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You may be asking "What movies will I get to see?"

Joining The Spiritual Cinema Circle opens door to a new world. You'll see movies with all great themes of spiritual cinema:

Life after life

Enhanced powers and sensibilities

Reality and time

Visionary romance and adventures

The power of love

Movies with heart and soul

You'll get to see award-winning movies that you would probably never see otherwise. In fact, your subscription will give you access to films each month that only attendees of film festivals around world get to see -- and you never have to leave home!

You'll also get to see wonderful shorter films.

Many of best movies made every year are under an hour long, and almost nobody gets to see them. If you think Hollywood 's prejudiced against spiritual cinema, it's nothing compared with its prejudice against shorter movies. That's unfortunate, because many great movies are made each year that are never seen because they’re only an hour or a half-hour long.

There are lots of evenings when I don't have time to watch a feature-length movie. That's when I really feel blessed, because I have access to wonderful, deeply moving films I can see in under an hour.

Movies that inspire, heal and transform our lives.

Each movie you receive is selected for its spiritual and psychological depth and its value in enriching your life.

In addition to movies, you'll get my newsletter, full of reviews and useful information about new world of spiritual cinema.

Play it forward, plant it forward.

The CIRCLE is a wonderful new way to advance cause of spiritual cinema. When you receive your DVDs each month, you're encouraged to "Play it forward" by inviting friends and family into The CIRCLE to watch movies with you.

As a special bonus, and to offset any environmental impact of sending your DVDs each month, The CIRCLE will plant a tree in your honor when you become a member of community. Your membership becomes a way to "Plant it forward" as well as "Play it forward."

With your eyes and ears you are helping us start a revolution -- and an evolution.

It's a special kind of evolution, one you can enjoy right at home in your living room.

I hope you will join me in showing Hollywood how big worldwide spiritual cinema community really is.

I hope you'll join me in saying NO to endless recycled, unimaginative films and YES to inspiring, moving spiritual cinema.

That's it!

For less than cost of three tickets to latest Nightmare on Elm Street, sequel #18 or Die Hard, version 37, you get at least 3 entertaining and heartwarming Spiritual Cinema experiences every month -- and never have to send anything back.

PLUS, you are contributing to growth of spiritual cinema in world. By encouraging film makers to make more of kind of movies you and I want to see, you have a direct influence on future of industry.

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Here's what one of our subscribers has to say about The Spiritual Cinema Circle:

"These movies really have been fantastic. It is an incredible deal for $21 a month, and it can make a change in world by promoting something different than usual fare of violence and special effects.

“These movies have real depth, real meaning, real people in them, and can touch something spiritual and awaken it, where special effects movies leave one numb.

“I am showing them to groups of people, holding a Spiritual Cinema Night once a month on third Friday. Response has been great!

“I encourage you to join.”

Join Circle today, and you’ll start receiving your DVDs within next 30 days. You'll be so glad you did!

Warmest thoughts,

Stephen Simon

P.S. from John:

You can also become a Spiritual Cinema affiliate (it’s free). You’ll be able to promote The Spiritual Cinema Circle and earn commissions. Go to:

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If you have any questions, please write me at: john@greatwesternpublishing.org

Or call me at: 307-899-0569 (in USA’s mountain time zone)

Copyright © 2005 by Great Western Publishing

Since 1992, John Cali has been communicating with a spirit called Joseph. In one of his many physical lifetimes, this spirit was incarnated as the legendary Chief Joseph of the Nez Perce tribe in what is now Oregon.

In a moment we will return to my encyclopedia for more on Zodiac because mounds are a way of connecting to cosmic energy which comes to earth and through which it passes and is part of. For moment let us re-visit our present book’s early academic (Kenyon) as he actually (surprisingly) opens doors to trepanning, skull deformation and ‘Obscene Ritual’ (Skull & Bones and Bush family of Nazi leanings) of Dragons and other Illuminized cults of elites.

“Let us return, finally, to burial mounds of Ontario. These appear to be related in some complex fashion to neolithic revolution. Their primary function, in all probability, was to mark locations of sacred places and to establish territorial occupation. The sites they occupied were used as ceremonial centres for loosely organized bands that occupied surrounding areas (cf. Speck 1915). After spending winter scattered throughout band territory in small family groups, people would assemble at a traditional spot, probably in spring when fish were spawning or in fall when beds of wild rice would be ready for harvesting. Only at those periods would food resources have been sufficiently abundant to maintain entire band at one place.

These assemblies provided an opportunity for social interaction on a broader scale than would have been possible throughout most of year. It was during such periods, too, that chiefs and other leaders of group would discuss band affairs with various family heads and elders. But above all, such occasions provided an opportunity for all of band members to participate in those rituals and ceremonies that reaffirmed and sustained community sentiments.

The nature of ceremonies themselves cannot be determined at present, although we are offered a few tantalizing clues as to subject matter around which they revolved. Most of available data are derived, of course, from burials found within mounds and in submound pits.

In Northwestern Ontario, {Site of Nipissing magi and Mediwiwin group who are influenced by Masons of Christian Mystery School Complex or Rosicrucian Dragons.} skulls that have openings in their occipital regions are reasonably clear evidence of power transfer. The individuals whose skulls were opened would have had some unusual and highly valued personal characteristics; occipital openings made it possible to remove their brains and to transfer those characteristics from dead to living. This would have been accomplished through a religious ceremony that included eating brain that was seat of such wondrous powers. {I detail this in many books - and modern Thalami research that is showing merit to Cosmic Thought Field.} The eating, of course, could have been either actual or symbolic. {The Communion and Eucharist is derived from earlier rituals of this sort. Only most powerful elites get to eat thalami for much needed melatonin, iridium and rhodium.} In either event, highly valued qualities would not be lost to band through death but would be preserved through reincarnation. {The living cells as close to still living as possible are most needed and some of old seers would end their lives during this ritual as they would have known throughout their life – it would happen.}

Such practices were probably much more widespread that archaeological evidence would suggest at first glance; for we know that highly valued characteristics are often located in organs other than brain. {Thus Biblical ‘Devoted Ones’ shown in Cahill’s Gifts of Jews were harvested for hearts too – as in Aztec rituals and Moshe who also became impacted by these Dragons like Prince of Palenque.} Our own western European culture, for example, locates many of its most highly prized characteristics in heart. The point is that power transfer was probably much more widespread than current data suggest, simply because removal of most organs for this purpose would have left no skeletal evidence…

One of major ritual acts of people, however, was building of mounds themselves. For it is almost certainly an error to look upon mound-building primarily in terms of engineering. {Especially lesser and more mundane imitations of period he is focused upon.} We must see it, rather, as a by-product of sociological processes; that is, we should look upon mound-building as we look upon performance of a ballet or drama in our own society. Theatres may arise as a result of our interest in such cultural pursuits but significance of a ballet or drama resides, surely, in performance itself. The play’s thing! Once mound was built, of course, it would have served, as it does a theatre, as a backdrop for other rituals. For once again, it is through such rituals and ceremonies that human groups are bound together and that individual lives are shaped to ancestral patterns.

The masked and painted skulls from Hungry Hall were part of one such ritual. And when it was over, skulls, like props of a drama that had run its course, were tossed rather carelessly into corner of a grave.” (14)