Midnight Fantasy Topless Revue at the Luxor Las Vegas

Written by Rob LaGrone


Continued from page 1

There were two male performers inrepparttar show; fortunately they wore more clothing thanrepparttar 105536 women. Sean Cooper showed some great dance moves, performing mostly solo but also briefly withrepparttar 105537 female dancers, and he also did some pretty good singing impersonations - costumes and all—of James Brown, Sammy Davis, Jr., Michael Jackson, and Tina Turner. It was all light-hearted fun, though it didn't exactly fit withrepparttar 105538 mood of a woman's fantasy (especially with him in that short dress as Tina). Comedian John Padon performed a stand-up act, poking fun atrepparttar 105539 small size ofrepparttar 105540 mid-week audience andrepparttar 105541 fact that they were seeing a "tittie show" at 8:30 p.m. instead of having dinner. John was good, but I would prefer to have had him as an opening act; his mid-show appearance, while offeringrepparttar 105542 dancers a rest, disruptedrepparttar 105543 mood somewhat.

And what ofrepparttar 105544 mood? It ranged fromrepparttar 105545 exotic (feathered costumes in vivid colors) torepparttar 105546 intimate (lingerie and a large bed as a dance platform) torepparttar 105547 playful (honky-tonk music and bright-red cowgirl outfits, thoughrepparttar 105548 girls would get awfully sunburned dressed like that out onrepparttar 105549 range) torepparttar 105550 theatrical (a Bond-esque "secret agent" act turning into a bluesy "Leave Your Hat On" striptease).

The show doesn't attempt to overwhelm or dazzle its audience. The feeling is more friendly and fun. The costumes were nicely done, andrepparttar 105551 wigs worn during some acts had no trouble staying on duringrepparttar 105552 most gymnastic of dance moves. Speaking of moves, I enjoyedrepparttar 105553 flow ofrepparttar 105554 dances: rather than doing exactly-synchronized kicks and turns more suited to large shows,repparttar 105555 dancers seemed to be doing something just slightly different from one another most ofrepparttar 105556 time. This created an atmosphere of constant motion and made it fun watching individual dancers to see what each was doing.

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Rob LaGrone, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com



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Orquesta Sinfonica National de Mexico

Written by Rob LaGrone


Continued from page 1

I saw two things forrepparttar first time tonight. First, I've seen plenty of trumpet mutes, but a mute in a tuba? It reminded my date of a huge earplug sticking out ofrepparttar 105535 instrument's flared bell, and it looked to me like a silver beer keg. (I always go out with dames that are classier than I am.) Second, Maestro Diemecke conducted without a baton. Instead, he made very good use of his hands, posture, and facial expressions to get exactly what he wanted from his performers. It was great fun to watch.

The final music onrepparttar 105536 program wasrepparttar 105537 signature piece I mentioned earlier, Revueltas' 'La Coronela' ('The Woman Colonel'). I have never heard a musical work more at odds with its program description. The first movement, 'Society Ladies', started out nervous and finished like an intense battle scene fromrepparttar 105538 old "Victory at Sea" films! What was in that champagne I drank at intermission? Next,repparttar 105539 'Dance ofrepparttar 105540 Disinherited' should bring to mind poverty and despair, butrepparttar 105541 music started off serene and gradually became as light and fluffy as a scherzo; it seemed to involve dancing "rurales" and no small amount of cerveza. Third, 'Don Ferruco's Nightmare', sounded peaceful, but at least it grew in intensity as it came torepparttar 105542 part about The Woman Colonel herself. (Maybe 'Coronela' actually means "battle-axe.") I couldn't even tell where we were inrepparttar 105543 piece untilrepparttar 105544 music suddenly hit a big crescendo and told me that we had reachedrepparttar 105545 fourth movement, 'Last Judgement'. It started

To read this entire feature FREE with photos cut and paste this link: http://www.jetsettersmagazine.com/archive/jetezine/classic/vegas/mexico/mexico.html

Rob LaGrone, Jetsetters Magazine Correspondent – Read Jetsetters Magazine at www.jetsettersmagazine.com To book travel visit Jetstreams.com at www.jetstreams.com and for Beach Resorts visit Beach Booker at www.beachbooker.com



Rob LaGrone, Jetsetters Magazine Correspondent. Join the Travel Writers Network in the logo at www.jetsettersmagazine.com Leave Your email next to the logo for FREE e travel newsletter.


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