On Photorealism

Written by Nashville


Continued from page 1

Withrepparttar existence of Photorealism up to these days, renowned artist Bert Monroy introduces “Photorealism with Bert Monroy, volume 2” which will once again take you inside his creative mind and show you how to create ultra-realistic images using Adobe Photoshop. It showcases Monroy's personal methods for creating realistic details to enhance a digital image. From this book, you’ll learn to make fireworks, rusty text, a glazed donut, an antique photo, a speeding bullet, and a lot more. You'll also learn to masterrepparttar 107438 pen tool, layers, alpha channels, and masking by watching and following along with one ofrepparttar 107439 great digital artists of today.

Photorealists typically specialize in a particular subject matter. Very ordinary, as you might think but then, Photorealism will always be a part of our lives. After all, ordinary things and events around us are what make photorealism artists so great and impressive.

This article was created for the sole purpose of propagating information that may be related to catalog printing and other industries to which it may be of interest.

For questions and comments about the Artcile you may contact the Author at info@catalogprintingexperts.com or visit http://www.catalogprintingexperts.com


The Worn Out Effect

Written by Maricon Williams


Continued from page 1

2. Duplicaterepparttar background. Duplicate your background layer by dragging it overrepparttar 107437 "New Layer" icon inrepparttar 107438 Layers palette.

3. Hue/Saturation. Then apply a Hue/Saturation adjustment layer torepparttar 107439 duplicate (Layer > New Adjustment Layer > Hue/Saturation). Make sure you checkrepparttar 107440 option labeled "Use Previous Layer to Create Clipping Mask." This will ensure that onlyrepparttar 107441 duplicate layer is affected byrepparttar 107442 adjustment layer.

4. Lighting Effects. One ofrepparttar 107443 problems with this technique is that it tends to fade outrepparttar 107444 edges ofrepparttar 107445 image. If your edges are light, you might want to apply Filter > Render > Lighting Effects to your duplicate layer to darken uprepparttar 107446 areas aroundrepparttar 107447 subject.

5. High Pass. Now onrepparttar 107448 same layer we're going to applyrepparttar 107449 High Pass filter (Filter > Other High Pass) with a Radius of 1.2 pixels.

6. Fade. We're going to fade that High Pass filter. Right after you apply an operation in Photoshop, an option underrepparttar 107450 Edit menu appears, labeled "Fade".

7. Luminosity. Finally, inrepparttar 107451 Layers palette, you're going to make this all come together by switchingrepparttar 107452 blending mode of your duplicate layer from "Normal" to "Luminosity."

Your masterpiece is terrific! Isn’t it?

This composition was provided by a very reliable Los Angeles Printing Company. This article was composed to serve the interests of printing and designing enthusiasts looking for reviews, suggestions, tips and more in the industry.

For comments and questions about the Author and the Article you may contact The Los Angeles Printing Service Webmaster at 310 575 4440 or visit http://www.losangelesprintingservice.com


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