Your hot,repparttar 128800 feelings are sizzling.

Step 4: Editing

Usually, editing is to help clarity and tighten. Caution though, it is easy to removerepparttar 128801 emotionally charged elements that you painstakingly added. Sometimes, when using an outside editor, someone that doesn't holdrepparttar 128802 same emotions as yourself, they removerepparttar 128803 emotions. And sometimes too, there are too many emotions. There is a delicate balance. However, many editors walk this tightrope carefully and with honor.

Most writing needs energy, needs emotion, that conveyrepparttar 128804 story,repparttar 128805 information, so as not to putrepparttar 128806 reader to sleep. Or even worse, stop them from reading. And your passion is what needs transitioning from you to them. Watchrepparttar 128807 magic when you read someone else’s material that conveys emotions. See how they userepparttar 128808 words. When I'm inrepparttar 128809 flow, I feelrepparttar 128810 emotion pushingrepparttar 128811 pen as fast it can acrossrepparttar 128812 paper. I know, through experience, when this is occurring and I'm writing so fast, I have a tendency to leave words out. I use to stop atrepparttar 128813 end of every paragraph and reread and add them. Don't, letrepparttar 128814 flow occur. Trust that whatever is needed will again be there for you to filling in any missing blanks. Letrepparttar 128815 magic come through. Your readers desire it.

Special Note: An accompanying list of emotionally-charged words is available inrepparttar 128816 Abundance Center’s Forms Section.

(c) Copyright 2004, Catherine Franz



Catherine Franz, a Certified Professional Marketing & Writing Coach, specializes in product development, Internet writing and marketing, nonfiction, training. Newsletters and articles available at: http://www.abundancecenter.com blog: http://abundance.blogs.com


The Storyteller, Volume I

Written by Martha Whittington


Continued from page 1
Throughout The Storyteller, Whittington weaves a macabre tapestry of drama, suspense and fast-paced action. Fromrepparttar dangers ofrepparttar 128773 Egyptian desert torepparttar 128774 cold streets of New York, she takes readers on a thrilling journey alongrepparttar 128775 knife-edge between this world andrepparttar 128776 unknown. A captivating read for fans ofrepparttar 128777 disturbingly weird. The Storyteller delivers thrills and chills at each turn ofrepparttar 128778 page.

For further review on this book, please go to: http://storytellersbookclub.com or e-mail us at: thestorytellers2121@yahoo.com

Born and raised in Monterrey, Mexico, Whittington set out to see the world when she was 21. She holds a Degree in Communications and a Master’s in Public Relations, and she speaks fluent Spanish, English, German and French. Whittington comes from a family of published authors. At a young age, she wrote short stories that won awards in international contests. She currently lives in Houston, where she continues to nurture her passion for writing.


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