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The precocious 12 year old (or were they 8 year olds): Valentin (Argentina), Elina (Sweden), Whale Rider (New Zealand), and Hard Goodbyes (Greece) each dealt with an overly wise child coping with
world of adults.
Valentin was charming, but definitely slight. It's a very cute film, but doesn't have much to say. Whale Rider and Hard Goodbyes, on
other hand, bowl you over with
power of what they have to say and how they say it. In Whale Rider, winner of both
audience award for best picture and best director, an 11 year old Maori girl bucks tradition to bring Maori attitudes about communalism into
21st century. In Hard Goodbyes, my favorite film from
festival, a young boy in 1960s Greece refuses to believe that his father is dead. The film is a lyrical look at denial and growing up.
The Embalmer (Italy), sends a politically incorrect message.
The dwarf as sexual analogy:
Both "Wild Dogs" (Canada) and "The Embalmer" (Italy) use a dwarf character to show sexual dissolution. In Wild Dogs,
filmmaker actually has a point to make and
film is engrossing and moving. The Embalmer, unfortunately, is just a big mess of a film with a politically incorrect message to spread about sexual obsession and a gay dwarf who can only be happy by falling in love with a straight man.
The Hebrew Hammer (U.S.) is a fun and silly film.
The silly silly film: So Close (Hong Kong), In July (Germany), and The Hebrew Hammer (U.S.) each had such a thoroughly implausible plot but were all equally enjoyable that they all made for memorable viewing. So Close is about two Hong Kong assassin sisters (or is that sister assassins) and
CSI style Chinese American forensics specialist who chases them. There was a lot of slow motion falling glass in this one, but any film that allows stiletto heels to be part of an assassin's arsenal has to be on a must-see list. In July stars Moritz Bleibtreu, so obviously everybody with an eye for an attractive male star should see this one. It's a road movie, and you'll just have to suspend disbelief and go with
destiny/coincidence storyline and enjoy
film. The Hebrew Hammer was billed as
first ever "Jewsploitation" film and
producers weren't kidding. It was hysterically funny with Andy Dick as evil Santa Claus intent on ridding
world of
phrase "Happy Holidays" and getting rid of Hanukkah altogether while Adam Goldberg plays The Hebrew Hammer. The film even steals shots and music from classic blaxploitation films, mostly
Shaft series (definitely not
Samuel L. Jackson remake version).
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