Profiting From Writing Your Own Ebook

Written by Greg Hayes


Continued from page 1

After completingrepparttar interviews, he compiledrepparttar 128825 information into a book and then preceded to print copies ofrepparttar 128826 book himself using an old printing press he had purchased. No publisher wanted to publish his book. They of course changed their minds when they saw how many ofrepparttar 128827 books were selling. The author couldn't keep up withrepparttar 128828 orders. It seemed there were many thousands of men who wanted this information.

Now, 30 years later nothing has really changed. People are still in search of information. The good news is that you need not purchase a printing press to publish a book. You just need a computer andrepparttar 128829 power ofrepparttar 128830 Internet. You can write your own ebook and start profiting almost right away. You can sell your ebook over and over again at almost 100% profit.

If you're ready to become a best selling ebook author, I've included a couple of sources to help you get started. Here's a free download. It's an ebook entitled "How to Create Killer Info Products" It's an excellent report on creating ebooks written by Neil Maxwell-Keys. www.mammothprofits.com/Downloads/infoproducts.ZIP

Are You Tired of the scams and the get-rich-quick schemes? Greg Hayes is founding editor of http://www.mammothprofits.com/. Mammothprofits is the website devoted to helping others filter out the scams and become successful in a home based business.


ESSENTIAL ELEMENTS OF A WRITING COURSE PROPOSAL

Written by Dr. Erika Dreifus


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7. The course title. Be sure it accurately reflectsrepparttar course content. One of my early course was titled “The Historical Novel: A Writing Workshop.” I like poets and essayists and playwrights just fine, but this course wasn’t for them!

8. The course description. Catalog copy generally runs tight. Try to describe your course in no more than 75-100 words; be prepared to cut this description even further. View samples from previous catalogs or listings to get a sense ofrepparttar 128823 institution or program’s editorial style. Be direct aboutrepparttar 128824 purpose/goal ofrepparttar 128825 course.

For example, here’s a description forrepparttar 128826 historical novel workshop mentioned above:

"This workshop is for writers of historical novels. Through tailored writing exercises and discussion of selected texts,repparttar 128827 course will address issues of particular challenge to historical novelists: use of ‘real’ characters, setting, and tensions between ‘fact’ and ‘fiction.’ Primary focus, however, will be on critiques of students’ work."

9. Prerequisites (if applicable). A line such as: "Students must submit a one-page synopsis and five pages of their work-in-progress" signals fromrepparttar 128828 start that only writers particularly committed to their work should enroll.

10. Schedule of meetings and reading/writing assignments. This doesn't necessarily have to be set in stone, but you'll acquire--and convey--a better sense of your own course if you think ahead torepparttar 128829 class meetings and to how you will be making use of each. One writing program director once advised me that prospective students tended to respond favorably to having some mention ofrepparttar 128830 authors they’d be reading for a course withinrepparttar 128831 description, so it can make sense to providerepparttar 128832 same information, in even greater detail, forrepparttar 128833 “authorities,” too.

Once you are preparingrepparttar 128834 actual syllabus for a course, you'll want to delineate additional policies. Depending onrepparttar 128835 class/institution, you may need to think about grading policies. And a writing workshop benefits from a set of critique guidelines everyone understands fromrepparttar 128836 start.

But don't worry too much about that. Yet. Start withrepparttar 128837 proposal, and add that to your writing practice.

© Copyright 2004 Erika Dreifus. All rights reserved. Article reprint permission is granted provided thatrepparttar 128838 entire article--includingrepparttar 128839 Aboutrepparttar 128840 Author information--remains intact and unaltered. Please send a courtesy copy ofrepparttar 128841 reprint to erikadrei@yahoo.com .



Dr. Erika Dreifus is a writer and writing instructor in Massachusetts. She edits the free monthly newsletter, "The Practicing Writer," and is the author of "The Practicing Writer's Primer on Low-Residency MFA Programs." Visit her website at http://www.practicing-writer.com .


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