Rhetorical Questions

Written by Michael LaRocca


Continued from page 1

One time, when I was eleven years old, four of us decided to play a game at Gramma's house. Clint, Dwayne, Barry, Michael. Whenever we got together, someone wound up losing blood, and it was always at Gramma's house.

In this game, which was safe by our standards, each of us had a different large plastic ball. We went intorepparttar bedroom, turned off allrepparttar 129050 lights, and threw them at each other. Something hit me inrepparttar 129051 eye, hard, and I saw stars. Then we turnedrepparttar 129052 lights on, and I saw that I'd been hit by a kickball with stars on it.

Since there was no blood, we turned offrepparttar 129053 lights and played some more. The next day, I had a black eye. "How'd that happen?" Mom asked. "I dunno. I think I fell out of bed." She didn't believe me, but she pretended she did.

To continue on with rhetorical questions, here's another one. Who cares? Note how I ended that with a question mark. Always do that. I see this one so much that I might add it to "Common Writing Mistakes" one day. I don't care how many times I see it. It's still wrong. I first had this argument in 1980 with two fellow busboys. I'll never back down. I'm edumacated.

Next week's rhetorical question... Whenrepparttar 129054 ghosts appear inrepparttar 129055 haunted house, how come nobody ever leaves? Okay, I know, Richard Pryor and Eddie Murphy have done that bit already, but my editor still busted me on that one in THE CHRONICLES OF A MADMAN. So, I changed it. The dude leftrepparttar 129056 house. If it were me, I would. Wouldn't you?

Michael LaRocca's website at http://freereads.topcities.com was chosen by WRITER'S DIGEST as one of The 101 Best Websites For Writers in 2001 and 2002. He published two novels in 2002 and has two more scheduled for publication in 2004. He also works as an editor for an e-publisher. He teaches English at a university in Shaoxing, Zhejiang Province, China, and publishes the free weekly newsletter Mad About Books.


How To Write

Written by Michael LaRocca


Continued from page 1

We don't always takerepparttar time to say, "I've written ten active sentences in a row so maybe I'll whip in a passive one now" or "I need a beat for every X lines of dialogue." I published four novels and edited dozens more before I learned what a beat was. (It's a pause sorepparttar 129049 reader can catch his/her breath.)

And, of course, since it is writing and not speaking, we can always go back and revise later. Then rely on editors to catch what we missed, or at least make us wonder why we wrote it this way instead of that way.

Some authors aren't even consciously aware of "the rules." They've never taken a class, never read a book about writing. They're simply avid readers who one day decided to write. But they've internalizedrepparttar 129050 rules as well. It comes from reading.

I've said it before and I'll say it again. If you want to write, you must read. If you don't like reading, maybe writing isn't for you. It's not about writing because you want to say, "I am a writer." It's about writing because you enjoy writing.

And, it's really nice when you've been writing for a long time to go back and read a book about how to write. You might find one or two things to tweak in your technique, as opposed to a daunting laundry list of flaws. It's much easier to internalize one or two new rules than 50 or 100!

Michael LaRocca's website at http://freereads.topcities.com was chosen by WRITER'S DIGEST as one of The 101 Best Websites For Writers in 2001 and 2002. He published two novels in 2002 and has two more scheduled for publication in 2004. He also works as an editor for an e-publisher. He teaches English at a university in Shaoxing, Zhejiang Province, China, and publishes the free weekly newsletter Mad About Books.


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