Continued from page 1
Ah, Mozart. The concerto sounded like a dance as much as Bartók pieces did. Written in three-movement style of day, Wolfgang's concerto started "allegro," light and moderately fast, then relaxed in an "andante" second movement, then sped up again for third movement - in this case "allegretto," accelerating to "presto" for energetic finale. This translates into "dancing in parlor, refreshing ourselves with a glass of wine, and then dancing out on lawn." The concerto was played by an ensemble of strings and winds from orchestra, with no percussion. The alternation between ensemble play and solo piano was smooth and precise and didn't break flow of music. We've all heard Mozart's wonderfully identifiable sound; I describe it as "All Europe in a good mood." I even saw some of orchestra's musicians swaying to gentle rhythms when they weren't playing. Mozart will do that to you. In my mind his music evokes elegant gatherings of happy Hapsburg aristocrats who don't care how hungry even-tempered peasants are.
The Hungarian National Philharmonic Orchestra was formed in 1923 as Hungarian State Symphony Orchestra. Bartók's "Dance Suite" was commissioned that year in commemoration of official union of adjoining cities of Buda and Pest (probably because no one liked name "Pest"). Zoltán Kocsis became conductor and music director in 1997 after 14 years heading Budapest Festival Orchestra. More information is available at Philharmonic's excellent website, www.hunphilharmonic.org.hu/index.asp?lang=EN. This link should get you to English-language version (the one without all accent marks).
Hearing orchestra play Antonin Dvorak's 'Symphony No. 3 in E Flat Major', and reading program notes, I couldn't help thinking of wine tasting. The Symphony is said to contain influences of Richard Wagner (a really "big" cabernet), and Dvorak's work in general reportedly hints at his admiration for Beethoven (a complex burgundy), but what I tasted most in this piece was peppery zinfandel of Tchaikovsky. The first movement contained powerful horns and sweeping strings, and with its constant shifts from intense to calm and back, it reminded me of 1812 Overture without cannons. The movement ended big with a rather climactic final chord reminiscent of Swan Lake ballet suite. Like wine tasting, it's all rather subjective: "Did you taste chocolate and blackberries in finish?" Yeah.
During pause, Maestro Kocsis (now only conducting) leaned back against podium rail
To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas/hungary/hungary.html
Rob LaGrone, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com
Rob LaGrone, Jetsetters Magazine Correspondent. Join the Travel Writers Network in the logo at www.jetsettersmagazine.com Leave Your email next to the logo for FREE e travel newsletter.