Continued from page 1
Of course, a film festival isn't only about films that you can see. SIFF is also full of filmmaker's forums, where you can go to learn about various aspects of
filmmaking industry, network with directors, screenwriters, or producers, and listen in on panel discussions about various states of
industry. Even if you don't take
time to attend a forum, you can get a taste of how a film came together, simply by hanging out at most films after
closing credits and listening to
director or star of a film take questions from
audience. If this is your focus, however, be sure to pay special attention to
program guide and see which films advertise that a guest will accompany
screening.
Seattle doesn't have
festival party scene that you read about with Sundance or Cannes, but there are some parties. The opening night and closing night galas are part of your ticket for those events and can be exceptional fun. We went to
closing night film/gala this year and had a great time. The film was Passionada, directed by
cofounder of
festival, Dan Ireland and
party was at
new Elliott Hotel (Hyatt) at 7th and Pine Streets. The working class world of a Portuguese community in New Bedford, Massachusetts, and
grand lobby of
Elliott didn't exactly complement each other, but they were both worth it. And how can you pass up a party where
drinks are free,
food is good, and you get to bump into
stars of
film or sit next to
guy who inspired
story of The Big Lebowski?
Now about those films: I saw 56 films in 25 days. Because of
way films are scheduled against each other, it isn't actually possible to see all
films in
festival. Most of
films were new, but
festival was also doing a retrospective of
last golden age in American cinema (the 70s -- a local theater was also showing 70s films as a festival sidebar), a tribute to cinematographer James Wong Howe, and its regular programming of archival films.
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