What is the Best Hand Position?

Written by Emily Sigers


Continued from page 1

One or another ofrepparttar above positions will suit any hand to a nicety, but it isrepparttar 116005 height of absurdity to think that a long, narrow, super-flexible hand and a short, broad and stiff hand can userepparttar 116006 same normal hand-position and attainrepparttar 116007 same results.

Place, now, your own hand onrepparttar 116008 piano keyboard, and see if you can tell which position suits it best and why? If not, and you are a real self-help student,repparttar 116009 sooner you obtain from proper textbooks or a competent physician a knowledge ofrepparttar 116010 anatomy and functions ofrepparttar 116011 fingers, hands, arms, etc.,repparttar 116012 sooner you will begin to save hours upon hours of practice time.

One absolutely cannot order his practice torepparttar 116013 best advantage without such knowledge - and it is perfectly easy to attain it.

Written by Edwin E. Holt, this article was taken from the January 1922 issue of "Etude Musical Magazine." This article is featured at http://www.thepianopages.com, along with free piano lessons, sheet music, products, and lots more.


9 Tips For Taking Great Digital Photos

Written by Christopher Thomas


Continued from page 1

Most modern digital cameras come with a zoom lens that can take both wide angle and telephoto shots. This is extremely useful. However remember that whenrepparttar camera is on its furthest telephoto setting, camera shake will become a problem. If you are taking a telephoto shot andrepparttar 116004 camera chooses a slow to medium shutter speed,repparttar 116005 result might be blurred due torepparttar 116006 movement of your hands while takingrepparttar 116007 exposure. Use a tripod - all wildlife photographers use them. They are a pain to carry but improve quality by orders of magnitude.

6 Fast Moving Subject Require a Fast Shutter Speed

The shutter is that part ofrepparttar 116008 camera which opens briefly to allow light to strikerepparttar 116009 sensitive surface ofrepparttar 116010 detector to produce an image. Fast moving object require extremely short shutter speeds in order to capture a crisp sharp image. Slower shutter speeds will produce a blur asrepparttar 116011 object moves. In general outdoor photography a shutter speed of 1/60th or 1/125th second will be acceptable. In contrast, shooting a formula one car in motion will require shutter speed of say 1/1000th of a second.

7 A little About Depth of Field

In days past, a photographer would measurerepparttar 116012 level of light at a location with a light meter and then calculaterepparttar 116013 best combination of shutter speed and aperture to correctly exposerepparttar 116014 film. This is now done automatically byrepparttar 116015 camera. Aperture isrepparttar 116016 measure of how much light is passing throughrepparttar 116017 lens. The lens has an iris, which can be 'stopped down' to reducerepparttar 116018 amount of light passing throughrepparttar 116019 lens. A fully open lens will passrepparttar 116020 greatest amount of light - full aperture - but this also reducesrepparttar 116021 'depth of field'. The depth of field isrepparttar 116022 band of distance over whichrepparttar 116023 subject is in focus. In 1 above, with full aperture either your girl friend orrepparttar 116024 harbour is in focus - but not both. By 'stopping down'repparttar 116025 lens - reducingrepparttar 116026 aperture - both can be brought into focus. But as a consequencerepparttar 116027 amount of light passing throughrepparttar 116028 lens is reduced. The length of time whichrepparttar 116029 shutter is open will have to be increased to compensate.

8 When taking Landscapes Avoid Puttingrepparttar 116030 Horizon Acrossrepparttar 116031 Centre ofrepparttar 116032 Image

Drawingrepparttar 116033 picture horizon inrepparttar 116034 middle ofrepparttar 116035 image simply looks naff. It dividesrepparttar 116036 picture in to two and fails to engagerepparttar 116037 viewer. Best to concentrate onrepparttar 116038 sky orrepparttar 116039 foreground. Photograph a setting sun with red sky, or a rainbow withrepparttar 116040 horizon low inrepparttar 116041 picture. Or concentrate onrepparttar 116042 landscape and placerepparttar 116043 horizon high inrepparttar 116044 picture.

9 Be Aware ofrepparttar 116045 Effects of Back Lighting

Let us go back torepparttar 116046 example given in Hint 1. Imagine that inrepparttar 116047 picture of your girl friend in front ofrepparttar 116048 harbour,repparttar 116049 sun is setting, casting its golden rays acrossrepparttar 116050 sea and reflecting onrepparttar 116051 masts and other metal objects ofrepparttar 116052 harbour with white clouds illuminated red inrepparttar 116053 dying rays ofrepparttar 116054 sun. An evocative and romantic shot. Takingrepparttar 116055 shot withrepparttar 116056 camera will result in a beautiful background but a black shadow of a girl friend! Now that might be appropriate should you have had a particularly bad day with her and it might correctly reflectrepparttar 116057 mood. However usingrepparttar 116058 on camera flash to fill inrepparttar 116059 darkness - to illuminate her face and show her features might be more appropriate on a better day!

Christopher Thomas is a keen photographer and company director of Viewlink Ltd based in the Uk. For more information, or processing of digital images please visit the company website at http://www.view-link.com.


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