IMAGINE THE IMAGINATION

Written by shadha kudrath ali


Continued from page 1

BUT

Doesrepparttar writing of a piece during a depressed period makerepparttar 129170 person emotional who sentimentalizes everything?

The author in real life may prefer comedies to dramas.

Thoughts or portions of thoughts are focused upon thatrepparttar 129171 other portions ofrepparttar 129172 thought or other thoughts are not dealt with.

Think of standing before a forest and wanting to take a picture of all you see before you but all you have is a 35mm camera which is unable to photograph all ofrepparttar 129173 trees many of which will have to be cut off fromrepparttar 129174 photograph.

The writer then builds up portions ofrepparttar 129175 thought orrepparttar 129176 thought into a literary piece forrepparttar 129177 audience.

We don’t want to eat chips (fries) alone. We want a piece of meat or a slice of fish to go with it. And pour some ketchup and mustard on those chips.

This requires being dramatic.

Think of movies and soundtracks. At a certain point there is a certain feeling, a certain idea, a certain vibe and a song is played duringrepparttar 129178 action to build up this aura.

The audience has to relate to what you have to say yet atrepparttar 129179 same time it has to be put forward in a different way sorepparttar 129180 audience will be compelled to read about something they already know about.

Think ofrepparttar 129181 night when sounds are heard. They may be sounds ofrepparttar 129182 day but underrepparttar 129183 cover ofrepparttar 129184 night whenrepparttar 129185 other sounds are smothered you never heard those other sounds until now. The sounds harmless duringrepparttar 129186 day suddenly become eerie inrepparttar 129187 quietness ofrepparttar 129188 night.

This process convertsrepparttar 129189 original thoughts into lies for they are built up forrepparttar 129190 purpose of being read by an audience andrepparttar 129191 original thought although present does not exist in its original setting ofrepparttar 129192 mind but in a new setting onrepparttar 129193 page.

Don’t you always think every time you see yourself in a picture you look much better when you look at yourself in a mirror than inrepparttar 129194 picture taken (by someone else [so toorepparttar 129195 writer writes as if besiderepparttar 129196 self]) of yourself for it does not look anything as fabulous as you really look in reality?

So just imagine that.

Shadha has self published a collection of poems she has written as an ebook (THIRD WORLD EXPERIMENT) My Collection of Poems at www.shadha.com. These poems were written over the years 1998-2002 during her spare time.


Rejuvenation

Written by Lisa Collazo LCSW


Continued from page 1

How can writers incorporate this unrestrained way of being into their own lives? It may be as simple as looking at who you are and what you enjoy doing. How one writer relaxes and refuels his/her creativity may vary greatly from another.

Here are some questions to ponder:

1. When you think about taking a break from writing, what comes to mind for you? 2. Are you feeling guilty for thinking about time spent away from your writing? 3. Are you relishingrepparttar thought of a rewarding experience that can help fuel your energy to write again? 4. If you do not take breaks, how do you feel? 5. What signs do you recognize in your body?

It is no surprise that by taking more breaks from your writing, you will feel better and enhance your creativity. The sooner you can become aware of what depletes your energy and recognize what works for you in refueling your creativity,repparttar 129166 better off you will be as a writer.

"Every child is an artist. The problem is how to remain an artist once he grows up." Pablo Picasso

Copyright 2003, Lisa Collazo. All Rights Reserved.

ABOUT THE AUTHOR: Lisa Collazo is a licensed clinical social worker and personal and professional writer's coach. She helps writers discover their authentic voice and challenges them to begin taking risks with their writing. Ms. Collazo's services for writers include individual telephone coaching.

She can be reached by email or phone at: Lisa@writewhatyouknow.com www.writewhatyouknow.com 512-445-7498


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