The Pros and Cons of Print on Demand Publishing

Written by Victoria Ring


Continued from page 1

1. You have total control over your book. No one is going to edit your work and take out your personal “style” or omit sections you know to be important. Gom Publishing includes copyediting with virtually all of their publishing plans, which is something I did not find with most other print-on-demand companies.

2. Your book is available for sale within 90 days or less if you assist withrepparttar design. Compared torepparttar 129064 “old time” methods of publishing, even if a publisher accepts your book, it normally is not available for sale for almost a year or later. The whole world could change in that length of time and you would still have to wait a year or more before you got paid for your hard work.

3. You can make up to 50% for every book you sell. Compare this to a publisher who only paysrepparttar 129065 writer an 8% to 10% commission. This means that you can set up a web page to sell your book, take orders and purchaserepparttar 129066 amount of books your need to fillrepparttar 129067 orders at a 50% discount fromrepparttar 129068 print-on-demand publisher. Gom Publishing offers a 55% discount, which increases your profits even more. This option is not possible with standard publishers who purchaserepparttar 129069 exclusive rights from a writer, thus not allowingrepparttar 129070 writer to sell their books on their own.

4. Print-on-demand publishers also build excellent marketing benefits into their basic prices. These marketing benefits include: (a) assignment of an ISBN number; (b) ISBN bar code printed on book cover; (c) Library of Congress cataloging and registration; and (d) automatic listing onrepparttar 129071 world’s largest bookstores: Amazon, Barnes and Noble, Waldenbooks and Borders. I found with Gom Publishing that they even have programs to distribute your book through third party distributors, sales reps, and even offer publicist services. All you have to do is help inrepparttar 129072 promotion by directing people to you book on these websites. The credit card orders are processed for you,repparttar 129073 books are shipped to your customers and you receive a monthly commission check.

Of course there are many more benefits to print-on-demand publishing thanrepparttar 129074 four I listed above, but I am sure you can begin to seerepparttar 129075 benefits for yourself. However, even though print-on-demand publishing has many “pros,” there are some “cons” that you might want to consider. One of those “cons” is howrepparttar 129076 established publishing community views print-on-demand books. They view them as “vanity” publications and booksellers may be reluctant to deal with them. Trade journals like Publishers Weekly and Kirkus also do not like to deal with print-on-demand published books and magazines and newspapers shy away from them also.

Why are publishers who are located inrepparttar 129077 high-traffic media biased against print-on-demand publishing? Because they knowrepparttar 129078 author had total control overrepparttar 129079 book and it did not go throughrepparttar 129080 standard editing process. So what? In my opinion,repparttar 129081 media makes a great deal of money from writers and since print-on-demand technology does not provide them with this extra revenue print-on-demand publishing leaves a “bad taste” in their mouths. They tell their employees that print-on-demand publishing is not professional behavior, whenrepparttar 129082 truth ofrepparttar 129083 matter is that print-on-demand publishing is taking money out of their pockets. The “biggies” cannot reveal their true motive, so they dorepparttar 129084 “human” thing and create as much bad publicity forrepparttar 129085 print-on-demand industry that they can then userepparttar 129086 leverage of other “biggies” like themselves to keep everyone’s pockets padded withrepparttar 129087 green stuff.

So unless you plan to write a book that you expect to be interviewed on BookTV or Larry King Live about, I suggest you check out print-on-demand publishing. Below are some print-on-demand publishers you may want to consider and compare prices:

1. Gom Publishing, http://www.gompublishing.com 2. Graphico Publishing, http://www.graphicopublishing.com 3. Author House, http://www.authorhouse.com/ 4. BlitzPrint, http://www.blitzprint.com/ 5. Instant Publisher, http://www.instantpublisher.com/

Or, go to any search engine and type inrepparttar 129088 search words “print-on-demand publishing” and start shopping. I chose Gom Publishing to publish my book. The total cost was less than $600 and I made this money back almost immediately.

If are a first time writer or even published, you need to check outrepparttar 129089 benefits for your work by utilizing print-on-demand publishing. At least you now have more options available to you and perhaps one day, writers will be less dependent on publishers and can takerepparttar 129090 control over their own products.

Victoria Ring is a freelance writer, typesetter and designer. She is the founder of 50statenotary.com, graphicopublishing.com and victoriaringconsulting.com. All companies are dedicated to providing one-of-a-kind products and services for the small business person.


How to Have an Effective Writing Group

Written by Stephen Earley Jordan, II


Continued from page 1

Text. Focus your group on either poetry or prose—try not to minglerepparttar two. Ifrepparttar 129062 text is prose, andrepparttar 129063 writer wants his novel critiqued, suggest thatrepparttar 129064 novel be submitted on a “per chapter” (or two) basis. Don’t overwhelmrepparttar 129065 members with too much to read at one time—or you’ll end up with no members. The month before your work is critiqued, each writer should submit photocopies of their manuscript to each member.

Know your intentions. Make sure that, forrepparttar 129066 most part, members have similar goals: to be published or for sheer enjoyment of writing. This will eliminate time wasted if you know this upfront.

Critiquing. When critiquingrepparttar 129067 text, encouragerepparttar 129068 members to speak as ifrepparttar 129069 writer isn’t present. Inrepparttar 129070 meanwhile,repparttar 129071 author can sit back, take notes, and write down questionsrepparttar 129072 critics may have posed. Encouragerepparttar 129073 critics to write on their versions ofrepparttar 129074 text before meeting. Allow approximately 20 minutes to discuss each member’s work. Upon completion ofrepparttar 129075 critique, critics should giverepparttar 129076 author their “corrected” versions. Completerepparttar 129077 critique by allowingrepparttar 129078 author to explain any unanswered questions and to thankrepparttar 129079 critics. If members can’t keep up with reading that much work per month, then divide it up. Four writers submit one month, whilerepparttar 129080 remaining four submitrepparttar 129081 following month. Above all, writing groups should be a relaxed environment—away from your significant other, your children, and your job. Let this be a time where you hone your writing skills withrepparttar 129082 assistance of others who simply seekrepparttar 129083 same thing.



Stephen Jordan, of NYC, has five years experience within the educational publishing industry. Stephen holds two Bachelor of Arts degrees in writing and literature from Alderson-Broaddus College of Philippi, West Virginia Available for reprint. Please contact author so he can keep track of where his articles are being used. Editor@OutStretch.net


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